Proven Wireless for Event Production in 2026

January 30, 2026
Published on  Updated on  Back to Leisuretec Blog

In live event production, reliability matters more than novelty. When you’re planning your wireless microphone requirements for corporate events, parties, festivals, conferences, theatres or broadcast-adjacent work, the priority is a system that will perform flawlessly today, tomorrow, and the next five years down the line.

That’s exactly why Sennheiser EW-DX continues to be our best-selling digital wireless microphone system for professional event production, and why it remains a cornerstone system heading into 2026. It may not be the newest release on the market (it’s not old by any means), but it ticks every box that matters for both the rental company and user.

In this blog post, we've summarised our top reasons for why EW-DX is such a strong contender for your hire inventory. Let's dive in.

Rock Solid Audio that Preserves the Original Performance

Perfect Audio from Input to Signal

Unlike analogue wireless systems that rely on companders – compressing and expanding the signal so it can be modulated, incurring noise – EW-DX operates digitally. The audio signal is converted via high-quality ADC and DACs (Digital to Analogue converter), using Sennheiser’s Proprietary SePac audio codec and new conversion technology, meaning that the original input is captured, transmitted and reconstructed almost perfectly. This gives you clean, transparent audio that sounds natural and consistent across voices and performance styles, with none of the artifacts traditionally associated with analogue RF systems.

Ultra-Low Latency of just 1.9ms

“But it’s a digital system. That means it will incur latency, right?” Technically, yes. But not really. EW-DX delivers an ultra-low latency of just 1.9 milliseconds, making it effectively imperceptible in live environments. At 1.9ms, EW-DX feels immediate and natural, and removes one of the traditional concerns around digital wireless.

134dB Dynamic Range

EW-DX delivers an impressive 134dB dynamic range, allowing it to handle everything from quiet whispers to power vocal performances without distortion or noise floor issues. For event production companies, this means:

  • Fewer gain-related headaches
  • Greater tolerance to unpredictable presenters
  • Consistent results across varied environments

Spend less time riding levels and more time focusing on the mix.

Reduced Intermodulation and Improved Spectral Efficiency

The RF spectrum is a densely populated and shrinking resource. And it’s not improving. As a digital system, EW-DX naturally has greater spectral efficiency than an analogue counterpart, but it also comes with enhanced features like Equidistant Spacing. This technology automatically spaces your channels 600MHz apart – a safe distance for intermodulation-free transmission – making it far easier to deploy multiple systems reliably.

The AutoScan feature quickly scans your environment and deploys frequencies with equidistant spacing, reducing setup time dramatically while increasing confidence that your system will remain stable throughout an event.

EW-DX also boasts a technology called Intelligent Switching Diversity, an advancement in RF technology that enables the switching of antennas between audio frames to deliver stable transmission without audible artifacts.

Fast, Intuitive Setup with Modern Control Tools

Time is always tight in live production. Whether you’re setting up a small corporate job or managing a larger inventory, this control ecosystem scales effortlessly with the choice of the simple QuickAssist mobile app, or fully comprehensive Control Cockpit PC software. With these tools, engineers can:

  • Configure systems quickly
  • Monitor RF, audio, battery, and latency-critical performance at a glance
  • Manage multiple receivers from a single interface

Dante Integration for Seamless Audio Networking

EW-DX receivers with Dante support integrate cleanly into modern networked audio systems. For production companies already working with digital consoles and Dante-based infrastructures, this allows for simplified cabling, easy routing into larger systems and scalable deployment across more complex setups. This is a huge advantage for professional event production companies looking for simple integration and flexibility with their modern audio equipment.

Compact Dual and Quad Receiver Options

Rack space and portability are key considerations for any hire production company. You need to maximise your space in storage and transit, whilst keeping transport and setup time to a minimum. EW-DX dual and quad receiver configurations let you deploy more channels in less space, keeping your racks lighter, more compact, and easier to transport – without sacrificing on performance or flexibility.

Charging Made Easy

Battery management is one of the most overlooked – yet critical – aspects of wireless systems. EW-DX offers flexible rechargeable options alongside the traditional AA battery, giving production companies the freedom to choose what best suits their workflow. Recharge your transmitters with the CHG 70N dual network desktop charger or BA70 dual desktop charger. Or, for those looking for ultimate convenience and portability, we'd recommend the L6000 intelligent 1U charging station,  built to fit in your wireless production rack and capable of charging up to 16 BA70 batteries at a time. Three-colour LEDs simplify the charging status, and it can also be controlled and monitored by the WSM software.

AES-256 Encryption

For corporate, government, and high-profile events, security really matters. EW-DX supports AES-256 encryption, ensuring that audio transmission remains private and protected. This makes it suitable for confidential meetings, press events, and sensitive presentations.

Long-Term Value in Your Investment

One of EW-DX’s biggest strengths is that its core advantages – digital audio quality, ultra-low latency, spectral efficiency, network integration and software control – aren’t features that are easily superseded.

These fundamentals will remain relevant for years, which is why EW-DX continues to represent excellent long-term value for hire inventories and permanent installs alike. It’s a system that you can invest in confidently, knowing that it won’t feel outdated any time soon.

A Professional Look that Fits Any Environment

Appearance matters, especially in corporate and broadcast environments. EW-DX handheld transmitters look clean, modern and unmistakably professional. The sleek black finish looks comfortable in any environment and the the classic Sennheiser fin at the bottom gives that distinctive air of professionalism. The receivers are equally as smart too, creatively blending brushed steel with black accents to smarten up your production rack.

The Sensible Wireless Choice for Event Production in 2026

For 2026, the best wireless system is one that is reliable, professional, works with modern workflows and ticks all of the boxes for audio engineers. Sennheiser really have nailed all of this with EW-DX and that’s why it continues to earn its place in professional inventories.

Don't need all of the advanced features of EW-DX? Why not look at EW-D? Sitting just below in terms of feature and price, EW-D shares the same professional look and build, another great choice for event companies looking to expand their wireless inventory with robust audio transmission, but haven't quite got the budget for DX.

As their UK distributor to the trade, we hold huge stocks of Sennheiser on the shelf, supporting you with competitive trade pricing, expert advice and quick delivery. Call us on 01525 850085 to discuss your RF requirements or browse our website for more information.

Published on  Updated on  Back to Leisuretec Blog

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