Currently not in stock: Please contact our sales team for product availability and lead times. Thanks to our strong supplier relationships our lead times are some of the quickest in the industry, giving us full confidence that we can still fulfil your requirements on back-order quicker than any competitor.
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If you place your order and we've not got a product in stock, a member of the sales team will contact you with our supplier lead times or to find an alternative.
Please call the sales team on 01525 850085 or email sales@leisuretec.co.uk if you have any questions.
Wireless Microphone Systems
We do our best to keep healthy stocks across the many Wireless Microphone System SKUs but in the rare case where we don't have your required system in stock, please contact our sales team as we can often make your product to order by borrowing the system components (transmitters, receivers or mics) from other stocked systems.
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Main Features
LIGHT-ENGINE AND BARREL ONLY (LENS TUBE SOLD SEPARATELY)
Full-spectrum LED ERS-style lighting fixture for theatre, film and production
Linear colour temperature presets from 2800 K to 8000 K with high CRI and CQS
Virtual colour wheel with colour matched to popular gel colours
+/- Green adjustment and emulated red-shift via DMX or on-board control
RDM (Remote Device Management) for added flexibility
Adjustable PWM (Pulse Width Modulation) to avoid flickering on camera
Chauvet Professional Ovation Reve E-3 Full-Colour LED Ellipsoidal
Ovation Rêve E-3 is the brightest, multi-color LED ellipsoidal that also has the capability of producing perfectly tunable whites. It’s a new kind of epic story-telling machine that fuses the best of both worlds into one totally reimagined LED light source. Color Temperature presets ranging from 2800K to 8000K maintain outstanding brightness and a high quality of light, with an emulated “red shift” for a tungsten feel. Ovation Rêve E-3 also features several dimming curves, a virtually silent operation with fan-off modes, and a series of technician-friendly features such as an innovative, adjustable yoke that makes mounting in low clearance situations a breeze. With Ovation Rêve E-3 you can seamlessly transition from captivating a wide range of saturated colors in class-leading output to distinct whites with +/- green adjustments using one fixture. No ifs, or buts. Simply and categorically unrivaLED.
LIGHT-ENGINE AND BARREL ONLY (LENS TUBE SOLD SEPARATELY)
Live stock levels for a trade accounts. Shipping cut-off at 4pm.
Product Features
Full-spectrum LED ERS-style lighting fixture for theatre, film and production
Linear colour temperature presets from 2800 K to 8000 K with high CRI and CQS
Virtual colour wheel with colour matched to popular gel colours
+/- Green adjustment and emulated red-shift via DMX or on-board control
RDM (Remote Device Management) for added flexibility
Adjustable PWM (Pulse Width Modulation) to avoid flickering on camera
Virtually silent operation for use in studio, film and theatre applications
Ultra-smooth 16-bit dimming curves and speeds to complement any lighting scheme.
Innovative adjustable yoke for mounting in low clearance areas
Direct power/data connection and control options for the Ovation GR-1 gobo rotator
USB port for fixture software updates
Product Specifications
OPTICAL
Light Source: 91 LEDs (12 red, 19 green, 3 blue, 9 royal blue, 24 amber, 24 mint) 3.5 to 10 W, (2.4 A), 50,000 hours life expectancy
Colour Temperature (range): 2800 to 8000 K
Colour Temperature (at full): 5470K
CRI (3200 K): 95.4
Beam Angle
Beam Angle (w/5° lens): 4.6°
Beam Angle (w/10° lens): 10°
Beam Angle (w/14° lens): 14.8°
Beam Angle (w/19° lens): 18.5°
Beam Angle (w/26° lens): 26°
Beam Angle (w/36° lens): 33.3°
Beam Angle (w/50° lens): 49.5°
Beam Angle (w/15°–30° lens)(Narrow): 13°
Beam Angle (w/15°–30° lens)(Wide): 28.5°
Beam Angle (w/25°–50° lens)(Narrow): 23.6°
Beam Angle (w/25°–50° lens)(Wide): 40.5°
Field Angle
Field Angle (w/5° lens): 5.6°
Field Angle (w/10° lens): 11.1°
Field Angle (w/14° lens): 16°
Field Angle (w/19° lens): 21.6°
Field Angle (w/26° lens): 29.6°
Field Angle (w/36° lens): 37.1°
Field Angle (w/50° lens): 55.7°
Field Angle (w/15°–30° lens)(Narrow): 15.4°
Field Angle (w/15°–30° lens)(Wide): 32.2°
Field Angle (w/25°–50° lens)(Narrow): 25.8°
Field Angle (w/25°–50° lens)(Wide): 44.1°
Lumens
Lumens (w/5° lens): 5,076
Lumens (w/10° lens): 11,250
Lumens (w/14° lens): 12,179
Lumens (w/19° lens): 12,156
Lumens (w/26° lens): 13,300
Lumens (w/36° lens): 13,223
Lumens (w/50° lens): 12,216
Lumens (w/15°–30° lens): 12,057
Lumens (w/25°–50° lens): 14,355
Illuminance
Illuminance (w/5° lens): 31,856 lux @ 5 m
Illuminance (w/10° lens): 18,924 lux @ 5 m
Illuminance (w/14° lens): 9,284 lux @ 5 m
Illuminance (w/19° lens): 5,635 lux @ 5 m
Illuminance (w/26° lens): 3,378 lux @ 5 m
Illuminance (w/36° lens): 2,085 lux @ 5 m
Illuminance (w/50° lens): 870 lux @ 5 m
Illuminance (w/15°–30° lens)(Narrow): 9,292 lux @ 5 m
Illuminance (w/15°–30° lens)(Wide): 2,671 lux @ 5 m
Illuminance (w/25°–50° lens)(Narrow): 3,710 lux @ 5 m
Illuminance (w/25°–50° lens)(Wide): 1,527 lux @ 5 m
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