{"title":"Digital Mixing Consoles","description":"\u003cp\u003e\u003cstrong\u003eDigital mixing consoles\u003c\/strong\u003e offer advanced signal processing, flexible routing, and preset recall in a compact or rackable format.\u003c\/p\u003e\u003cp\u003eWidely used in \u003cstrong\u003etheatres, broadcast, touring, and corporate AV\u003c\/strong\u003e, they support remote control and networked audio protocols.\u003c\/p\u003e\u003cp\u003eEvaluate number of channels, onboard DSP, touchscreen control, and I\/O flexibility.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrowse below to find the right digital mixing consoles for your needs, or call our experts on 01525 850085 to discuss your audio requirements.\u003c\/strong\u003e\u003c\/p\u003e","products":[{"product_id":"cq-12t-ultra-compact-digital-mixer-12in-8out","title":"CQ-12T Ultra-Compact Digital Mixer 12in \/ 8out","description":"\u003cp\u003eCQ-12T is the smallest mixer in the CQ range and is ideal for home recording and streaming, band rehearsals, small gigs, and speech applications.\u003c\/p\u003e\u003cp\u003eCQ-12T gives you all the tactile control you need to get around the interface quickly. The 7″ touchscreen and rotary control make it simple to set up and get mixing, and 3 Custom SoftKeys let you access commonly used functions at the push of a button. Connect a router or access point and the free CQ MixPad app also gives you full control of your mix from anywhere in the venue.\u003c\/p\u003e\u003cp\u003eCQ-12T gives you all the connectivity you need to get going with 10 mic\/line inputs split across 5 XLRs and 5 XLR\/TRS combi sockets, plus a stereo input via a pair of 1\/4″ jacks. When it comes to outputs, there’s a pair of main mix outputs on XLR plus 6 TRS jack outputs for monitor mixes – enough for the whole band!\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e13x Inputs to Mix (10x Mono\/Linkable, 3x Stereo)\u003c\/li\u003e\n\u003cli\u003eStereo MainLR Output\u003c\/li\u003e\n\u003cli\u003e6x Aux Outputs (Linkable up to 3x Stereo)\u003c\/li\u003e\n\u003cli\u003e5x XLR Mic\/Line Input Sockets\u003c\/li\u003e\n\u003cli\u003e5x XLR\/Jack ‘Combi’ Mic\/Line Input Sockets\u003c\/li\u003e\n\u003cli\u003eStereo Line Input (2x TRS)\u003c\/li\u003e\n\u003cli\u003e2x XLR Output Sockets (MainLR)\u003c\/li\u003e\n\u003cli\u003e6x TRS Output Sockets\u003c\/li\u003e\n\u003cli\u003eStereo Headphone Output\u003c\/li\u003e\n\u003cli\u003eDedicated Stereo USB Input to Mix\u003c\/li\u003e\n\u003cli\u003eDedicated Stereo Bluetooth Input\u003c\/li\u003e\n\u003cli\u003e96kHz Input\/Output Processing\u003c\/li\u003e\n\u003cli\u003e2x Multi-FX Engines\u003c\/li\u003e\n\u003cli\u003eRJ45 Network Socket (CQ as Client)\u003c\/li\u003e\n\u003cli\u003eUSB-A For Stereo Audio Record\/Playback and Data\u003c\/li\u003e\n\u003cli\u003eUSB-B For Multichannel Audio Record\/Playback\u003c\/li\u003e\n\u003cli\u003eSD Card Slot for Multichannel Audio Record\/Playback\u003c\/li\u003e\n\u003cli\u003e7” Capacitive Touchscreen with 5x Screen Keys\u003c\/li\u003e\n\u003cli\u003e3x Configurable SoftKeys\u003c\/li\u003e\n\u003cli\u003eConfigurable Single\/Dual Footswitch Connection\u003c\/li\u003e\n\u003cli\u003eRack Mountable (Optional Kit Available)\u003c\/li\u003e\n\u003cli\u003eControl Via Free Apps – Windows\/MacOS\/iOS\/Android\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eInputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMic\/Line Inputs:  Balanced XLR, Balanced XLR\/TRS Combi, fully recallable preamp\u003c\/li\u003e\n\u003cli\u003ePhantom Power:  +48V (+3V \/ -2V)\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity:  -60 to +0dBu\u003c\/li\u003e\n\u003cli\u003eLine Inputs (Combi Sockets):  -20dB Pad (Fixed)\u003c\/li\u003e\n\u003cli\u003eAnalogue Gain:  0dB to +60dB, 1dB steps\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level:  +17dBu (XLR), +30dBu (TRS)\u003c\/li\u003e\n\u003cli\u003eInput Impedance:  \u0026gt;1.5kΩ (XLR), \u0026gt;10kΩ (TRS)\u003c\/li\u003e\n\u003cli\u003eTHD+N, Unity gain 0dB:  0.002% -92dBu (20Hz-20kHz, USB soundcard, @0dBu 1kHz)\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mid gain +30dB:  0.004% -88dBu (20Hz-20kHz, USB soundcard, @-30dBu 1kHz)\u003c\/li\u003e\n\u003cli\u003eStereo Line Input\u003cul\u003e\n\u003cli\u003eStereo Line Input Connection:  Balanced, 1\/4\" TRS Jack, Normalled (Left\/Mono)\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity Nominal:  +4dBu\u003c\/li\u003e\n\u003cli\u003eTrim:  +\/-24dB\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level:  +21dBu\u003c\/li\u003e\n\u003cli\u003eInput Impedance:  \u0026gt;10kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eOutputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMain LR Outputs:  Balanced, XLR\u003c\/li\u003e\n\u003cli\u003eOutputs:  1-6 Balanced, 1\/4\" TRS Jack\u003c\/li\u003e\n\u003cli\u003eOutput Impedance:  \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eNominal Output:  +4dBu = 0dB meter reading\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level:  +22dBu\u003c\/li\u003e\n\u003cli\u003eResidual Output Noise:  -88dBu (muted, 20Hz-20kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSystem\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSystem:  Measured balanced XLR in to XLR out, 0dB gain, 0dBu input\u003c\/li\u003e\n\u003cli\u003eDynamic Range:  110 dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response:  +0\/-0.5dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eHeadroom:  +18dB\u003c\/li\u003e\n\u003cli\u003eInternal operating Level:  0dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mic routed to Main L\/R Out:  +10dBu input, 0dB system gain, 0.003%, -92dB (Relative, 20-20kHz)\u003c\/li\u003e\n\u003cli\u003edBFS Alignment:  +18dBu = 0dBFS (+22dBu at XLR output)\u003c\/li\u003e\n\u003cli\u003eMeter Calibration:  0dB meter = -18dBFS (+4dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eSampling Rate:  96kHz\u003c\/li\u003e\n\u003cli\u003eBit Depth:  Custom bit depth, up to 96-bit\u003c\/li\u003e\n\u003cli\u003eLatency:  \u0026lt;0.7mS, Local Mic Input to Main L\/R, with all processing in or out\u003c\/li\u003e\n\u003cli\u003eOperating Temperature Range:  0° C to 40° C (32° F to 104° F)\u003c\/li\u003e\n\u003cli\u003ePower:  12V DC, 5A (100-240V AC, 50\/60Hz input PSU supplied), 35W max\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eRecord\/Playback\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eUSB-A\u003cul\u003e\n\u003cli\u003eStereo Record:  48\/96 kHz, 24-bit WAV format. Patchable from Outputs, ST in, or FX Units\u003c\/li\u003e\n\u003cli\u003eStereo Playback:  44.1\/48\/96 kHz, 16\/24 bit, Mono\/Stereo WAV files\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB-B:  USB 2.0, Core Audio compliant, ASIO\/WDM for Windows, 48\/96 kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eSend \/ Return:  16 channels \/ 16 channels\u003c\/li\u003e\n\u003cli\u003eSD Card:  SDHC, 32 GB, UHS-I, Class 10 for maximum channels, 48\/96 kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eMultitrack Record:  16 channels @ 96kHz or 48kHz\u003c\/li\u003e\n\u003cli\u003eMultitrack Playback:  16 channels @ 96kHz or 48kHz\u003c\/li\u003e\n\u003cli\u003eBluetooth:  4.1 (high quality stereo playback)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eDimensions (WxDxH):  91 x 242 x 89 mm\u003c\/li\u003e\n\u003cli\u003eWeight:  2.4 kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":43739932819632,"sku":"ALLCQ12T","price":582.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/ALLCQ12T_Allen_Heath_CQ12T240X_Image_1.jpg?v=1765890511"},{"product_id":"cq-18t-ultra-compact-digital-mixer-with-wi-fi-18in-8out","title":"CQ-18T Ultra-Compact Digital Mixer with Wi-Fi 18in \/ 8out","description":"\u003cp\u003eCQ-18T gives you all the tactile control you need to get around the interface quickly. A 7″ touchscreen and rotary control make it simple to set up and get mixing, and the 3 Custom Rotaries and SoftKeys allow you to access commonly used functions with just your muscle memory. The free CQ MixPad app also gives you full control of your mix from anywhere in the venue thanks to the built-in WiFi.\u003c\/p\u003e\u003cp\u003eThe CQ-18T features powerful integrated dual-band Wi-Fi so you don’t need to bring a bulky access point or router along to use apps with the mixer. Just connect your devices to the CQ’s secure Wi-Fi network and you’re ready to go.\u003c\/p\u003e\u003cp\u003eCQ-18T gives you all the connectivity you need to get going with 16 mic\/line inputs plus a stereo line input. When it comes to outputs, there’s a pair of main mix outputs plus 6 outputs for monitor mixes – enough for the whole band – and two headphone outputs are provided which can be assigned different mixes, perfect for recording.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e19x Inputs to Mix (16x Mono\/Linkable, 3x Stereo)\u003c\/li\u003e\n\u003cli\u003eStereo MainLR Output\u003c\/li\u003e\n\u003cli\u003e6x Aux Outputs (Linkable up to 3x Stereo)\u003c\/li\u003e\n\u003cli\u003e8x XLR Mic\/Line Input Sockets\u003c\/li\u003e\n\u003cli\u003e8x XLR\/Jack ‘Combi’ Mic\/Line Input Sockets\u003c\/li\u003e\n\u003cli\u003eStereo Line Input (2x TRS)\u003c\/li\u003e\n\u003cli\u003e2x XLR Output Sockets (MainLR)\u003c\/li\u003e\n\u003cli\u003e6x TRS Output Sockets\u003c\/li\u003e\n\u003cli\u003e2x Stereo Headphone Outputs\u003c\/li\u003e\n\u003cli\u003eDedicated Stereo USB Input to Mix\u003c\/li\u003e\n\u003cli\u003eDedicated Stereo Bluetooth Input to Mix\u003c\/li\u003e\n\u003cli\u003e96kHz Input\/Output Processing\u003c\/li\u003e\n\u003cli\u003e4x Multi-FX Engines\u003c\/li\u003e\n\u003cli\u003eBuilt-In Dual Band WiFi (CQ as Host)\u003c\/li\u003e\n\u003cli\u003eRJ45 Network Socket (CQ as Client)\u003c\/li\u003e\n\u003cli\u003eUSB-A For Stereo Audio Record\/Playback and Data\u003c\/li\u003e\n\u003cli\u003eUSB-B For Multichannel Audio Record\/Playback (24x22)\u003c\/li\u003e\n\u003cli\u003eSD Card Slot for Multichannel Audio Record\/Playback (24x22)\u003c\/li\u003e\n\u003cli\u003e7” Capacitive Touchscreen with 5x Screen Keys and Associated Rotary Encoder\u003c\/li\u003e\n\u003cli\u003e3x Configurable SoftRotaries\u003c\/li\u003e\n\u003cli\u003e3x Configurable SoftKeys\u003c\/li\u003e\n\u003cli\u003eConfigurable Single\/Dual Footswitch Connection\u003c\/li\u003e\n\u003cli\u003eRack Mountable (Optional Kit Available)\u003c\/li\u003e\n\u003cli\u003e12V DC Power Inlet with switch, External Worldwide PSU supplied\u003c\/li\u003e\n\u003cli\u003eControl Via Free Apps – Windows\/MacOS\/iOS\/Android\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eInputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMic\/Line Inputs:  Balanced XLR, Balanced XLR\/TRS Combi, fully recallable preamp\u003c\/li\u003e\n\u003cli\u003ePhantom Power:  +48V (+3V \/ -2V)\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity:  -60 to +0dBu\u003c\/li\u003e\n\u003cli\u003eLine Inputs (Combi Sockets):  -20dB Pad (Fixed)\u003c\/li\u003e\n\u003cli\u003eAnalogue Gain:  0dB to +60dB, 1dB steps\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level:  +17dBu (XLR), +30dBu (TRS)\u003c\/li\u003e\n\u003cli\u003eInput Impedance:  \u0026gt;1.5kΩ (XLR), \u0026gt;10kΩ (TRS)\u003c\/li\u003e\n\u003cli\u003eTHD+N, Unity gain:  0dB 0.002% -92dBu (20Hz-20kHz, USB soundcard, @0dBu 1kHz)\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mid gain:  +30dB 0.004% -88dBu (20Hz-20kHz, USB soundcard, @-30dBu 1kHz)\u003c\/li\u003e\n\u003cli\u003eStereo Line Input\u003cul\u003e\n\u003cli\u003eStereo Line Input Connection:  Balanced, 1\/4\" TRS Jack, Normalled (Left\/Mono)\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity:  Nominal +4dBu\u003c\/li\u003e\n\u003cli\u003eTrim:  +\/-24dB\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level:  +21dBu\u003c\/li\u003e\n\u003cli\u003eInput Impedance:  \u0026gt;10kΩ \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003e Outputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMain LR Outputs:  Balanced, XLR\u003c\/li\u003e\n\u003cli\u003eOutputs:  1-6 Balanced, 1\/4\" TRS Jack\u003c\/li\u003e\n\u003cli\u003eOutput Impedance:  \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eNominal Output:  +4dBu = 0dB meter reading\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level:  +22dBu\u003c\/li\u003e\n\u003cli\u003eResidual Output Noise:  -88dBu (muted, 20Hz-20kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSystem\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSystem:  Measured balanced XLR in to XLR out, 0dB gain, 0dBu input\u003c\/li\u003e\n\u003cli\u003eDynamic Range:  110 dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response:  +0\/-0.5dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eHeadroom:  +18dB\u003c\/li\u003e\n\u003cli\u003eInternal operating Level:  0dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mic routed to Main L\/R Out:  +10dBu input, 0dB system gain, 0.003%, -92dB (Relative, 20-20kHz)\u003c\/li\u003e\n\u003cli\u003edBFS Alignment:  +18dBu = 0dBFS (+22dBu at XLR output)\u003c\/li\u003e\n\u003cli\u003eMeter Calibration:  0dB meter = -18dBFS (+4dBu at XLR output)\u003c\/li\u003e\n\u003cli\u003eSampling Rate:  96kHz\u003c\/li\u003e\n\u003cli\u003eBit Depth:  Custom bit depth, up to 96-bit\u003c\/li\u003e\n\u003cli\u003eLatency:  \u0026lt;0.7mS, Local Mic Input to Main L\/R, with all processing in or out\u003c\/li\u003e\n\u003cli\u003eOperating Temperature Range:  0° C to 40° C (32° F to 104° F)\u003c\/li\u003e\n\u003cli\u003ePower:  12V DC, 5A (100-240V AC, 50\/60Hz input PSU supplied), 35W max\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003e Record\/Playback\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eUSB-A\u003cul\u003e\n\u003cli\u003eStereo Record:  48\/96 kHz, 24-bit WAV format. Patchable from Outputs, ST in, or FX Units\u003c\/li\u003e\n\u003cli\u003eStereo Playback:  44.1\/48\/96 kHz, 16\/24 bit, Mono\/Stereo WAV files\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB-B:  USB 2.0, Core Audio compliant, ASIO\/WDM for Windows, 48\/96 kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eSend \/ Return:  24 channels \/ 22 channels\u003c\/li\u003e\n\u003cli\u003eSD Card:  SDHC, 32 GB, UHS-I, Class 10 for maximum channels, 48\/96 kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eMultitrack Record:  16 channels @ 96kHz or 24 channels @ 48kHz\u003c\/li\u003e\n\u003cli\u003eMultitrack Playback:  16 channels @ 96kHz or 22 channels @ 48kHz\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eConnectivity\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eWi-Fi Access Point:  802.11 a\/b\/g\/n\/ac (dual band, auto channel)\u003c\/li\u003e\n\u003cli\u003eBluetooth:  4.1 (high quality stereo playback)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003e Physical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eDimensions (WxDxH):  346 x 242 x 89 mm\u003c\/li\u003e\n\u003cli\u003eWeight:  3kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":43739932917936,"sku":"ALLCQ18T","price":749.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/ALLCQ18T_Allen_Heath_CQ18T240X_Image_1.jpg?v=1765890511"},{"product_id":"cq-20b-ultra-compact-digital-mixer-with-wi-fi-20in-8out","title":"CQ-20B Ultra-Compact Digital Mixer with Wi-Fi 20in \/ 8out","description":"\u003cp\u003eDesigned for life on the stage, CQ-20B is the highest channel-count mixer in the range and is controlled via the free CQ MixPad app.\u003c\/p\u003e\u003cp\u003eAlthough the CQ-20B is designed for life on the stage, you’re free to mix from anywhere in the venue via the free CQ MixPad app and the integrated dual-band Wi-Fi. CQ MixPad gives you control over all parameters of the mixer so you can soundcheck, mix and record from your mobile device or computer.\u003c\/p\u003e\u003cp\u003eThe CQ-20B is designed to be controlled via the intuitive CQ MixPad app and features powerful integrated dual-band Wi-Fi so you don’t need to connect an access point or router to use apps for control of the mixer. Just connect your devices to the CQ’s secure Wi-Fi network and you’re ready to go.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e20x Inputs to Mix\u003c\/li\u003e\n\u003cli\u003e(16x Mono\/Linkable, 4x Stereo)\u003c\/li\u003e\n\u003cli\u003eStereo MainLR Output\u003c\/li\u003e\n\u003cli\u003e6x Aux Outputs\u003c\/li\u003e\n\u003cli\u003e(Linkable up to 3x Stereo)\u003c\/li\u003e\n\u003cli\u003e8x XLR Mic\/Line Input Sockets\u003c\/li\u003e\n\u003cli\u003e8x XLR\/Jack ‘Combi’ Mic\/Line Input Sockets\u003c\/li\u003e\n\u003cli\u003e(2 with Hi-Z option)\u003c\/li\u003e\n\u003cli\u003e2x Stereo Line Input Sockets\u003c\/li\u003e\n\u003cli\u003e(each 2x TRS)\u003c\/li\u003e\n\u003cli\u003e8x XLR Output Sockets\u003c\/li\u003e\n\u003cli\u003e2x TRS Alt Out Sockets\u003c\/li\u003e\n\u003cli\u003eStereo Headphone Output\u003c\/li\u003e\n\u003cli\u003eDedicated Stereo USB Input to Mix\u003c\/li\u003e\n\u003cli\u003eDedicated Stereo Bluetooth Input to Mix\u003c\/li\u003e\n\u003cli\u003e96kHz Input\/Output Processing\u003c\/li\u003e\n\u003cli\u003e4x Multi-FX Engines\u003c\/li\u003e\n\u003cli\u003eBuilt-In Dual Band WiFi (CQ as Host)\u003c\/li\u003e\n\u003cli\u003eRJ45 Network Socket (CQ as Client)\u003c\/li\u003e\n\u003cli\u003eUSB-A For Stereo Audio Record\/Playback and Data\u003c\/li\u003e\n\u003cli\u003eUSB-B For Multichannel Audio Record\/Playback (24x24)\u003c\/li\u003e\n\u003cli\u003eSD Card Slot for Multichannel Audio Record\/Playback (24x24)\u003c\/li\u003e\n\u003cli\u003eConfigurable Single\/Dual Footswitch Connection\u003c\/li\u003e\n\u003cli\u003eConfigurable Chromatic Channel Meter LED\u003c\/li\u003e\n\u003cli\u003eRack Mountable (Optional Kit Available)\u003c\/li\u003e\n\u003cli\u003eIEC Mains Connection with Worldwide PSU\u003c\/li\u003e\n\u003cli\u003eControl Via Free Apps – Windows\/MacOS\/iOS\/Android\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eInputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMic\/Line Inputs:  Balanced XLR, Balanced XLR\/TRS Combi, fully recallable preamp\u003c\/li\u003e\n\u003cli\u003ePhantom Power:  +48V (+3V \/ -2V)\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity:  -60 to +0dBu\u003c\/li\u003e\n\u003cli\u003eLine Inputs (Combi Sockets):  -20dB Pad (Fixed)\u003c\/li\u003e\n\u003cli\u003eAnalogue Gain:  0dB to +60dB, 1dB steps\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level:  +17dBu (XLR), +30dBu (TRS)\u003c\/li\u003e\n\u003cli\u003eInput Impedance:  \u0026gt;1.5kΩ (XLR), \u0026gt;10kΩ (TRS)\u003c\/li\u003e\n\u003cli\u003eTHD+N, Unity gain 0dB:  0.002% -92dBu (20Hz-20kHz, USB soundcard, @0dBu 1kHz)\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mid gain +30dB:  0.004% -88dBu (20Hz-20kHz, USB soundcard, @-30dBu 1kHz)\u003c\/li\u003e\n\u003cli\u003eStereo Line Inputs\u003cul\u003e\n\u003cli\u003eStereo Line Input Connection:  Balanced, 1\/4\" TRS Jack, Normalled (Left\/Mono)\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity Nominal:  +4dBu\u003c\/li\u003e\n\u003cli\u003eTrim:  +\/-24dB\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level:  +21dBu\u003c\/li\u003e\n\u003cli\u003eInput Impedance:  \u0026gt;10kΩ\u003c\/li\u003e\n\u003cli\u003eHi-Z Inputs:  1MΩ, JFET input stage, 0dB to +40dB gain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":43739933016240,"sku":"ALLCQ20B","price":649.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/ALLCQ20B_Allen_Heath_CQ20B240X_Image_1.jpg?v=1765890511"},{"product_id":"qu24-30in-24out-digital-mixer-with-wireless-remote-control","title":"QU24 30IN \/ 24OUT Digital Mixer with Wireless Remote Control","description":"\u003cp\u003e\u003cstrong\u003e\"30 In\/24 Out Digital Mixer.\"\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eNow in a feature-packed new Chrome Edition, Qu-24 reshapes digital mixing, combining innovative design and exceptional functionality to create a superb professional mixing experience. Bristling with all the features you’d expect from a top of the range digital console and incorporating technologies pioneered on the GLD and iLive digital mixing systems, Qu-24 has the power and pedigree to deliver class-leading audio performance.\u003c\/p\u003e\u003cp\u003eHot new features include Automatic Mic Mixing and Spectrogram for feedback-hunting, plus upgraded, high contrast metallic finish controls. Whether you’re switching from analogue or updating your digital desk, it’s time to experience the new digital with Qu-24.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQU Ecosystem:\u003c\/strong\u003e Qu provides much more than just a mixer. Qu is an entire ecosystem with Remote AudioRacks allowing I\/O to be placed where it’s needed, ME Personal Mixers expanding monitor mixes and enabling simple, time-saving local control, Qu Apps for complete remote setup and wireless mixing on stage or anywhere else in the venue, ProFactory Mic presets to speed up preparation time and ensure the best sound, plus USB recording and DAW integration for powerful workflow optimisation from one centrepiece device.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalogiq\u003csup\u003eTM\u003c\/sup\u003e Preamps:\u003c\/strong\u003e Qu-24 features twenty-four AnalogiQ\u003csup\u003eTM\u003c\/sup\u003e digitally controlled preamps with advanced zero-crossing detection and a padless 1dB-step gain stage, which have been closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high-class, low latency 24bit analogue to digital converters, and are matched to 24bit digital to analogue converters to deliver the required high quality output. The AnalogiQTM preamp design has been refined to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Mixing Experience:\u003c\/strong\u003e Having massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.The 800×480, True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-16’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more. Complementing the touchscreen is the SuperStrip – a set of single function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan. The screen overview also follows the control being turned.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOne Channel\/One Fader: \u003c\/strong\u003eQu-16 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Some digital mixers don’t offer a fader per physical input, meaning you have to access an additional fader layer to control these channels. This can be confusing and time consuming. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-16 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Recall:\u003c\/strong\u003e True digital mixing is about being able to save and recall Scenes (snapshots) at the press of a button. Qu can store up to 100 full Scenes for recall and Channels or Mixes can be made Safe from being overwritten. Qu-24 features 25 motorized ALPS faders, 24 allow instant access to all input channels and masters over 2 layers, and a dedicated master fader dynamically follows the Mix selection. A third User-defined Custom layer is available for ad-hoc strip layout, where any combination of Inputs, FX Sends, FX Returns, DCA’s and Mix masters can be assigned.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProfactory MIC Presets: \u003c\/strong\u003eAllen \u0026amp; Heath has teamed up with leading microphone manufacturers and top engineers at Audio-Technica, Sennheiser, and Shure to provide EQ Library presets for a large number of popular and industry standard microphones. Presets for vocals, electric guitar, acoustic guitar, drums, brass and woodwind have been painstakingly crafted to offer you the best possible starting point for the source and your microphone of choice. Whether you’re a keen amateur or a seasoned professional, you can get to work quickly and easily, saving valuable time so you can concentrate on EQ’ing the source and room acoustics.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eiLive FX:\u003c\/strong\u003e Qu-24’s dynamics and FX algorithms are derived from the FX used in our iLive pro touring series. Some of the world’s most respected audio engineers have chosen to use iLive’s FX on tour in preference to top-end plug-ins and external FX units. Qu-24 boasts 4 stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. The FX library has the ability to grow with future firmware releases. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMore Mixes, More Flexibility: \u003c\/strong\u003eGroups - Qu-24 provides 2 stereo Groups which can be used as subgroups to the main LR mix for group level and processing, for example to buss-compress an entire drum kit, or to tame multiple lavalier mics with a single graphic EQ. Groups can also be switched to Mix mode to provide additional outputs for monitor mixes. The Matrix - Qu-24 adds 2 further stereo Matrix outputs equipped with full processing to the console’s extensive I\/O. A Matrix is a ‘mixer within a mixer’, fed from any combination of Group 1-4, Mix 1-10, and main LR. It can be used to provide a broadcast feed, a recording mix, or duplicate the main outputs for delay stacks, fill or zone speakers where independent GEQ and delay is applied.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQU-Drive:\u003c\/strong\u003e Qu-24 has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to \/ from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAutomatic MIX Mixer (AMM):\u003c\/strong\u003e AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time. Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly. The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMAC OS and Windows DAW Integration:\u003c\/strong\u003e Qu-24’s built-in audio interface streams up to 32 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels. The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIO and WDM compatible driver is available for Windows computers. Standard MIDI control is tunnelled over the USB connection so you can map the faders to the tracks of your favourite DAW. A DAW Control driver is available for easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQU Apps for Greater Wireless Control:\u003c\/strong\u003e Add the fully-featured Qu-Pad app for iPad to your Qu-24 and you’re free to EQ and mix monitors on stage, roam around the venue whilst adjusting the PA, and mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi and gives instant access to all live mixing parameters and settings. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003edSNAKE\u003csup\u003eTM \u003c\/sup\u003eRemote Audio Racks: \u003c\/strong\u003eQu-24 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go. If you’re thinking of trading in the copper multicore for a Cat5 digital snake, Qu-24’s built-in dSNAKE port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox. dSNAKE is our proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m \/ 390’. So if you’re mixing FoH you can place your I\/O on the stage and run a single Cat5 cable back to the Qu-24 in the mix position.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eME Personal Mixing System: \u003c\/strong\u003eQu-24 is fully compatible with our ME Personal Mixing System. Any number of ME-1 personal mixers can be chained from the dSNAKETM port (or from an AR2412 Stagebox if you’ve got one connected to the dSNAKETM port). Each performer can be given tailored control over their own mix, leaving the engineer free to focus on the audience experience.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital Mixing Reshaped: \u003c\/strong\u003eMade from 18 gauge, cold-rolled Zintec steel, Qu’s distinctive frame is designed for strength and rigidity. We’ve done unspeakable things to that chassis in the lab and it’s taken everything we’ve thrown at it – even being stomped on by our resident ex-tank commander! Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by whirring coming from the mix position. Qu’s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArmed to the Hilt:\u003c\/strong\u003e Qu-24 is equipped with 5 cores of high efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording \/ playback, Ethernet and fader automation. Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response. The mixer’s DSP farm exploits next generation dual core DSPs. The Qu DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix.\u003c\/li\u003e\n\u003cli\u003e24 Mono Mic\/Line Inputs (TRS + XLR)\u003c\/li\u003e\n\u003cli\u003eRecallable AnaLOGIQTM Preamps\u003c\/li\u003e\n\u003cli\u003e3 Stereo Inputs (TRS)\u003c\/li\u003e\n\u003cli\u003e20 Mix Outputs (XLR)\u003c\/li\u003e\n\u003cli\u003e2 Stereo Groups (switchable to Mix mode)\u003c\/li\u003e\n\u003cli\u003eUp to 9 Monitor Mixes (4 mono + 5 stereo)\u003c\/li\u003e\n\u003cli\u003e2 Stereo Matrix Outs\u003c\/li\u003e\n\u003cli\u003e4 FX Engines\u003c\/li\u003e\n\u003cli\u003e4 dedicated FX Sends \/ Returns\u003c\/li\u003e\n\u003cli\u003e4 Mute Groups\u003c\/li\u003e\n\u003cli\u003e4 DCA Groups\u003c\/li\u003e\n\u003cli\u003eAES Digital Out\u003c\/li\u003e\n\u003cli\u003e32×30 USB Audio Interface\u003c\/li\u003e\n\u003cli\u003edSNAKETM Remote Audio Port\u003c\/li\u003e\n\u003cli\u003e25 Motor Faders\u003c\/li\u003e\n\u003cli\u003e800×480 Touchscreen\u003c\/li\u003e\n\u003cli\u003e10 Soft Keys\u003c\/li\u003e\n\u003cli\u003eTrim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs\u003c\/li\u003e\n\u003cli\u003eInsert, 4-band PEQ, 1\/3 octave GEQ, compressor, delay on all Outputs\u003c\/li\u003e\n\u003cli\u003eChannel Ducker on all inputs\u003c\/li\u003e\n\u003cli\u003eiLive FX Library\u003c\/li\u003e\n\u003cli\u003eBuilt-in Signal Generator\u003c\/li\u003e\n\u003cli\u003eRTA with Peak Band indication\u003c\/li\u003e\n\u003cli\u003eSpectrogram to aid feedback elimination and room acoustics\u003c\/li\u003e\n\u003cli\u003eAutomatic Mic Mixer\u003c\/li\u003e\n\u003cli\u003eQu-Drive Direct Multitrack Recording \/ Playback on USB drives\u003c\/li\u003e\n\u003cli\u003eDAW MIDI Control\u003c\/li\u003e\n\u003cli\u003eQu-Pad iPad App\u003c\/li\u003e\n\u003cli\u003eQu-You iPhone \/ Android personal monitoring app\u003c\/li\u003e\n\u003cli\u003eCompatible with ME Personal Mixing System\u003c\/li\u003e\n\u003cli\u003eHigh contrast metallic finish controls, matching premium GLD Chrome series\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eInputs\\n\u003cul\u003e\n\u003cli\u003eMic\/Line Inputs:  Balanced, XLR and 1\/4\" TRS jack, fully recallable\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity: (XLR \/ TRS) -60 to +5dBu \/ -50 to +15dBu\u003c\/li\u003e\n\u003cli\u003eAnalogue Gain: -5 to +60dB, 1dB steps \u003c\/li\u003e\n\u003cli\u003eMaximum Input: Level (XLR \/ TRS) +19dBu \/ +29dBu \u003c\/li\u003e\n\u003cli\u003eInput Impedance: (XLR \/ TRS) \u0026gt;5kΩ \/ \u0026gt;10 kΩ \u003c\/li\u003e\n\u003cli\u003eTHD+N, Unity gain 0dB: 0.0005% -89 dBu (20-20kHz, Direct Out @0dBu 1kHz)\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mid gain +30dB: 0.001% -83dBu (20-20kHz, Direct Out @0dBu 1kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo Line Inputs\\n\u003cul\u003e\n\u003cli\u003eST1, ST2 connector: Balanced, 1\/4\" TRS jack, half-normalled\u003c\/li\u003e\n\u003cli\u003eST3 connector: Unbalanced, stereo 3.5mm Mini Jack\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity (ST1, ST2 \/ ST3): Nominal +4dBu \/ 0dBu\u003c\/li\u003e\n\u003cli\u003eTrim: +\/-24dB\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level (ST1,ST2 \/ST3): +22dBu \/ +18dBu \u003c\/li\u003e\n\u003cli\u003eInput Impedance: \u0026gt;7kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutputs\\n\u003cul\u003e\n\u003cli\u003eMix1-10 and LR Out: Balanced, XLR\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eNominal Output: +4dBu 0dB meter reading\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +22dBu\u003c\/li\u003e\n\u003cli\u003eResidual Output Noise: -90 dBu (muted, 20-20kHz)\u003c\/li\u003e\n\u003cli\u003eStereo Alt Out \u0026amp; 2Trk Out: Balanced, 1\/4\" TRS jack\u003c\/li\u003e\n\u003cli\u003eSource (Alt Output \/2Trk Output): Patchable \/ LR post-fade\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eNominal Output: +4dBu = 0dB meter reading\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +22dBu\u003c\/li\u003e\n\u003cli\u003eResidual Output Noise: -90 dBu (muted, 20-20kHz)\u003c\/li\u003e\n\u003cli\u003eAES Digital Output: 2 channel, 48kHz sampling rate, XLR, 2.5Vpp balanced terminated 110Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003edSNAKE\\n\u003cul\u003e\n\u003cli\u003eInputs: Remote source for CH1-32, ST1, ST2, ST3\u003c\/li\u003e\n\u003cli\u003eOutputs: Patchable from Mix1-10, LR, Grp1-8, MTX1-4; Compatible with AudioRacks AR2412, AR84, AB168; Compatible with ME personal mixing system\u003c\/li\u003e\n\u003cli\u003eSystem: Measured balanced XLR in to XLR out, 0dB gain, 0dBu input\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 112 dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response: +0\/-0.5dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eHeadroom: +18dB\u003c\/li\u003e\n\u003cli\u003eInternal operating Level: 0dBu\u003c\/li\u003e\n\u003cli\u003edBFS Alignment: +18dBu = 0dBFS (+22dBu at XLR output)\u003c\/li\u003e\n\u003cli\u003eMeter Calibration: 0dB meter = -18dBFS (+4dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eMeter Peak indication: -3dBFS (+19dBu at XLR out), multi-point sensing\u003c\/li\u003e\n\u003cli\u003eMeter Signal indication: -48dBFS (-26dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eMeter Type: Fast (peak) response\u003c\/li\u003e\n\u003cli\u003eSampling Rate: 48kHz +\/-100PPM\u003c\/li\u003e\n\u003cli\u003eADC, DAC: 24-bit Delta-Sigma\u003c\/li\u003e\n\u003cli\u003eLatency: 1.2 ms (local XLR in to XLR out), 0.7 ms (local XLR in to AES out)\u003c\/li\u003e\n\u003cli\u003eOperating Temperature Range: 0 deg C to 35 deg C (32 deg F to 95 deg F)\u003c\/li\u003e\n\u003cli\u003eMains Power 100-240V AC, 50\/60Hz\u003c\/li\u003e\n\u003cli\u003eMaximum Power Consumption: 82W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB Audio\\n\u003cul\u003e\n\u003cli\u003eQu-Drive: USB A\u003c\/li\u003e\n\u003cli\u003eStereo Record: 2 channel, WAV, 48kHz, 24-bit, patchable\u003c\/li\u003e\n\u003cli\u003eStereo Playback: 2 channel, WAV, 44.1 or 48kHz, 16 or 24-bit, to ST3\u003c\/li\u003e\n\u003cli\u003eMultitrack Record: 18 channel, WAV, 48kHz, 24-bit, patchable\u003c\/li\u003e\n\u003cli\u003eMultitrack Playback: 18 channel, WAV, 48kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eUSB Audio Streaming: USB B, Core Audio compliant\u003c\/li\u003e\n\u003cli\u003eSend (upstream): 24 channel, WAV, 48kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eReturn (downstream): 22 channel, WAV, 48kHz, 24-bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eControl\\n\u003cul\u003e\n\u003cli\u003eFaders: 100mm motorised\u003c\/li\u003e\n\u003cli\u003eTouch Screen: 5\" TFT, 800x480 resolution\u003c\/li\u003e\n\u003cli\u003eSoftKeys: 10\u003c\/li\u003e\n\u003cli\u003eMute Groups: 4\u003c\/li\u003e\n\u003cli\u003eDCA Groups: 4\u003c\/li\u003e\n\u003cli\u003eNetwork: TCP\/IP Ethernet for MIDI and iPad app\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput Processing\\n\u003cul\u003e\n\u003cli\u003eSource: CH1-32 Local, dSNAKE, or USB; ST1, ST2 Local, dSNAKE, or USB; ST3 Local, dSNAKE, or USB Stereo; USB Global Source Qu-Drive or USB B Streaming\u003c\/li\u003e\n\u003cli\u003eStereo Linking: Odd\/even input pairs\u003c\/li\u003e\n\u003cli\u003eParameters linked: EQ, dynamics, insert, delay, assignments, sends\u003c\/li\u003e\n\u003cli\u003eLink options: Preamp, polarity, Sidechain, fader\/mute, pan\u003c\/li\u003e\n\u003cli\u003ePolarity: Normal\/Reverse\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 12dB\/octave 20Hz – 2kHz\u003c\/li\u003e\n\u003cli\u003eInsert: Assign FX1-4 into Input channels\u003c\/li\u003e\n\u003cli\u003eDelay: Up to 85ms\u003c\/li\u003e\n\u003cli\u003eGate: Self-key Sidechain\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Depth: -72dBu to +18dBu \/ 0 to 60dB\u003c\/li\u003e\n\u003cli\u003eAttack \/ Hold \/ Release: 50us to 300ms \/ 10ms to 5s \/ 10ms to 1s\u003c\/li\u003e\n\u003cli\u003ePEQ: 4-Band fully parametric, 20-20kHz, +\/- 15dB\u003c\/li\u003e\n\u003cli\u003eBand 1: Selectable LF Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBand 2, Band 3: Bell\u003c\/li\u003e\n\u003cli\u003eBand 4: Selectable HF Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBell Width: Non-constant Q, variable, 1.5 to 1\/9th octave\u003c\/li\u003e\n\u003cli\u003eCompressor: Self-key Sidechain\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/li\u003e\n\u003cli\u003eAttack \/ Release: 300us – 300ms \/ 100ms - 2s\u003c\/li\u003e\n\u003cli\u003eKnee: Soft\/Hard\u003c\/li\u003e\n\u003cli\u003eTypes: Peak Manual, RMS Manual, SlowOpto, PunchBag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMix Processing\\n\u003cul\u003e\n\u003cli\u003eChannel Direct Out to USB: Follow Fader, follow Mute (global options)\u003c\/li\u003e\n\u003cli\u003eSource select (global): Post-Preamp, Pre-EQ, Post-EQ, PostDelay\u003c\/li\u003e\n\u003cli\u003eInsert: Assign FX into Mix channels\u003c\/li\u003e\n\u003cli\u003eDelay: Up to 170ms\u003c\/li\u003e\n\u003cli\u003eGEQ: Constant 1\/3 oct, 28 bands 31Hz-16kHz, +\/-12dB Gain\u003c\/li\u003e\n\u003cli\u003ePEQ: 4-Band fully parametric, 20-20kHz, +\/- 15dB\u003c\/li\u003e\n\u003cli\u003eBand 1: Selectable LF Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBand 2, Band 3: Bell\u003c\/li\u003e\n\u003cli\u003eBand 4: Selectable HF Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBell Width: Non-constant Q, variable, 1.5 to 1\/9th octave\u003c\/li\u003e\n\u003cli\u003eCompressor: Self-key Sidechain\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/li\u003e\n\u003cli\u003eAttack \/ Release: 300us – 300ms \/ 100ms - 2s\u003c\/li\u003e\n\u003cli\u003eKnee: Soft\/Hard\u003c\/li\u003e\n\u003cli\u003eTypes: Peak Manual, RMS Manual, SlowOpto, PunchBag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFX\\n\u003cul\u003e\u003cli\u003eInternal FX: 4x RackFX engine, Send\u0026gt;Return or Inserted\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Tools\\n\u003cul\u003e\n\u003cli\u003eTypes Reverbs, Delays, Gated Reverb, ADT; Chorus, Symphonic Chorus, Phaser,Flanger\u003c\/li\u003e\n\u003cli\u003e4 dedicated Stereo FX returns: Fader, Pan, Mute, Routing to Mix\/LR, 4-Band PEQ\u003c\/li\u003e\n\u003cli\u003ePAFL: PFL or stereo in-place AFL, 0 to -24dB Trim, 85ms Delay\u003c\/li\u003e\n\u003cli\u003eTalkback: Assignable to any mix, 12dB\/oct HPF\u003c\/li\u003e\n\u003cli\u003eSignal Generator: Assignable to any mix, Sine\/White\/Pink\/Band-pass Noise\u003c\/li\u003e\n\u003cli\u003eRTA: 31-Bands 1\/3 octave 20-20kHz, follows PAFL source\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eWidth: 632mm\u003c\/li\u003e\n\u003cli\u003eDepth: 500mm\u003c\/li\u003e\n\u003cli\u003eHeight: 186mm\u003c\/li\u003e\n\u003cli\u003eWeight: 14kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003ewhat's in the Box?\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e1 QU-24\u003c\/li\u003e\n\u003cli\u003e1 Mains Lead\u003c\/li\u003e\n\u003cli\u003e1 Getting Started Guide\u003c\/li\u003e\n\u003cli\u003e1 Safety Sheet\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eQU24 Accessories\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eAR2412 – 24 inputs, 12 outputs AudioRack with dSNAKE connection and expansion port for personal monitoring.\u003c\/li\u003e\n\u003cli\u003eAR84 – 8 inputs, 4 outputs AudioRack with dSNAKE connection.\u003c\/li\u003e\n\u003cli\u003eAB168 – Portable, rugged 16 inputs, 8 outputs stagebox with dSNAKE connection and expansion port for personal monitoring.\u003c\/li\u003e\n\u003cli\u003eAH9650 – 100m drum of EtherFlex Cat5 with locking Neutrik EtherCon connectors.\u003c\/li\u003e\n\u003cli\u003eAH9981 – 50m drum of EtherFlex Cat5 with locking Neutrik EtherCon connectors\u003c\/li\u003e\n\u003cli\u003eAH9651 – 20m of Neutrik EtherFlex Cat5 with locking Neutrik EtherCon connectors.\u003c\/li\u003e\n\u003cli\u003eLEDLamp – variable brightness 18” gooseneck lamp.\u003c\/li\u003e\n\u003cli\u003eAP9458 – Dust cover for Qu-24.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":43739934621872,"sku":"ALLQU24C","price":2391.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/ALLQU24C_Allen_Heath_QU-24C240X_Image_1.jpg?v=1765890518"},{"product_id":"qu32-38in-28out-digital-mixer-with-wireless-remote-control","title":"QU32 38IN \/ 28OUT Digital Mixer with Wireless Remote Control","description":"\u003cp\u003e\u003cstrong\u003e\"38 In\/28 Out Digital Mixer.\"\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eNow in a feature-packed new Chrome Edition, Qu-32 reshapes digital mixing, combining innovative design and exceptional functionality to create a superb professional mixing experience. Bristling with all the features you’d expect from a top of the range digital console and incorporating technologies pioneered on the GLD and iLive digital mixing systems, Qu-32 has the power and pedigree to deliver class-leading audio performance. Hot new features include Automatic Mic Mixing and Spectrogram for feedback-hunting, plus upgraded, high contrast metallic finish controls. Whether you’re switching from analogue or updating your digital desk, it’s time to experience the new digital with Qu-32.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQU Ecosystem:\u003c\/strong\u003e Qu provides much more than just a mixer. Qu is an entire ecosystem with Remote AudioRacks allowing I\/O to be placed where it’s needed, ME Personal Mixers expanding monitor mixes and enabling simple, time-saving local control, Qu Apps for complete remote setup and wireless mixing on stage or anywhere else in the venue, ProFactory Mic presets to speed up preparation time and ensure the best sound, plus USB recording and DAW integration for powerful workflow optimisation from one centrepiece device.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalogiq\u003csup\u003eTM\u003c\/sup\u003e Preamps:\u003c\/strong\u003e Qu-32 features thirty-two AnalogiQ\u003csup\u003eTM\u003c\/sup\u003e digitally controlled preamps with advanced zero-crossing detection and a padless 1dB-step gain stage, which have been closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high-class, low latency 24bit analogue to digital converters, and are matched to 24bit digital to analogue converters to deliver the required high quality output. The AnalogiQ\u003csup\u003eTM\u003c\/sup\u003e preamp design has been refined to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Mixing Experience:\u003c\/strong\u003e Having massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat. The 800×480, True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-32’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more. Complementing the touchscreen is the SuperStrip – a set of single function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan. The screen overview also follows the control being turned.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOne Channel\/One Fader: \u003c\/strong\u003eQu-32 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Some digital mixers don’t offer a fader per physical input, meaning you have to access an additional fader layer to control these channels. This can be confusing and time consuming. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-32 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Recall:\u003c\/strong\u003e True digital mixing is about being able to save and recall Scenes (snapshots) at the press of a button. Qu can store up to 100 full Scenes for recall and Channels or Mixes can be made Safe from being overwritten. Qu-32 features 33 motorized ALPS faders, 32 allow instant access to all input channels and masters over 2 layers, and a dedicated master fader dynamically follows the Mix selection. A third user-defined Custom layer is available for ad-hoc strip layout, where any combination of Inputs, FX Sends, FX Returns, DCA’s and Mix masters can be assigned.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProfactory MIC Presets: \u003c\/strong\u003eAllen \u0026amp; Heath has teamed up with leading microphone manufacturers and top engineers at Audio-Technica, Sennheiser, and Shure to provide EQ Library presets for a large number of popular and industry standard microphones. Presets for vocals, electric guitar, acoustic guitar, drums, brass and woodwind have been painstakingly crafted to offer you the best possible starting point for the source and your microphone of choice. Whether you’re a keen amateur or a seasoned professional, you can get to work quickly and easily, saving valuable time so you can concentrate on EQ’ing the source and room acoustics.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eiLive FX:\u003c\/strong\u003e Qu-32’s dynamics and FX are derived directly from the algorithms in the iLive pro touring series. Some of the world’s most respected audio engineers have chosen to use iLive’s FX on tour in preference over top-end plug-ins and external FX units. Qu-32 boasts 4 stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators and more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMore Mixes, More Flexibility: \u003c\/strong\u003eGroups - Qu-32 provides 4 stereo Groups which can be used as subgroups to the main LR mix for group level and processing, for example to buss-compress an entire drum kit, or to tame multiple lavalier mics with a single graphic EQ. Groups can also be switched to Mix mode to provide additional outputs for monitor mixes. The Matrix - Qu-32 adds 2 further stereo Matrix outputs equipped with full processing to the console’s extensive I\/O. A Matrix is a ‘mixer within a mixer’, fed from any combination of Group 1-4, Mix 1-10, and main LR. It can be used to provide a broadcast feed, a recording mix, or duplicate the main outputs for delay stacks, fill or zone speakers where independent GEQ and delay is applied.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQU-Drive:\u003c\/strong\u003e Qu-32 has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to \/ from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAutomatic MIX Mixer (AMM):\u003c\/strong\u003e AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time. Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly. The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMAC OS and Windows DAW Integration:\u003c\/strong\u003e Qu-32’s built-in audio interface streams up to 32 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels. The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIO and WDM compatible driver is available for Windows computers. Standard MIDI control is tunnelled over the USB connection so you can map the faders to the tracks of your favourite DAW. A DAW Control driver is available for easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQU Apps for Greater Wireless Control:\u003c\/strong\u003e Add the fully-featured Qu-Pad app for iPad to your Qu-32 and you’re free to EQ and mix monitors on stage, roam around the venue whilst adjusting the PA, and mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi and gives instant access to all live mixing parameters and settings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003edSNAKE\u003csup\u003eTM \u003c\/sup\u003eRemote Audio Racks: \u003c\/strong\u003eQu-32 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go. If you’re thinking of trading in the copper multicore for a Cat5 digital snake, Qu-32’s built-in dSNAKE port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox. dSNAKE is our proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m \/ 390’. So if you’re mixing FoH you can place your I\/O on the stage and run a single Cat5 cable back to the Qu-32 in the mix position.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eME Personal Mixing System: \u003c\/strong\u003eQu-32 is fully compatible with our ME Personal Mixing System. ME-1 expands available monitor mixes and gives each performer tailored control over their own mix, leaving the engineer free to focus on the audience experience. Any number of ME-1 personal mixers can be chained from the dSNAKE™ port (or from an AR2412 or AB168 Stagebox connected to the dSNAKE™ port).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital Mixing Reshaped: \u003c\/strong\u003eMade from 18 gauge, cold-rolled Zintec steel, Qu’s distinctive frame is designed for strength and rigidity. We’ve done unspeakable things to that chassis in the lab and it’s taken everything we’ve thrown at it – even being stomped on by our resident ex-tank commander! Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by whirring coming from the mix position. Qu’s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArmed to the Hilt:\u003c\/strong\u003e Qu-32 is equipped with 5 high efficiency ARM core processors. Between them, the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response, with dedicated cores running the touchscreen and surface, USB streaming, Qu-Drive multi-channel recording \/ playback, Ethernet control and fader automation. The mixer’s DSP farm exploits next generation dual-core DSPs, giving 10 DSP cores, 8 of which are dedicated to channel and mix processing alone. Qu-32’s DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56-bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix.\u003c\/li\u003e\n\u003cli\u003e32 Mono Mic\/Line Inputs (TRS + XLR)\u003c\/li\u003e\n\u003cli\u003eRecallable AnaLOGIQTM Preamps\u003c\/li\u003e\n\u003cli\u003e3 Stereo Inputs (TRS)\u003c\/li\u003e\n\u003cli\u003e24 Mix Outputs (XLR)\u003c\/li\u003e\n\u003cli\u003e4 Stereo Groups (switchable to Mix mode)\u003c\/li\u003e\n\u003cli\u003eUp to 11 Monitor Mixes (4 mono + 7 stereo)\u003c\/li\u003e\n\u003cli\u003e2 Stereo Matrix Outs\u003c\/li\u003e\n\u003cli\u003e4 FX Engines\u003c\/li\u003e\n\u003cli\u003e4 dedicated FX Sends \/ Returns\u003c\/li\u003e\n\u003cli\u003e4 Mute Groups\u003c\/li\u003e\n\u003cli\u003e4 DCA Groups\u003c\/li\u003e\n\u003cli\u003eAES Digital Out\u003c\/li\u003e\n\u003cli\u003e32×32 USB Audio Interface\u003c\/li\u003e\n\u003cli\u003edSNAKETM Remote Audio Port\u003c\/li\u003e\n\u003cli\u003e33 Motor Faders\u003c\/li\u003e\n\u003cli\u003e7” Touchscreen\u003c\/li\u003e\n\u003cli\u003e10 Soft Keys\u003c\/li\u003e\n\u003cli\u003eTrim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs\u003c\/li\u003e\n\u003cli\u003eInsert, 4-band PEQ, 1\/3 octave GEQ, compressor, delay on all Outputs\u003c\/li\u003e\n\u003cli\u003eChannel Ducker on all inputs\u003c\/li\u003e\n\u003cli\u003eiLive FX Library\u003c\/li\u003e\n\u003cli\u003eBuilt-in Signal Generator\u003c\/li\u003e\n\u003cli\u003eRTA with Peak Band indication\u003c\/li\u003e\n\u003cli\u003eSpectrogram to aid feedback elimination and room acoustics\u003c\/li\u003e\n\u003cli\u003eAutomatic Mic Mixer\u003c\/li\u003e\n\u003cli\u003eQu-Drive Direct Multitrack Recording \/ Playback on USB drives\u003c\/li\u003e\n\u003cli\u003eDAW MIDI Control\u003c\/li\u003e\n\u003cli\u003eQu-Pad iPad App\u003c\/li\u003e\n\u003cli\u003eQu-You iPhone \/ Android personal monitoring app\u003c\/li\u003e\n\u003cli\u003eCompatible with ME Personal Mixing System\u003c\/li\u003e\n\u003cli\u003eHigh contrast metallic finish controls, matching premium GLD Chrome series\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eInputs\\n\u003cul\u003e\n\u003cli\u003eMic\/Line Inputs:  Balanced, XLR and 1\/4\" TRS jack, fully recallable\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity: (XLR \/ TRS) -60 to +5dBu \/ -50 to +15dBu\u003c\/li\u003e\n\u003cli\u003eAnalogue Gain: -5 to +60dB, 1dB steps \u003c\/li\u003e\n\u003cli\u003eMaximum Input: Level (XLR \/ TRS) +19dBu \/ +29dBu \u003c\/li\u003e\n\u003cli\u003eInput Impedance: (XLR \/ TRS) \u0026gt;5kΩ \/ \u0026gt;10 kΩ \u003c\/li\u003e\n\u003cli\u003eTHD+N, Unity gain 0dB: 0.0005% -89 dBu (20-20kHz, Direct Out @0dBu 1kHz)\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mid gain +30dB: 0.001% -83dBu (20-20kHz, Direct Out @0dBu 1kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo Line Inputs\\n\u003cul\u003e\n\u003cli\u003eST1, ST2 connector: Balanced, 1\/4\" TRS jack, half-normalled\u003c\/li\u003e\n\u003cli\u003eST3 connector: Unbalanced, stereo 3.5mm Mini Jack\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity (ST1, ST2 \/ ST3): Nominal +4dBu \/ 0dBu\u003c\/li\u003e\n\u003cli\u003eTrim: +\/-24dB\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level (ST1,ST2 \/ST3): +22dBu \/ +18dBu \u003c\/li\u003e\n\u003cli\u003eInput Impedance: \u0026gt;7kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutputs\\n\u003cul\u003e\n\u003cli\u003eMix1-10 and LR Out: Balanced, XLR\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eNominal Output: +4dBu 0dB meter reading\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +22dBu\u003c\/li\u003e\n\u003cli\u003eResidual Output Noise: -90 dBu (muted, 20-20kHz)\u003c\/li\u003e\n\u003cli\u003eStereo Alt Out \u0026amp; 2Trk Out: Balanced, 1\/4\" TRS jack\u003c\/li\u003e\n\u003cli\u003eSource (Alt Output \/2Trk Output): Patchable \/ LR post-fade\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eNominal Output: +4dBu = 0dB meter reading\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +22dBu\u003c\/li\u003e\n\u003cli\u003eResidual Output Noise: -90 dBu (muted, 20-20kHz)\u003c\/li\u003e\n\u003cli\u003eAES Digital Output: 2 channel, 48kHz sampling rate, XLR, 2.5Vpp balanced terminated 110Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003edSNAKE\\n\u003cul\u003e\n\u003cli\u003eInputs: Remote source for CH1-32, ST1, ST2, ST3\u003c\/li\u003e\n\u003cli\u003eOutputs: Patchable from Mix1-10, LR, Grp1-8, MTX1-4; Compatible with AudioRacks AR2412, AR84, AB168; Compatible with ME personal mixing system\u003c\/li\u003e\n\u003cli\u003eSystem: Measured balanced XLR in to XLR out, 0dB gain, 0dBu input\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 112 dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response: +0\/-0.5dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eHeadroom: +18dB\u003c\/li\u003e\n\u003cli\u003eInternal operating Level: 0dBu\u003c\/li\u003e\n\u003cli\u003edBFS Alignment: +18dBu = 0dBFS (+22dBu at XLR output)\u003c\/li\u003e\n\u003cli\u003eMeter Calibration: 0dB meter = -18dBFS (+4dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eMeter Peak indication: -3dBFS (+19dBu at XLR out), multi-point sensing\u003c\/li\u003e\n\u003cli\u003eMeter Signal indication: -48dBFS (-26dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eMeter Type: Fast (peak) response\u003c\/li\u003e\n\u003cli\u003eSampling Rate: 48kHz +\/-100PPM\u003c\/li\u003e\n\u003cli\u003eADC, DAC: 24-bit Delta-Sigma\u003c\/li\u003e\n\u003cli\u003eLatency: 1.2 ms (local XLR in to XLR out), 0.7 ms (local XLR in to AES out)\u003c\/li\u003e\n\u003cli\u003eOperating Temperature Range: 0 deg C to 35 deg C (32 deg F to 95 deg F)\u003c\/li\u003e\n\u003cli\u003eMains Power 100-240V AC, 50\/60Hz\u003c\/li\u003e\n\u003cli\u003eMaximum Power Consumption: 150W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB Audio\\n\u003cul\u003e\n\u003cli\u003eQu-Drive: USB A\u003c\/li\u003e\n\u003cli\u003eStereo Record: 2 channel, WAV, 48kHz, 24-bit, patchable\u003c\/li\u003e\n\u003cli\u003eStereo Playback: 2 channel, WAV, 44.1 or 48kHz, 16 or 24-bit, to ST3\u003c\/li\u003e\n\u003cli\u003eMultitrack Record: 18 channel, WAV, 48kHz, 24-bit, patchable\u003c\/li\u003e\n\u003cli\u003eMultitrack Playback: 18 channel, WAV, 48kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eUSB Audio Streaming: USB B, Core Audio compliant\u003c\/li\u003e\n\u003cli\u003eSend (upstream): 24 channel, WAV, 48kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eReturn (downstream): 22 channel, WAV, 48kHz, 24-bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eControl\\n\u003cul\u003e\n\u003cli\u003eFaders: 100mm motorised\u003c\/li\u003e\n\u003cli\u003eTouch Screen: 7\" TFT, 800x480 resolution\u003c\/li\u003e\n\u003cli\u003eSoftKeys: 10\u003c\/li\u003e\n\u003cli\u003eMute Groups: 4\u003c\/li\u003e\n\u003cli\u003eDCA Groups: 4\u003c\/li\u003e\n\u003cli\u003eNetwork: TCP\/IP Ethernet for MIDI and iPad app\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput Processing\\n\u003cul\u003e\n\u003cli\u003eSource: CH1-32 Local, dSNAKE, or USB; ST1, ST2 Local, dSNAKE, or USB; ST3 Local, dSNAKE, or USB Stereo; USB Global Source Qu-Drive or USB B Streaming\u003c\/li\u003e\n\u003cli\u003eStereo Linking: Odd\/even input pairs\u003c\/li\u003e\n\u003cli\u003eParameters linked: EQ, dynamics, insert, delay, assignments, sends\u003c\/li\u003e\n\u003cli\u003eLink options: Preamp, polarity, Sidechain, fader\/mute, pan\u003c\/li\u003e\n\u003cli\u003ePolarity: Normal\/Reverse\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 12dB\/octave 20Hz – 2kHz\u003c\/li\u003e\n\u003cli\u003eInsert: Assign FX1-4 into Input channels\u003c\/li\u003e\n\u003cli\u003eDelay: Up to 85ms\u003c\/li\u003e\n\u003cli\u003eGate: Self-key Sidechain\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Depth: -72dBu to +18dBu \/ 0 to 60dB\u003c\/li\u003e\n\u003cli\u003eAttack \/ Hold \/ Release: 50us to 300ms \/ 10ms to 5s \/ 10ms to 1s\u003c\/li\u003e\n\u003cli\u003ePEQ: 4-Band fully parametric, 20-20kHz, +\/- 15dB\u003c\/li\u003e\n\u003cli\u003eBand 1: Selectable LF Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBand 2, Band 3: Bell\u003c\/li\u003e\n\u003cli\u003eBand 4: Selectable HF Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBell Width: Non-constant Q, variable, 1.5 to 1\/9th octave\u003c\/li\u003e\n\u003cli\u003eCompressor: Self-key Sidechain\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/li\u003e\n\u003cli\u003eAttack \/ Release: 300us – 300ms \/ 100ms - 2s\u003c\/li\u003e\n\u003cli\u003eKnee: Soft\/Hard\u003c\/li\u003e\n\u003cli\u003eTypes: Peak Manual, RMS Manual, SlowOpto, PunchBag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMix Processing\\n\u003cul\u003e\n\u003cli\u003eChannel Direct Out to USB: Follow Fader, follow Mute (global options)\u003c\/li\u003e\n\u003cli\u003eSource select (global): Post-Preamp, Pre-EQ, Post-EQ, PostDelay\u003c\/li\u003e\n\u003cli\u003eInsert: Assign FX into Mix channels\u003c\/li\u003e\n\u003cli\u003eDelay: Up to 170ms\u003c\/li\u003e\n\u003cli\u003eGEQ: Constant 1\/3 oct, 28 bands 31Hz-16kHz, +\/-12dB Gain\u003c\/li\u003e\n\u003cli\u003ePEQ: 4-Band fully parametric, 20-20kHz, +\/- 15dB\u003c\/li\u003e\n\u003cli\u003eBand 1: Selectable LF Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBand 2, Band 3: Bell\u003c\/li\u003e\n\u003cli\u003eBand 4: Selectable HF Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBell Width: Non-constant Q, variable, 1.5 to 1\/9th octave\u003c\/li\u003e\n\u003cli\u003eCompressor: Self-key Sidechain\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/li\u003e\n\u003cli\u003eAttack \/ Release: 300us – 300ms \/ 100ms - 2s\u003c\/li\u003e\n\u003cli\u003eKnee: Soft\/Hard\u003c\/li\u003e\n\u003cli\u003eTypes: Peak Manual, RMS Manual, SlowOpto, PunchBag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFX\\n\u003cul\u003e\u003cli\u003eInternal FX: 4x RackFX engine, Send\u0026gt;Return or Inserted\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Tools\\n\u003cul\u003e\n\u003cli\u003eTypes Reverbs, Delays, Gated Reverb, ADT; Chorus, Symphonic Chorus, Phaser,Flanger\u003c\/li\u003e\n\u003cli\u003e4 dedicated Stereo FX returns: Fader, Pan, Mute, Routing to Mix\/LR, 4-Band PEQ\u003c\/li\u003e\n\u003cli\u003ePAFL: PFL or stereo in-place AFL, 0 to -24dB Trim, 85ms Delay\u003c\/li\u003e\n\u003cli\u003eTalkback: Assignable to any mix, 12dB\/oct HPF\u003c\/li\u003e\n\u003cli\u003eSignal Generator: Assignable to any mix, Sine\/White\/Pink\/Band-pass Noise\u003c\/li\u003e\n\u003cli\u003eRTA: 31-Bands 1\/3 octave 20-20kHz, follows PAFL source\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eWidth: 850mm\u003c\/li\u003e\n\u003cli\u003eDepth: 500mm\u003c\/li\u003e\n\u003cli\u003eHeight: 186mm\u003c\/li\u003e\n\u003cli\u003eWeight: 20kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003ewhat's in the Box?\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e1 QU-32\u003c\/li\u003e\n\u003cli\u003e1 Mains Lead\u003c\/li\u003e\n\u003cli\u003e1 Getting Started Guide\u003c\/li\u003e\n\u003cli\u003e1 Safety Sheet\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eQU-32 Accessories\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eAR2412 – 24 inputs, 12 outputs AudioRack with dSNAKE connection and expansion port for personal monitoring.\u003c\/li\u003e\n\u003cli\u003eAR84 – 8 inputs, 4 outputs AudioRack with dSNAKE connection.\u003c\/li\u003e\n\u003cli\u003eAB168 – Portable, rugged 16 inputs, 8 outputs stagebox with dSNAKE connection and expansion port for personal monitoring.\u003c\/li\u003e\n\u003cli\u003eAH9650 – 100m drum of EtherFlex Cat5 with locking Neutrik EtherCon connectors.\u003c\/li\u003e\n\u003cli\u003eAH9981 – 50m drum of EtherFlex Cat5 with locking Neutrik EtherCon connectors\u003c\/li\u003e\n\u003cli\u003eAH9651 – 20m of Neutrik EtherFlex Cat5 with locking Neutrik EtherCon connectors\u003c\/li\u003e\n\u003cli\u003eLEDLamp – variable brightness 18” gooseneck lamp.\u003c\/li\u003e\n\u003cli\u003eAP9639 – Dust cover for Qu-32.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":43739934687408,"sku":"ALLQU32C","price":2983.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/ALLQU32C_Allen_Heath_QU-32C240X_Image_1.jpg?v=1765890519"},{"product_id":"qupac-22in-12out-portable-digital-mixer-with-wireless-control","title":"QUPAC 22IN \/ 12OUT Portable Digital Mixer with Wireless Control","description":"\u003cp\u003e\u003cstrong\u003e\"Ultra Compact Digital Mixer with Touchscreen Control.\"\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eQu-Pac takes the power and legendary quality of the Qu family and shrinks it into a compact desk or rack mount format.\u003c\/p\u003e\u003cp\u003eWith Qu-Pac you are free to mix from your iPad, but the full functions of the mixer can be accessed from the front panel and touchscreen should you need them.\u003c\/p\u003e\u003cp\u003eWith custom settings and Cat5 expansion up to 38 inputs, Qu-Pac provides a scalable, failsafe solution for hardworking bands, schools, hotels, corporate events, live music bars, conferences, personal mixing and many more scenarios requiring a pro mixing solution in a tiny footprint.\u003c\/p\u003e\u003cp\u003eUser permissions and the customisable Qu-Control screen make Qu-Pac convenient and safe for day-to-day use by non-technical staff.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQU Ecosystem:\u003c\/strong\u003e Qu provides much more than just a mixer. Qu is an entire ecosystem with Remote AudioRacks allowing I\/O to be placed where it’s needed, ME Personal Mixers expanding monitor mixes and enabling simple, time-saving local control, Qu Apps for complete remote setup and wireless mixing on stage or anywhere else in the venue, ProFactory Mic presets to speed up preparation time and ensure the best sound, plus USB recording and DAW integration for powerful workflow optimisation from one centrepiece device.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTouch Control: \u003c\/strong\u003eHaving massive processing power and advanced functionality is great, but it counts for nothing if you can’t access the controls you need in a heartbeat. The 800 x 480, sixteen million colour Touchscreen and its dedicated data encoder form the heart of Qu-Pac’s interface, providing super-fast, easy access to all settings. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more. The Qu-Control key brings up a fully customizable screen which gives access to channels and settings tailored to the user and application. Several ‘widgets’ can be assigned to the page, including channel levels, mutes and assignment on\/off switches and are arranged to suit the user requirement, for example, as a source selection and level control of background music to one or multiple zones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQU Apps for Greater Wireless Control:\u003c\/strong\u003e Add the fully-featured Qu-Pad app for iPad to your Qu-Pac and you’re free to EQ and mix monitors on stage, roam around the venue whilst adjusting the PA, and mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi and gives instant access to all live mixing parameters and settings. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalogiq\u003csup\u003eTM\u003c\/sup\u003e Preamps: \u003c\/strong\u003eQu-Pac features sixteen built-in AnalogiQ\u003csup\u003eTM\u003c\/sup\u003e digitally controlled preamps with advanced zero-crossing detection and a padless 1dB-step gain stage, which have been closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high-class, low latency 24bit analogue to digital converters, which are matched to 24bit digital to analogue converters to deliver the required high quality output. The AnalogiQ\u003csup\u003eTM\u003c\/sup\u003e preamp design has been refined to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital mixers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003edSNAKE\u003csup\u003eTM \u003c\/sup\u003eRemote Audio Racks: \u003c\/strong\u003eQu-Pac is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go. If you’re thinking of trading in the copper multicore for a Cat5 digital snake, or expanding the number of input and outputs available, Qu-Pac’s built-in dSNAKE™ port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox. dSNAKE™ is our proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m \/ 390’.The AudioRacks unleash all the power of Qu-Pac, giving you access to extra outputs for Stereo Matrix, Groups, and extra monitor Mixes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProfactory MIC Presets: \u003c\/strong\u003eAllen \u0026amp; Heath has teamed up with leading microphone manufacturers and top engineers at Audio-Technica, Sennheiser, and Shure to provide EQ Library presets for a large number of popular and industry standard microphones. Presets for vocals, electric guitar, acoustic guitar, drums, brass and woodwind have been painstakingly crafted to offer you the best possible starting point for the source and your microphone of choice. Whether you’re a keen amateur or a seasoned professional, you can get to work quickly and easily, saving valuable time so you can concentrate on EQ’ing the source and room acoustics.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQU-Drive:\u003c\/strong\u003e Qu-Pac has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to \/ from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB Audio Streaming: \u003c\/strong\u003eQu’s built-in interface streams multitrack audio to your Mac or PC via a flexible patching system: all Input channels and the Main LR can be recorded at the same time, or you may choose to record something different such as FX returns or a pair of mixes.The returns from the computer can be assigned to the Input  channels. The interface is class-compliant on Mac OS X – and drivers are available for Windows systems. Either way, it will be recognized straightaway by any DAW supporting ASIO or Core Audio, including Logic, Cubase, Reaper, and Pro Tools.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eiLive FX: \u003c\/strong\u003eQu-Pac’s dynamics and FX are derived directly from the algorithms in the iLive pro touring series. Some of the world’s most respected audio engineers have chosen to use iLive’s FX on tour in preference to top-end plug-ins and external FX units. Qu-Pac boasts 4 stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators and more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eME Personal Mixing System: \u003c\/strong\u003eQu-Pac is fully compatible with our ME Personal Mixing System. ME-1 expands available monitor mixes and gives each performer tailored control over their own mix, leaving the engineer free to focus on the audience experience. Any number of ME-1 personal mixers can be chained from the dSNAKE™ port (or from an AR2412 or AB168 Stagebox connected to the dSNAKE™ port).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAutomatic MIX Mixer (AMM):\u003c\/strong\u003e AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time, reducing background noise and minimising the risk of feedback. The Automatic Microphone Mixer feature helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard. Our D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel Ducker:\u003c\/strong\u003e An advanced yet easy to use Ducker is available on every channel. It can be inserted on the fly on any number of Inputs and Stereo Groups, providing auto signal attenuation and then gently restoring the level to aid the operator in endless applications: reduce the level of background music when a single microphone or mic mix is in use, for example during live announcements, or give a chairman microphone priority over others. Setup is a breeze, with the option to share Ducker settings across multiple channels when in Gang mode.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArmed to the Hilt:\u003c\/strong\u003e Qu mixers are equipped with 5 cores of high efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording \/ playback and Ethernet. Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response.The mixer’s DSP farm exploits next generation dual core DSPs. With plenty of DSP power under the hood the channel processing is only using a fraction of capacity, so Qu is future-proofed, with ample room for updates and extra functionality.The DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix.\u003c\/li\u003e\n\u003cli\u003e19” Rack Mountable\u003c\/li\u003e\n\u003cli\u003e16 local Mono Mic\/Line Inputs (TRS + XLR)\u003c\/li\u003e\n\u003cli\u003eRecallable AnaLOGIQTM Preamps\u003c\/li\u003e\n\u003cli\u003e3 Stereo Inputs (TRS)\u003c\/li\u003e\n\u003cli\u003e12 local Mix Outputs (XLR)\u003c\/li\u003e\n\u003cli\u003eExpandable to 38 input, 24 out using dSNAKE AudioRack\u003c\/li\u003e\n\u003cli\u003e4 Stereo Groups (switchable to Mix mode)\u003c\/li\u003e\n\u003cli\u003eUp to 11 Monitor Mixes (4 mono + 7 stereo)\u003c\/li\u003e\n\u003cli\u003e4 FX Engines\u003c\/li\u003e\n\u003cli\u003e4 dedicated FX Sends \/ Returns\u003c\/li\u003e\n\u003cli\u003e4 Mute Groups\u003c\/li\u003e\n\u003cli\u003e4 DCA Groups\u003c\/li\u003e\n\u003cli\u003eAES Digital Out\u003c\/li\u003e\n\u003cli\u003e32×32 USB Audio Interface\u003c\/li\u003e\n\u003cli\u003edSNAKETM Remote Audio Port\u003c\/li\u003e\n\u003cli\u003e800×480 Touchscreen\u003c\/li\u003e\n\u003cli\u003e15 Soft Keys\u003c\/li\u003e\n\u003cli\u003e16 Custom Select keys\u003c\/li\u003e\n\u003cli\u003eTrim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs\u003c\/li\u003e\n\u003cli\u003eInsert, 4-band PEQ, 1\/3 octave GEQ, compressor, delay on all Outputs\u003c\/li\u003e\n\u003cli\u003eAutomatic Mic Mixer\u003c\/li\u003e\n\u003cli\u003eChannel Ducker\u003c\/li\u003e\n\u003cli\u003eiLive FX Library\u003c\/li\u003e\n\u003cli\u003eBuilt-in Signal Generator\u003c\/li\u003e\n\u003cli\u003eRTA with Peak Band indication\u003c\/li\u003e\n\u003cli\u003eSpectrogram to aid feedback elimination and room acoustics\u003c\/li\u003e\n\u003cli\u003eDAW MIDI Control\u003c\/li\u003e\n\u003cli\u003eCustomisable Qu-Control screen to suit your application\u003c\/li\u003e\n\u003cli\u003eQu-Pad fully-featured iPad App\u003c\/li\u003e\n\u003cli\u003eQu-You iPhone \/ Android personal monitoring app\u003c\/li\u003e\n\u003cli\u003eQu-Control app for simple wireless control\u003c\/li\u003e\n\u003cli\u003eCompatible with ME Personal Mixing System\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eInputs\\n\u003cul\u003e\n\u003cli\u003eMic\/Line Inputs:  Balanced, XLR and 1\/4\" TRS jack, fully recallable\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity: (XLR \/ TRS) -60 to +5dBu \/ -50 to +15dBu\u003c\/li\u003e\n\u003cli\u003eAnalogue Gain: -5 to +60dB, 1dB steps \u003c\/li\u003e\n\u003cli\u003eMaximum Input: Level (XLR \/ TRS) +19dBu \/ +29dBu \u003c\/li\u003e\n\u003cli\u003eInput Impedance: (XLR \/ TRS) \u0026gt;5kΩ \/ \u0026gt;10 kΩ \u003c\/li\u003e\n\u003cli\u003eTHD+N, Unity gain 0dB: 0.0005% -89 dBu (20-20kHz, Direct Out @0dBu 1kHz)\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mid gain +30dB: 0.001% -83dBu (20-20kHz, Direct Out @0dBu 1kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo Line Inputs\\n\u003cul\u003e\n\u003cli\u003eST1, ST2 connector: Balanced, 1\/4\" TRS jack, half-normalled\u003c\/li\u003e\n\u003cli\u003eST3 connector: Unbalanced, stereo 3.5mm Mini Jack\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity (ST1, ST2 \/ ST3): Nominal +4dBu \/ 0dBu\u003c\/li\u003e\n\u003cli\u003eTrim: +\/-24dB\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level (ST1,ST2 \/ST3): +22dBu \/ +18dBu \u003c\/li\u003e\n\u003cli\u003eInput Impedance: \u0026gt;7kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutputs\\n\u003cul\u003e\n\u003cli\u003eMix1-10 and LR Out: Balanced, XLR\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eNominal Output: +4dBu 0dB meter reading\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +22dBu\u003c\/li\u003e\n\u003cli\u003eResidual Output Noise: -90 dBu (muted, 20-20kHz)\u003c\/li\u003e\n\u003cli\u003eStereo Alt Out \u0026amp; 2Trk Out: Balanced, 1\/4\" TRS jack\u003c\/li\u003e\n\u003cli\u003eSource (Alt Output \/2Trk Output): Patchable \/ LR post-fade\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eNominal Output: +4dBu = 0dB meter reading\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +22dBu\u003c\/li\u003e\n\u003cli\u003eResidual Output Noise: -90 dBu (muted, 20-20kHz)\u003c\/li\u003e\n\u003cli\u003eAES Digital Output: 2 channel, 48kHz sampling rate, XLR, 2.5Vpp balanced terminated 110Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003edSNAKE\\n\u003cul\u003e\n\u003cli\u003eInputs: Remote source for CH1-32, ST1, ST2, ST3\u003c\/li\u003e\n\u003cli\u003eOutputs: Patchable from Mix1-10, LR, Grp1-8, MTX1-4; Compatible with AudioRacks AR2412, AR84, AB168; Compatible with ME personal mixing system\u003c\/li\u003e\n\u003cli\u003eSystem: Measured balanced XLR in to XLR out, 0dB gain, 0dBu input\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 112 dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response: +0\/-0.5dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eHeadroom: +18dB\u003c\/li\u003e\n\u003cli\u003eInternal operating Level: 0dBu\u003c\/li\u003e\n\u003cli\u003edBFS Alignment: +18dBu = 0dBFS (+22dBu at XLR output)\u003c\/li\u003e\n\u003cli\u003eMeter Calibration: 0dB meter = -18dBFS (+4dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eMeter Peak indication: -3dBFS (+19dBu at XLR out), multi-point sensing\u003c\/li\u003e\n\u003cli\u003eMeter Signal indication: -48dBFS (-26dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eMeter Type: Fast (peak) response\u003c\/li\u003e\n\u003cli\u003eSampling Rate: 48kHz +\/-100PPM\u003c\/li\u003e\n\u003cli\u003eADC, DAC: 24-bit Delta-Sigma\u003c\/li\u003e\n\u003cli\u003eLatency: 1.2 ms (local XLR in to XLR out), 0.7 ms (local XLR in to AES out)\u003c\/li\u003e\n\u003cli\u003eOperating Temperature Range: 0 deg C to 35 deg C (32 deg F to 95 deg F)\u003c\/li\u003e\n\u003cli\u003eMains Power 100-240V AC, 50\/60Hz\u003c\/li\u003e\n\u003cli\u003eMaximum Power Consumption: 150W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB Audio\\n\u003cul\u003e\n\u003cli\u003eQu-Drive: USB A\u003c\/li\u003e\n\u003cli\u003eStereo Record: 2 channel, WAV, 48kHz, 24-bit, patchable\u003c\/li\u003e\n\u003cli\u003eStereo Playback: 2 channel, WAV, 44.1 or 48kHz, 16 or 24-bit, to ST3\u003c\/li\u003e\n\u003cli\u003eMultitrack Record: 18 channel, WAV, 48kHz, 24-bit, patchable\u003c\/li\u003e\n\u003cli\u003eMultitrack Playback: 18 channel, WAV, 48kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eUSB Audio Streaming: USB B, Core Audio compliant\u003c\/li\u003e\n\u003cli\u003eSend (upstream): 32 channel, WAV, 48kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eReturn (downstream): 32 channel, WAV, 48kHz, 24-bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eControl\\n\u003cul\u003e\n\u003cli\u003eTouch Screen: 5\" TFT, 800x480 resolution\u003c\/li\u003e\n\u003cli\u003eSoftKeys: 10\u003c\/li\u003e\n\u003cli\u003eMute Groups: 4\u003c\/li\u003e\n\u003cli\u003eDCA Groups: 4\u003c\/li\u003e\n\u003cli\u003eNetwork: TCP\/IP Ethernet for MIDI and iPad app\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput Processing\\n\u003cul\u003e\n\u003cli\u003eSource: CH1-32 Local, dSNAKE, or USB; ST1, ST2 Local, dSNAKE, or USB; ST3 Local, dSNAKE, or USB Stereo; USB Global Source Qu-Drive or USB B Streaming\u003c\/li\u003e\n\u003cli\u003eStereo Linking: Odd\/even input pairs\u003c\/li\u003e\n\u003cli\u003eParameters linked: EQ, dynamics, insert, delay, assignments, sends\u003c\/li\u003e\n\u003cli\u003eLink options: Preamp, polarity, Sidechain, fader\/mute, pan\u003c\/li\u003e\n\u003cli\u003ePolarity: Normal\/Reverse\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 12dB\/octave 20Hz – 2kHz\u003c\/li\u003e\n\u003cli\u003eInsert: Assign FX1-4 into Input channels\u003c\/li\u003e\n\u003cli\u003eDelay: Up to 85ms\u003c\/li\u003e\n\u003cli\u003eGate: Self-key Sidechain\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Depth: -72dBu to +18dBu \/ 0 to 60dB\u003c\/li\u003e\n\u003cli\u003eAttack \/ Hold \/ Release: 50us to 300ms \/ 10ms to 5s \/ 10ms to 1s\u003c\/li\u003e\n\u003cli\u003ePEQ: 4-Band fully parametric, 20-20kHz, +\/- 15dB\u003c\/li\u003e\n\u003cli\u003eBand 1: Selectable LF Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBand 2, Band 3: Bell\u003c\/li\u003e\n\u003cli\u003eBand 4: Selectable HF Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBell Width: Non-constant Q, variable, 1.5 to 1\/9th octave\u003c\/li\u003e\n\u003cli\u003eCompressor: Self-key Sidechain\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/li\u003e\n\u003cli\u003eAttack \/ Release: 300us – 300ms \/ 100ms - 2s\u003c\/li\u003e\n\u003cli\u003eKnee: Soft\/Hard\u003c\/li\u003e\n\u003cli\u003eTypes: Peak Manual, RMS Manual, SlowOpto, PunchBag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMix Processing\\n\u003cul\u003e\n\u003cli\u003eChannel Direct Out to USB: Follow Fader, follow Mute (global options)\u003c\/li\u003e\n\u003cli\u003eSource select (global): Post-Preamp, Pre-EQ, Post-EQ, PostDelay\u003c\/li\u003e\n\u003cli\u003eInsert: Assign FX into Mix channels\u003c\/li\u003e\n\u003cli\u003eDelay: Up to 170ms\u003c\/li\u003e\n\u003cli\u003eGEQ: Constant 1\/3 oct, 28 bands 31Hz-16kHz, +\/-12dB Gain\u003c\/li\u003e\n\u003cli\u003ePEQ: 4-Band fully parametric, 20-20kHz, +\/- 15dB\u003c\/li\u003e\n\u003cli\u003eBand 1: Selectable LF Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBand 2, Band 3: Bell\u003c\/li\u003e\n\u003cli\u003eBand 4: Selectable HF Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBell Width: Non-constant Q, variable, 1.5 to 1\/9th octave\u003c\/li\u003e\n\u003cli\u003eCompressor: Self-key Sidechain\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/li\u003e\n\u003cli\u003eAttack \/ Release: 300us – 300ms \/ 100ms - 2s\u003c\/li\u003e\n\u003cli\u003eKnee: Soft\/Hard\u003c\/li\u003e\n\u003cli\u003eTypes: Peak Manual, RMS Manual, SlowOpto, PunchBag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFX\\n\u003cul\u003e\u003cli\u003eInternal FX: 4x RackFX engine, Send\u0026gt;Return or Inserted\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Tools\\n\u003cul\u003e\n\u003cli\u003eTypes Reverbs, Delays, Gated Reverb, ADT; Chorus, Symphonic Chorus, Phaser,Flanger\u003c\/li\u003e\n\u003cli\u003e4 dedicated Stereo FX returns: Fader, Pan, Mute, Routing to Mix\/LR, 4-Band PEQ\u003c\/li\u003e\n\u003cli\u003ePAFL: PFL or stereo in-place AFL, 0 to -24dB Trim, 85ms Delay\u003c\/li\u003e\n\u003cli\u003eTalkback: Assignable to any mix, 12dB\/oct HPF\u003c\/li\u003e\n\u003cli\u003eSignal Generator: Assignable to any mix, Sine\/White\/Pink\/Band-pass Noise\u003c\/li\u003e\n\u003cli\u003eRTA: 31-Bands 1\/3 octave 20-20kHz, follows PAFL source\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eWidth: 440mm\u003c\/li\u003e\n\u003cli\u003eDepth: 180mm\u003c\/li\u003e\n\u003cli\u003eHeight: 181mm\u003c\/li\u003e\n\u003cli\u003eWeight: 6.6kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003ewhat's in the Box?\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e1 Qu-Pac\u003c\/li\u003e\n\u003cli\u003e1 Mains Lead\u003c\/li\u003e\n\u003cli\u003e1 Pack 19\" Rack Ears and Screws\u003c\/li\u003e\n\u003cli\u003e1 Getting Started Guide\u003c\/li\u003e\n\u003cli\u003e1 Safety Sheet\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eQu-Pac Accessories\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eAB168 – 16 inputs, 8 outputs portable AudioRack with dSNAKETM connection and expansion port\u003c\/li\u003e\n\u003cli\u003eAR2412 – 24 inputs, 12 outputs AudioRack with dSNAKETM connection, expansion port and dedicated port for personal monitoring\u003c\/li\u003e\n\u003cli\u003eAR84 – 8 inputs, 4 outputs AudioRack with dSNAKETM connection\u003c\/li\u003e\n\u003cli\u003eAH9650 – 100m drum of Etherflex cable with Neutrik EtherCon locking connectors\u003c\/li\u003e\n\u003cli\u003eAH9981 – 50m drum of EtherFlex Cat5 with locking Neutrik EtherCon connectors\u003c\/li\u003e\n\u003cli\u003eAH9651 – 20m Etherflex cable with Neutrik EtherCon locking connectors.\u003c\/li\u003e\n\u003cli\u003eAH9997 – 2m cable with Neutrik EtherCon locking connectors\u003c\/li\u003e\n\u003cli\u003eLEDLamp – variable brightness 18” gooseneck lamp\u003c\/li\u003e\n\u003cli\u003eAP9933 – Qu-Pac carry bag\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":43739934752944,"sku":"ALLQUPAC","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/ALLQUPAC_Allen_Heath_QU-PAC240X_Image_1.jpg?v=1765890524"},{"product_id":"qusb-18in-14out-portable-digital-mixer","title":"QUSB 18IN \/ 14OUT Portable Digital Mixer","description":"\u003cp\u003eQu-SB is an ultra-compact digital mixer which frees you to mix from anywhere in the venue and provides a smart, portable solution for performing bands and artists.\u003c\/p\u003e\u003cp\u003eQu-SB is portable enough to carry under one arm and comes loaded with our highly acclaimed suite of FX emulations and dynamics, making it a smart replacement for an old analogue mixer and a rack full of outboard FX.\u003c\/p\u003e\u003cp\u003eThe companion Qu-Pad app is a slick, intuitive interface for setting up the show and mixing live from your iPad, and there’s also a customisable Qu-Control app that lets you choose just a few essential controls that you really need in front of you for easy access during the show.\u003c\/p\u003e\u003cp\u003eCouple these with the Qu-You personal monitoring app for Android \/ iOS and Qu-SB is a fantastic choice if you’re mixing your own monitors and want to get the same great sound wherever you play.\u003c\/p\u003e\u003cp\u003eWith all of your settings saved and ready, plus multi-track recording and playback of previous shows for virtual soundchecks, you’ll be all set to play in record time.\u003c\/p\u003e\u003cp\u003eOn top of the 18 on board inputs and 14 outputs, Qu-SB has you future-proofed with plug n’ play expansion up to 38 inputs \/ 24 outputs via a family of remote AudioRacks.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQu-SB Mixing Apps: \u003c\/strong\u003eHaving massive processing power and advanced functionality is great, but it counts for nothing if you can’t access the controls you need in a heartbeat. Qu-SB is designed to integrate seamlessly with the fully-featured Qu-Pad iPad app, providing super-fast, easy access to all settings, including channel processing, meters and RTA views, FX racks, scene management, USB audio control, setup menus and much more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalogiq\u003csup\u003eTM\u003c\/sup\u003e Preamps:\u003c\/strong\u003e Qu-SB’s sixteen AnalogiQ\u003csup\u003eTM\u003c\/sup\u003e total recall preamps feature zero crossing detection and an advanced padless 1dB step gain stage, closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high class, low latency 24bit analogue to digital converters matched to high quality 24bit digital to analogue converters to deliver the required outputs. The AnalogiQ\u003csup\u003eTM\u003c\/sup\u003e design has been refined over many months to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProfactory MIC Presets:\u003c\/strong\u003e Allen \u0026amp; Heath has teamed up with leading microphone manufacturers and top engineers at Audio-Technica, Sennheiser, and Shure to provide EQ Library presets for a large number of popular and industry standard microphones. Presets for vocals, electric guitar, acoustic guitar, drums, brass and woodwind have been painstakingly crafted to offer you the best possible starting point for the source and your microphone of choice. Whether you’re a keen amateur or a seasoned professional, you can get to work quickly and easily, saving valuable time so you can concentrate on EQ’ing the source and room acoustics.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eiLive FX:\u003c\/strong\u003e Qu-SB’s dynamics and FX algorithms are derived from the FX used in the iLive pro touring series. Some of the world’s most respected audio engineers have chosen to use iLive’s FX on tour in preference to top-end plug-ins and external FX units. Qu-SB boasts 4 stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQu-Drive: \u003c\/strong\u003eForget soundcard drivers and software setup, Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to \/ from your USB hard drive. Capturing multitrack recordings of your shows has never been so easy. Mixes and FX returns can be recorded alongside channels, and multitrack audio can be played back to the mixer for virtual sound-checks. An independent set of controls is provided for quick stereo recording of the main LR or other mix outputs, and a 2-track USB return can be routed to ST3 for playback of stereo WAV files such as walk-in music.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB Audio Streaming: \u003c\/strong\u003eQu’s built-in interface streams multitrack audio to your Mac or PC via a flexible patching system: all Input channels and the Main LR can be recorded at the same time, or you may choose to record something different such as FX returns or a pair of mixes.The returns from the computer can be assigned to the Input  channels. The interface is class-compliant on Mac OS X – and drivers are available for Windows systems. Either way, it will be recognized straightaway by any DAW supporting ASIO or Core Audio, including Logic, Cubase, Reaper, and Pro Tools.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExpandability: \u003c\/strong\u003eQu-SB can be expanded to up to 32 mono inputs via dSNAKE, allowing a convenient Cat5 connection to a combination of remote AB168, AR2412 or AR84 AudioRacks. dSNAKE is our proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m \/ 390’.The AudioRacks unleash all the power of Qu-SB, giving you access to extra outputs for Stereo Matrix, Groups, and extra monitor Mixes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAutomatic MIC Mixer: \u003c\/strong\u003eAMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time, reducing background noise and minimising the risk of feedback. The Automatic Microphone Mixer feature helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard. The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQu Ecosystem: \u003c\/strong\u003eQu provides much more than just a mixer. Qu is an entire ecosystem with Remote AudioRacks allowing I\/O to be placed where it’s needed, ME Personal Mixers expanding monitor mixes and enabling simple, time-saving local control, Qu Apps for complete remote setup and wireless mixing on stage or anywhere else in the venue, ProFactory Mic presets to speed up preparation time and ensure the best sound, plus USB recording and DAW integration for powerful workflow optimisation from one centrepiece device.\u003c\/li\u003e\n\u003cli\u003e16 local Mono Mic\/Line Inputs (TRS + XLR)\u003c\/li\u003e\n\u003cli\u003eRecallable AnaLOGIQTM Preamps\u003c\/li\u003e\n\u003cli\u003e1 Stereo Input (TRS)\u003c\/li\u003e\n\u003cli\u003e12 local Mix Outputs (XLR)\u003c\/li\u003e\n\u003cli\u003e1 Stereo Output (TRS)\u003c\/li\u003e\n\u003cli\u003eExpandable up to 32 input, 24 out using dSNAKE AudioRack\u003c\/li\u003e\n\u003cli\u003eUp to 11 Monitor Mixes (4 mono + 7 stereo)\u003c\/li\u003e\n\u003cli\u003e4 Stereo Groups (switchable to Mix mode)\u003c\/li\u003e\n\u003cli\u003e4 FX Engines\u003c\/li\u003e\n\u003cli\u003e4 dedicated FX Sends \/ Returns\u003c\/li\u003e\n\u003cli\u003e4 Mute Groups\u003c\/li\u003e\n\u003cli\u003e4 DCA Groups\u003c\/li\u003e\n\u003cli\u003e32×32 USB Audio Interface\u003c\/li\u003e\n\u003cli\u003eQu-Drive Multitrack Recording \/ Playback direct to USB device\u003c\/li\u003e\n\u003cli\u003edSNAKE\u003csup\u003eTM\u003c\/sup\u003e Remote Audio Port\u003c\/li\u003e\n\u003cli\u003eQu-Pad fully-featured iPad App\u003c\/li\u003e\n\u003cli\u003eQu-You iPhone \/ Android personal monitoring app\u003c\/li\u003e\n\u003cli\u003eQu-Control app for simple wireless control\u003c\/li\u003e\n\u003cli\u003eTrim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs\u003c\/li\u003e\n\u003cli\u003eInsert, 4-band PEQ, 1\/3 octave GEQ, compressor, delay on all Outputs\u003c\/li\u003e\n\u003cli\u003eiLive FX Library\u003c\/li\u003e\n\u003cli\u003eBuilt-in Signal Generator\u003c\/li\u003e\n\u003cli\u003eRTA with Peak Band indication\u003c\/li\u003e\n\u003cli\u003eSpectrogram to aid feedback elimination and room acoustics\u003c\/li\u003e\n\u003cli\u003eAutomatic Mic Mixer\u003c\/li\u003e\n\u003cli\u003eChannel Ducker\u003c\/li\u003e\n\u003cli\u003eDAW MIDI Control\u003c\/li\u003e\n\u003cli\u003eCompatible with ME Personal Mixing System\u003c\/li\u003e\n\u003cli\u003e19” Rack Mountable with optional rack ears\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eInputs\u003cul\u003e\n\u003cli\u003eMic\/Line Inputs:  Balanced, XLR and 1\/4\" TRS jack, fully recallable\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity: (XLR \/ TRS) -60 to +5dBu \/ -50 to +15dBu\u003c\/li\u003e\n\u003cli\u003eAnalogue Gain: -5 to +60dB, 1dB steps \u003c\/li\u003e\n\u003cli\u003eMaximum Input: Level (XLR \/ TRS) +19dBu \/ +29dBu \u003c\/li\u003e\n\u003cli\u003eInput Impedance: (XLR \/ TRS) \u0026gt;5kΩ \/ \u0026gt;10 kΩ \u003c\/li\u003e\n\u003cli\u003eTHD+N, Unity gain 0dB: 0.0005% -89 dBu (20-20kHz, Direct Out @0dBu 1kHz)\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mid gain +30dB: 0.001% -83dBu (20-20kHz, Direct Out @0dBu 1kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo Line Inputs\u003cul\u003e\n\u003cli\u003eST1, ST2 connector: Balanced, 1\/4\" TRS jack, half-normalled\u003c\/li\u003e\n\u003cli\u003eST3 connector: Unbalanced, stereo 3.5mm Mini Jack\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity (ST1, ST2 \/ ST3): Nominal +4dBu \/ 0dBu\u003c\/li\u003e\n\u003cli\u003eTrim: +\/-24dB\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level (ST1,ST2 \/ST3): +22dBu \/ +18dBu \u003c\/li\u003e\n\u003cli\u003eInput Impedance: \u0026gt;7kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutputs\u003cul\u003e\n\u003cli\u003eMix1-10 and LR Out: Balanced, XLR\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eNominal Output: +4dBu 0dB meter reading\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +22dBu\u003c\/li\u003e\n\u003cli\u003eResidual Output Noise: -90 dBu (muted, 20-20kHz)\u003c\/li\u003e\n\u003cli\u003eStereo Alt Out \u0026amp; 2Trk Out: Balanced, 1\/4\" TRS jack\u003c\/li\u003e\n\u003cli\u003eSource (Alt Output \/2Trk Output): Patchable \/ LR post-fade\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eNominal Output: +4dBu = 0dB meter reading\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +22dBu\u003c\/li\u003e\n\u003cli\u003eResidual Output Noise: -90 dBu (muted, 20-20kHz)\u003c\/li\u003e\n\u003cli\u003eAES Digital Output: 2 channel, 48kHz sampling rate, XLR, 2.5Vpp balanced terminated 110Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003edSNAKE\u003cul\u003e\n\u003cli\u003eInputs: Remote source for CH1-32, ST1, ST2, ST3\u003c\/li\u003e\n\u003cli\u003eOutputs: Patchable from Mix1-10, LR, Grp1-8, MTX1-4; Compatible with AudioRacks AR2412, AR84, AB168; Compatible with ME personal mixing system\u003c\/li\u003e\n\u003cli\u003eSystem: Measured balanced XLR in to XLR out, 0dB gain, 0dBu input\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 112 dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response: +0\/-0.5dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eHeadroom: +18dB\u003c\/li\u003e\n\u003cli\u003eInternal operating Level: 0dBu\u003c\/li\u003e\n\u003cli\u003edBFS Alignment: +18dBu = 0dBFS (+22dBu at XLR output)\u003c\/li\u003e\n\u003cli\u003eMeter Calibration: 0dB meter = -18dBFS (+4dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eMeter Peak indication: -3dBFS (+19dBu at XLR out), multi-point sensing\u003c\/li\u003e\n\u003cli\u003eMeter Signal indication: -48dBFS (-26dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eMeter Type: Fast (peak) response\u003c\/li\u003e\n\u003cli\u003eSampling Rate: 48kHz +\/-100PPM\u003c\/li\u003e\n\u003cli\u003eADC, DAC: 24-bit Delta-Sigma\u003c\/li\u003e\n\u003cli\u003eLatency: 1.2 ms (local XLR in to XLR out), 0.7 ms (local XLR in to AES out)\u003c\/li\u003e\n\u003cli\u003eOperating Temperature Range: 0 deg C to 35 deg C (32 deg F to 95 deg F)\u003c\/li\u003e\n\u003cli\u003eMains Power 100-240V AC, 50\/60Hz\u003c\/li\u003e\n\u003cli\u003eMaximum Power Consumption: 150W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB Audio\u003cul\u003e\n\u003cli\u003eQu-Drive: USB A\u003c\/li\u003e\n\u003cli\u003eStereo Record: 2 channel, WAV, 48kHz, 24-bit, patchable\u003c\/li\u003e\n\u003cli\u003eStereo Playback: 2 channel, WAV, 44.1 or 48kHz, 16 or 24-bit, to ST3\u003c\/li\u003e\n\u003cli\u003eMultitrack Record: 18 channel, WAV, 48kHz, 24-bit, patchable\u003c\/li\u003e\n\u003cli\u003eMultitrack Playback: 18 channel, WAV, 48kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eUSB Audio Streaming: USB B, Core Audio compliant\u003c\/li\u003e\n\u003cli\u003eSend (upstream): 32 channel, WAV, 48kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eReturn (downstream): 32 channel, WAV, 48kHz, 24-bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eControl\u003cul\u003e\n\u003cli\u003eSoftKeys: 10\u003c\/li\u003e\n\u003cli\u003eMute Groups: 4\u003c\/li\u003e\n\u003cli\u003eDCA Groups: 4\u003c\/li\u003e\n\u003cli\u003eNetwork: TCP\/IP Ethernet for MIDI and iPad app\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput Processing\u003cul\u003e\n\u003cli\u003eSource: CH1-32 Local, dSNAKE, or USB; ST1, ST2 Local, dSNAKE, or USB; ST3 Local, dSNAKE, or USB Stereo; USB Global Source Qu-Drive or USB B Streaming\u003c\/li\u003e\n\u003cli\u003eStereo Linking: Odd\/even input pairs\u003c\/li\u003e\n\u003cli\u003eParameters linked: EQ, dynamics, insert, delay, assignments, sends\u003c\/li\u003e\n\u003cli\u003eLink options: Preamp, polarity, Sidechain, fader\/mute, pan\u003c\/li\u003e\n\u003cli\u003ePolarity: Normal\/Reverse\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 12dB\/octave 20Hz – 2kHz\u003c\/li\u003e\n\u003cli\u003eInsert: Assign FX1-4 into Input channels\u003c\/li\u003e\n\u003cli\u003eDelay: Up to 85ms\u003c\/li\u003e\n\u003cli\u003eGate: Self-key Sidechain\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Depth: -72dBu to +18dBu \/ 0 to 60dB\u003c\/li\u003e\n\u003cli\u003eAttack \/ Hold \/ Release: 50us to 300ms \/ 10ms to 5s \/ 10ms to 1s\u003c\/li\u003e\n\u003cli\u003ePEQ: 4-Band fully parametric, 20-20kHz, +\/- 15dB\u003c\/li\u003e\n\u003cli\u003eBand 1: Selectable LF Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBand 2, Band 3: Bell\u003c\/li\u003e\n\u003cli\u003eBand 4: Selectable HF Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBell Width: Non-constant Q, variable, 1.5 to 1\/9th octave\u003c\/li\u003e\n\u003cli\u003eCompressor: Self-key Sidechain\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/li\u003e\n\u003cli\u003eAttack \/ Release: 300us – 300ms \/ 100ms - 2s\u003c\/li\u003e\n\u003cli\u003eKnee: Soft\/Hard\u003c\/li\u003e\n\u003cli\u003eTypes: Peak Manual, RMS Manual, SlowOpto, PunchBag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMix Processing\u003cul\u003e\n\u003cli\u003eChannel Direct Out to USB: Follow Fader, follow Mute (global options)\u003c\/li\u003e\n\u003cli\u003eSource select (global): Post-Preamp, Pre-EQ, Post-EQ, PostDelay\u003c\/li\u003e\n\u003cli\u003eInsert: Assign FX into Mix channels\u003c\/li\u003e\n\u003cli\u003eDelay: Up to 170ms\u003c\/li\u003e\n\u003cli\u003eGEQ: Constant 1\/3 oct, 28 bands 31Hz-16kHz, +\/-12dB Gain\u003c\/li\u003e\n\u003cli\u003ePEQ: 4-Band fully parametric, 20-20kHz, +\/- 15dB\u003c\/li\u003e\n\u003cli\u003eBand 1: Selectable LF Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBand 2, Band 3: Bell\u003c\/li\u003e\n\u003cli\u003eBand 4: Selectable HF Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBell Width: Non-constant Q, variable, 1.5 to 1\/9th octave\u003c\/li\u003e\n\u003cli\u003eCompressor: Self-key Sidechain\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/li\u003e\n\u003cli\u003eAttack \/ Release: 300us – 300ms \/ 100ms - 2s\u003c\/li\u003e\n\u003cli\u003eKnee: Soft\/Hard\u003c\/li\u003e\n\u003cli\u003eTypes: Peak Manual, RMS Manual, SlowOpto, PunchBag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFX\u003cul\u003e\u003cli\u003eInternal FX: 4x RackFX engine, Send\u0026gt;Return or Inserted\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Tools\u003cul\u003e\n\u003cli\u003eTypes Reverbs, Delays, Gated Reverb, ADT; Chorus, Symphonic Chorus, Phaser,Flanger\u003c\/li\u003e\n\u003cli\u003e4 dedicated Stereo FX returns: Fader, Pan, Mute, Routing to Mix\/LR, 4-Band PEQ\u003c\/li\u003e\n\u003cli\u003ePAFL: PFL or stereo in-place AFL, 0 to -24dB Trim, 85ms Delay\u003c\/li\u003e\n\u003cli\u003eTalkback: Assignable to any mix, 12dB\/oct HPF\u003c\/li\u003e\n\u003cli\u003eSignal Generator: Assignable to any mix, Sine\/White\/Pink\/Band-pass Noise\u003c\/li\u003e\n\u003cli\u003eRTA: 31-Bands 1\/3 octave 20-20kHz, follows PAFL source\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eWidth: 435.5mm\u003c\/li\u003e\n\u003cli\u003eDepth: 174.5mm\u003c\/li\u003e\n\u003cli\u003eHeight: 161mm\u003c\/li\u003e\n\u003cli\u003eWeight: 5.7kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003ewhat's in the Box?\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e1 Qu-SB\u003c\/li\u003e\n\u003cli\u003e1 Mains Lead\u003c\/li\u003e\n\u003cli\u003e1 Getting Started Quide\u003c\/li\u003e\n\u003cli\u003e1 Safety Sheet\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eQu-SB Accessories\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eAR2412 – 24 inputs, 12 outputs AudioRack with dSNAKE connection and expansion port for personal monitoring.\u003c\/li\u003e\n\u003cli\u003eAR84 – 8 inputs, 4 outputs AudioRack with dSNAKE connection.\u003c\/li\u003e\n\u003cli\u003eAB168 – Portable, rugged 16 inputs, 8 outputs stagebox with dSNAKE connection and expansion port for personal monitoring.\u003c\/li\u003e\n\u003cli\u003eAH9650 – 100m drum of EtherFlex Cat5 with locking Neutrik EtherCon connectors.\u003c\/li\u003e\n\u003cli\u003eAH9981 – 50m drum of EtherFlex Cat5 with locking Neutrik EtherCon connectors\u003c\/li\u003e\n\u003cli\u003eAH9651 – 20m of Neutrik EtherFlex Cat5 with locking Neutrik EtherCon connectors.\u003c\/li\u003e\n\u003cli\u003eQU-SB-RK19X – Rack mounting kit for Qu-SB.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":43739934851248,"sku":"ALLQUSB","price":1033.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/ALLQUSB_Allen_Heath_QU-SB240X_Image_1.jpg?v=1765890524"},{"product_id":"sq5-48-channel-96khz-digital-mixer-16-onboard-preamps","title":"SQ5 48 Channel 96kHz Digital Mixer 16 Onboard PreAmps","description":"\u003cp\u003ePowered by Allen \u0026amp; Heath’s revolutionary XCVI 96kHz FPGA engine, SQ-5 is built for professionals in the most demanding live sound applications. Delivering class-leading high resolution audio with an ultra-low \u0026lt;0.7ms latency, the SQ-5 gives you unrivalled power and audio fidelity. The mixer has 16 onboard preamps and 8 stereo FX engines with dedicated return channels and access to the acclaimed RackExtra FX library. 12 stereo mixes (configurable as groups or auxes) make SQ the perfect companion for in-ear monitoring setups, whilst Automatic Mic Mixing* takes the strain in multi-mic environments. SQ-5 gives you all the tools to meet any requirement, from AV and corporate events to live productions and houses of worship.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e96kHz XCVI Core: \u003c\/strong\u003eSQ is a future-proofed, next-generation console, powered by Allen \u0026amp; Heath’s 96kHz XCVI FPGA engine. XCVI delivers class-leading high resolution audio quality, ultra-low latency of \u0026lt;0.7ms, variable bit depth for ultimate precision and noise performance, mix coherency down to the sample, and the sheer power to handle high channel \/ mix counts and ample FX \/ processing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDEEP processing ready:\u003c\/strong\u003e SQ’s DEEP processing architecture allows owners to hand-pick boutique compressor and preamp emulations to suit their style and needs. DEEP plugins can be embedded directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Ultimate IEM Mixer: \u003c\/strong\u003eWith no less than 12 stereo mixes, super-low latency, and both parametric and graphic EQ on every mix, SQ is the perfect companion for in-ear monitoring setups. SQ’s airline-friendly compactness and rugged build quality mean there’s no reason to gamble on house monitor consoles again.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExpandable up to 48 mics: \u003c\/strong\u003eSQ-5 has all the onboard I\/O you need for standalone operation. Thanks to its SLink intelligent port, SQ can also be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible, mix ‘n’ match solution for owners of other Allen \u0026amp; Heath digital systems. You can also link your SQ directly to another SQ or even a dLive system.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDante, Waves and more:\u003c\/strong\u003e SQ is the centrepiece of a growing ecosystem of apps, expanders, audio networking, personal mixers and more, allowing you to connect, adapt and expand to your heart’s content. It’s compatible with leading audio networking standards too – add an audio networking card such as Dante or Waves to SQ’s I\/O port and you’re ready to integrate with installed systems, provide a digital FoH \/ Monitor split and more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible multitrack recording:\u003c\/strong\u003e The integrated SQ-Drive makes it quick and easy to capture a 96kHz multitrack or stereo recording of the show direct to a USB key or drive. No software setup, no soundcard driver issues and no extra laptop to bring to the performance. SQ-Drive is also a smart way to manage walk-in music. Also provided is a built-in 32×32 96kHz audio interface for multitrack recording, backing tracks or virtual soundcheck applications. The interface is Core Audio and ASIO compliant and comes complete with MIDI and DAW control capabilities.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced AMM*:\u003c\/strong\u003e SQ’s advanced automatic mic mixer (AMM) features make it a natural choice for mixing conferences, panel talks and TV shows. It’s fully integrated in the mixer too, with no extra latency, so you don’t need to route the audio to an internal DSP rack or an external plugin system.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDesigned for the pro: \u003c\/strong\u003eWe know that the live environment can be tough on gear – that’s why we devised our most punishing regime of testing and retesting yet for SQ. From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Mixing Experience: \u003c\/strong\u003eWith each new design, the Allen \u0026amp; Heath team strives to get closer to the ultimate mixing experience. SQ’s dashboard is centred around a high-res 7” capacitive touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control. Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the colour strip displays, allowing you to build a mixing environment that mirrors your own workflow. Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSQ MixPad App: \u003c\/strong\u003eThe SQ MixPad app is available for free on iOS and Android platforms, providing wireless control of the main mixing functions. This enables the engineer to mix from different listening positions, set up monitor mixes from the stage, or just add extra local control. All you need is an iPad or Android device and a wireless router.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRackExtra FX: \u003c\/strong\u003eAllen \u0026amp; Heath has a well-earned reputation for crafting FX emulations that rival the very best plug-ins, but with none of the associated hassle. SQ is armed with 8 stereo FX engines and features the acclaimed RackExtra library of emulations of legendary classic reverbs, gated reverbs, delays, modulators and more. All FX have dedicated stereo returns so you don’t need to waste input channels.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eME Personal Mixing System: \u003c\/strong\u003eSQ is fully compatible with the ME Personal Mixing System, allowing the performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander.\u003c\/li\u003e\n\u003cli\u003e96kHz FPGA processing\u003c\/li\u003e\n\u003cli\u003e48 Input Channels\u003c\/li\u003e\n\u003cli\u003eDEEP Processing ready\u003c\/li\u003e\n\u003cli\u003e17 Faders \/ 6 Layers\u003c\/li\u003e\n\u003cli\u003e12 Stereo mixes + LR\u003c\/li\u003e\n\u003cli\u003e3 Stereo Matrix\u003c\/li\u003e\n\u003cli\u003e8 Stereo FX Engines + dedicated returns\u003c\/li\u003e\n\u003cli\u003e7” capacitive touchscreen\u003c\/li\u003e\n\u003cli\u003eSLink port for remote audio \/ expansion\u003c\/li\u003e\n\u003cli\u003e64ch I\/O Port for audio networking\u003c\/li\u003e\n\u003cli\u003e32×32 USB audio interface\u003c\/li\u003e\n\u003cli\u003eSQ-Drive direct recording to USB\u003c\/li\u003e\n\u003cli\u003eAES output\u003c\/li\u003e\n\u003cli\u003eChromatic channel metering\u003c\/li\u003e\n\u003cli\u003eIntegrated LED illumination\u003c\/li\u003e\n\u003cli\u003eDedicated physical controls\u003c\/li\u003e\n\u003cli\u003e8 Assignable SoftKeys\u003c\/li\u003e\n\u003cli\u003eChannel LCD displays\u003c\/li\u003e\n\u003cli\u003e19” rack mountable\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMic\/Line Inputs: Balanced XLR, fully recallable \u003cul\u003e\n\u003cli\u003eInput Sensitivity: -60 to +0dBu \u003c\/li\u003e\n\u003cli\u003eSwitchable Pad: -20dB \u003c\/li\u003e\n\u003cli\u003eAnalogue Gain: 0dB to +60dB, 1dB steps \u003c\/li\u003e\n\u003cli\u003eMaximum Input Level: +30dBu\u003c\/li\u003e\n\u003cli\u003eInput Impedance: \u0026gt;5kΩ\u003c\/li\u003e\n\u003cli\u003eTHD+N, Unity gain 0dB: 0.002% -92dBu (20Hz-20kHz, AES Direct Out, @0dBu 1kHz)\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mid gain +30dB: 0.003% -91dBu (20Hz-20kHz, AES Direct Out, @-30dBu INPUT 1kHz)\u003c\/li\u003e\n\u003cli\u003ePhantom Power: +48V (+3V \/ -2V)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo Line Inputs \u003cul\u003e\n\u003cli\u003eST1, ST2 connectors: Balanced, 1\/4\" TRS jack\u003c\/li\u003e\n\u003cli\u003eST3 connector: Unbalanced, stereo 3.5mm Mini Jack\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity (ST1, ST2 \/ ST3): Nominal +4dBu ST1, ST2 \/ 0dBu ST3\u003c\/li\u003e\n\u003cli\u003eTrim: +\/-24dB \u003c\/li\u003e\n\u003cli\u003eMaximum Input Level (ST1,ST2 \/ ST3): +22dBu \/ +18dBu\u003c\/li\u003e\n\u003cli\u003eInput Impedance: \u0026gt;7kΩ \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutputs 1-12: Balanced, XLR\u003c\/li\u003e\n\u003cli\u003eOutputs A and B: Balanced 1\/4\" TRS Jack \u003cul\u003e\n\u003cli\u003eSource: Patchable\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eNominal Output: +4dBu = 0dB meter reading\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +22dBu\u003c\/li\u003e\n\u003cli\u003eResidual Output Noise: -90dBu (muted, 20Hz-20kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAES Digital Output:\u003cul\u003e\n\u003cli\u003eBalanced XLR 2 channel, 96kHz sampling rate (Default with SRC Bypassed)\u003c\/li\u003e\n\u003cli\u003eSwitchable output sample rates,44.1kHz\/ 48kHz\/ 88.2kHz\/ (96kHz)\u003c\/li\u003e\n\u003cli\u003e2.5Vpp balanced terminated 110Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eConnection: Neutrik EtherCON (RJ45)\u003c\/li\u003e\n\u003cli\u003edsnake mode (48kHz devices)*: 64 channels assignable, compatible with AR2412, AR84, AB168, ME\u003c\/li\u003e\n\u003cli\u003edx mode (96kHz devices): 32 channels assignable*, compatible with DX168\u003c\/li\u003e\n\u003cli\u003egigaACE (96kHz devices): 128 channels assignable, compatible with dLive, SQ and DXHub*\u003c\/li\u003e\n\u003cli\u003eInputs: Fully Patchable\u003c\/li\u003e\n\u003cli\u003eSync\/SRC: assignable as master audio sync for all modes, * SRC 64 channel\u003cul\u003e\n\u003cli\u003eFaders: 100mm motorised \u003c\/li\u003e\n\u003cli\u003eTouch Screen: 7\" Capacitive, 800 x 480 resolution, 24 bit RGB \u003c\/li\u003e\n\u003cli\u003eSoftKeys: 8\u003c\/li\u003e\n\u003cli\u003eMute Groups \/ DCA Groups: 8 \/ 8\u003c\/li\u003e\n\u003cli\u003eNetwork: TCP\/IP Ethernet for MIDI and Control\u003c\/li\u003e\n\u003cli\u003eMIDI: TCP\/IP and USB B\u003c\/li\u003e\n\u003cli\u003eFootswitch: Single or Dual, Momentary or Latching*\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSource\u003cul\u003e\n\u003cli\u003eCH1-48: Fully patchable\u003c\/li\u003e\n\u003cli\u003eUSB Global Source: SQ-Drive or USB B Streaming\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePolarity: Normal\/Invert\u003c\/li\u003e\n\u003cli\u003eTrim: -24 to +24dB \u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 12dB\/octave 20Hz – 2kHz \u003c\/li\u003e\n\u003cli\u003eInsert (Pre EQ\/Comp): Fully Patchable \u003c\/li\u003e\n\u003cli\u003eDelay: Up to 341ms \u003c\/li\u003e\n\u003cli\u003eGate: Patchable Sidechain \u003cul\u003e\n\u003cli\u003eSidechain filter: Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k)\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Depth: -72dBu to +18dBu \/ 0 to 60dB\u003c\/li\u003e\n\u003cli\u003eAttack \/ Hold \/ Release: 50µs to 300ms \/ 10ms to 5s \/ 10ms to 1s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePEQ: 4-Band fully parametric, 20-20kHz, +\/-15dB\u003cul\u003e\n\u003cli\u003eBand 1, Band 4: Selectable Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBand 2, Band 3: Bell\u003c\/li\u003e\n\u003cli\u003eBell Width: Variable Q, 1.5 to 1\/9th octave\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCompressor: Patchable Sidechain\u003cul\u003e\n\u003cli\u003eSidechain filter: Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k), Q=1\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/li\u003e\n\u003cli\u003eAttack \/ Release: 30µs to 300ms \/ 50ms to 2s\u003c\/li\u003e\n\u003cli\u003eKnee: Soft\/Hard\u003c\/li\u003e\n\u003cli\u003eDetector response: Peak\/RMS switchable\u003c\/li\u003e\n\u003cli\u003eParallel Path Compression: dry\/wet -infin to 0dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eChannel Direct Out:\u003cul\u003e\n\u003cli\u003eFollow Fader, Mute, Mute Group, DCA (global all ch)\u003c\/li\u003e\n\u003cli\u003eMulti-channel IO option module\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInputs: Fully Patchable\u003c\/li\u003e\n\u003cli\u003eOutputs: Fully Patchable\u003c\/li\u003e\n\u003cli\u003eSync\/SRC:\u003cul\u003e\n\u003cli\u003eAssignable as master audio sync\u003c\/li\u003e\n\u003cli\u003eMeasured balanced XLR in to XLR out, 0dB gain, 0dBu input\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 112 dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response: +0\/-0.5dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eHeadroom: +18dB\u003c\/li\u003e\n\u003cli\u003eInternal operating Level: 0dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mic\/Line routed to Main L\/R Out: Unity gain faders@0dB, 0.006%, - 84dBu (20 - 20kHz)\u003c\/li\u003e\n\u003cli\u003edBFS Alignment: +18dBu = 0dBFS (+22dBu at XLR output)\u003c\/li\u003e\n\u003cli\u003eMeter Calibration: 0dB meter = -18dBFS (+4dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eMain Meter Type: 2 x 12 segment, fast (peak) response\u003c\/li\u003e\n\u003cli\u003eChannel Meter Type: Single Point Metering, fully programmable colour\/brightness\u003c\/li\u003e\n\u003cli\u003ePeak Indication: -3dBFS (+19dBu at XLR out), multipoint sensing\u003c\/li\u003e\n\u003cli\u003eSampling Rate: 96kHz\u003c\/li\u003e\n\u003cli\u003eBit Depth: Uses XCVI core custom bit widths in algorithms, up to 96bits\u003c\/li\u003e\n\u003cli\u003eLatency: \u0026lt;0.7mS, Local Mic Input routed to Main L\/R. (Direct, No EQ\/ Effects) \u003c\/li\u003e\n\u003cli\u003eOperating Temperature Range: 0 deg C to 40 deg C (32 deg F to 104 deg F)\u003c\/li\u003e\n\u003cli\u003eMains Power: 100-240V AC, 50\/60Hz\u003c\/li\u003e\n\u003cli\u003eMax Power Consumption: 75W\u003c\/li\u003e\n\u003cli\u003eSource select: Post-Preamp, Post-HPF, Post Gate, Insert Return, Post PEQ, Post Comp, Post Delay trim -infin to 10dB per channel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInsert (Pre EQ\/Comp): Fully Patchable\u003c\/li\u003e\n\u003cli\u003eDelay: Up to 682ms\u003c\/li\u003e\n\u003cli\u003eGEQ: 28 bands 31Hz-16kHz, +\/-12dB Gain, Constant 1\/3 oct\u003c\/li\u003e\n\u003cli\u003ePEQ: As Input PEQ\u003c\/li\u003e\n\u003cli\u003eCompressor: As Input Compressor\u003cul\u003e\n\u003cli\u003eInternal FX: 8 x RackFX engine, Send\u0026gt;Return or Inserted (4 dedicated fx bus)\u003c\/li\u003e\n\u003cli\u003eTypes: SMR Reverb, StereoTap Delay, Gated Reverb, ADT, BlueChorus, Symphonic Chorus, Flanger, Phaser\u003c\/li\u003e\n\u003cli\u003e8 dedicated Stereo FX returns: Fader, Pan, Mute, Routing to Mix\/LR, 4-Band PEQ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePAFL: PFL or stereo in-place AFL, 0 to -24dB Trim, PAFL Delay Up to 682ms\u003c\/li\u003e\n\u003cli\u003eTalkback: dedicated input, Assignable to any mix, Gain, Pad, 48V, 12dB\/oct HPF\u003c\/li\u003e\n\u003cli\u003eSignal Generator: Assignable to any mix, Sine\/White\/Pink\/Bandpass Noise\u003c\/li\u003e\n\u003cli\u003eRTA: 31-Bands 1\/3 octave 20-20kHz, follows PAFL source\u003c\/li\u003e\n\u003cli\u003eSQ-Drive: USB A\u003cul\u003e\n\u003cli\u003eStereo Record: 2 channel, WAV, 96kHz, 24-bit, source fully patchable\u003c\/li\u003e\n\u003cli\u003eStereo Playback: 1\/2 channel, WAV, 44.1, 48, 96kHz 16,24-bit, source fully patchable\u003c\/li\u003e\n\u003cli\u003eMultitrack Record: 16 channel, WAV, 96kHz, 24-bit, track sources fully patchable\u003c\/li\u003e\n\u003cli\u003eMultitrack Playback: 16 channel, WAV, 96kHz, 24-bit fully patchable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB Audio Streaming: USB B, Core Audio compliant, ASIO\/WDM for Windows\u003cul\u003e\n\u003cli\u003eSend (upstream): 32 channel, 96kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eReturn (downstream): 32 channel, 96kHz, 24-bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHeight: 198mm\u003c\/li\u003e\n\u003cli\u003eWidth: 440mm\u003c\/li\u003e\n\u003cli\u003eDepth: 514.9mm\u003c\/li\u003e\n\u003cli\u003eWeight: 10.5kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":43739934949552,"sku":"ALLSQ5","price":2524.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/ALLSQ5_Allen_Heath_SQ-5240X_Image_1.jpg?v=1765890526"},{"product_id":"sq6-48-channel-96khz-digital-mixer-24-onboard-preamps","title":"SQ6 48 Channel 96kHz Digital Mixer 24 Onboard PreAmps","description":"\u003cp\u003eSQ-6 is a next generation digital mixer, powered by Allen \u0026amp; Heath’s revolutionary XCVI 96kHz FPGA engine. Created to excel in demanding scenarios such as AV, corporate events, live productions and houses of worship, SQ-6 offers class-leading high-resolution audio fidelity and an ultra-low latency of \u0026lt;0.7ms. The console features 24 exceptional onboard mic preamps, plus 8 stereo FX engines with dedicated return channels and access to the renowned RackExtra FX library. SQ is a natural choice for in-ear monitor setups, providing 12 stereo mixes (configurable as groups or auxes), whilst Automatic Mic Mixing* makes it an excellent choice for conferences, panel talks and more.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e96kHz XCVI Core: \u003c\/strong\u003eSQ is a future-proofed, next-generation console, powered by Allen \u0026amp; Heath’s 96kHz XCVI FPGA engine. XCVI delivers class-leading high resolution audio quality, ultra-low latency of \u0026lt;0.7ms, variable bit depth for ultimate precision and noise performance, mix coherency down to the sample, and the sheer power to handle high channel \/ mix counts and ample FX \/ processing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDEEP processing ready:\u003c\/strong\u003e SQ’s DEEP processing architecture allows owners to hand-pick boutique compressor and preamp emulations to suit their style and needs. DEEP plugins can be embedded directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Ultimate IEM Mixer: \u003c\/strong\u003eWith no less than 12 stereo mixes, super-low latency, and both parametric and graphic EQ on every mix, SQ is the perfect companion for in-ear monitoring setups. SQ’s airline-friendly compactness and rugged build quality mean there’s no reason to gamble on house monitor consoles again.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExpandable up to 48 mics: \u003c\/strong\u003eSQ-6 has all the onboard I\/O you need for standalone operation. Thanks to its SLink intelligent port, SQ can also be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible, mix ‘n’ match solution for owners of other Allen \u0026amp; Heath digital systems. You can also link your SQ directly to another SQ or even a dLive system.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDante, Waves and more:\u003c\/strong\u003e SQ is the centrepiece of a growing ecosystem of apps, expanders, audio networking, personal mixers and more, allowing you to connect, adapt and expand to your heart’s content. It’s compatible with leading audio networking standards too – add an audio networking card such as Dante or Waves to SQ’s I\/O port and you’re ready to integrate with installed systems, provide a digital FoH \/ Monitor split and more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible multitrack recording:\u003c\/strong\u003e The integrated SQ-Drive makes it quick and easy to capture a 96kHz multitrack or stereo recording of the show direct to a USB key or drive. No software setup, no soundcard driver issues and no extra laptop to bring to the performance. SQ-Drive is also a smart way to manage walk-in music. Also provided is a built-in 32×32 96kHz audio interface for multitrack recording, backing tracks or virtual soundcheck applications. The interface is Core Audio and ASIO compliant and comes complete with MIDI and DAW control capabilities.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced AMM*:\u003c\/strong\u003e SQ’s advanced automatic mic mixer (AMM) features make it a natural choice for mixing conferences, panel talks and TV shows. It’s fully integrated in the mixer too, with no extra latency, so you don’t need to route the audio to an internal DSP rack or an external plugin system.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDesigned for the pro: \u003c\/strong\u003eWe know that the live environment can be tough on gear – that’s why we devised our most punishing regime of testing and retesting yet for SQ. From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Mixing Experience: \u003c\/strong\u003eWith each new design, the Allen \u0026amp; Heath team strives to get closer to the ultimate mixing experience. SQ’s dashboard is centred around a high-res 7” capacitive touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control. Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the colour strip displays, allowing you to build a mixing environment that mirrors your own workflow. Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour. SQ-6 also offers 16 Softkeys and 4 Soft Rotaries with displays that can be assigned to the functions you want at your fingertips, and a ‘channel to all’ mix button to instantly access all sends from the selected channel.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSQ MixPad App: \u003c\/strong\u003eThe SQ MixPad app is available for free on iOS and Android platforms, providing wireless control of the main mixing functions. This enables the engineer to mix from different listening positions, set up monitor mixes from the stage, or just add extra local control. All you need is an iPad or Android device and a wireless router.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRackExtra FX: \u003c\/strong\u003eAllen \u0026amp; Heath has a well-earned reputation for crafting FX emulations that rival the very best plug-ins, but with none of the associated hassle. SQ is armed with 8 stereo FX engines and features the acclaimed RackExtra library of emulations of legendary classic reverbs, gated reverbs, delays, modulators and more. All FX have dedicated stereo returns so you don’t need to waste input channels.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eME Personal Mixing System: \u003c\/strong\u003eSQ is fully compatible with the ME Personal Mixing System, allowing the performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander.\u003c\/li\u003e\n\u003cli\u003e96kHz FPGA processing\u003c\/li\u003e\n\u003cli\u003e48 Input Channels\u003c\/li\u003e\n\u003cli\u003eDEEP Processing ready\u003c\/li\u003e\n\u003cli\u003e25 Faders \/ 6 Layers\u003c\/li\u003e\n\u003cli\u003e12 Stereo mixes + LR\u003c\/li\u003e\n\u003cli\u003e3 Stereo Matrix\u003c\/li\u003e\n\u003cli\u003e8 Stereo FX Engines + dedicated returns\u003c\/li\u003e\n\u003cli\u003e7” capacitive touchscreen\u003c\/li\u003e\n\u003cli\u003eSLink port for remote audio \/ expansion\u003c\/li\u003e\n\u003cli\u003e64ch I\/O Port for audio networking\u003c\/li\u003e\n\u003cli\u003e32×32 USB audio interface\u003c\/li\u003e\n\u003cli\u003eSQ-Drive direct recording to USB\u003c\/li\u003e\n\u003cli\u003eAES output\u003c\/li\u003e\n\u003cli\u003eChromatic channel metering\u003c\/li\u003e\n\u003cli\u003eIntegrated LED illumination\u003c\/li\u003e\n\u003cli\u003eDedicated physical controls\u003c\/li\u003e\n\u003cli\u003e16 Assignable SoftKeys\u003c\/li\u003e\n\u003cli\u003e4 Assignable Soft Rotaries\u003c\/li\u003e\n\u003cli\u003eChannel LCD displays\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMic\/Line Inputs: Balanced XLR, fully recallable \u003cul\u003e\n\u003cli\u003eInput Sensitivity: -60 to +0dBu \u003c\/li\u003e\n\u003cli\u003eSwitchable Pad: -20dB \u003c\/li\u003e\n\u003cli\u003eAnalogue Gain: 0dB to +60dB, 1dB steps \u003c\/li\u003e\n\u003cli\u003eMaximum Input Level: +30dBu\u003c\/li\u003e\n\u003cli\u003eInput Impedance: \u0026gt;5kΩ\u003c\/li\u003e\n\u003cli\u003eTHD+N, Unity gain 0dB: 0.002% -92dBu (20Hz-20kHz, AES Direct Out, @0dBu 1kHz)\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mid gain +30dB: 0.003% -91dBu (20Hz-20kHz, AES Direct Out, @-30dBu INPUT 1kHz)\u003c\/li\u003e\n\u003cli\u003ePhantom Power: +48V (+3V \/ -2V)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo Line Inputs \u003cul\u003e\n\u003cli\u003eST1, ST2 connectors: Balanced, 1\/4\" TRS jack\u003c\/li\u003e\n\u003cli\u003eST3 connector: Unbalanced, stereo 3.5mm Mini Jack\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity (ST1, ST2 \/ ST3): Nominal +4dBu ST1, ST2 \/ 0dBu ST3\u003c\/li\u003e\n\u003cli\u003eTrim: +\/-24dB \u003c\/li\u003e\n\u003cli\u003eMaximum Input Level (ST1,ST2 \/ ST3): +22dBu \/ +18dBu\u003c\/li\u003e\n\u003cli\u003eInput Impedance: \u0026gt;7kΩ \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutputs 1-14: Balanced, XLR\u003c\/li\u003e\n\u003cli\u003eOutputs A and B: Balanced 1\/4\" TRS Jack \u003cul\u003e\n\u003cli\u003eSource: Patchable\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eNominal Output: +4dBu = 0dB meter reading\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +22dBu\u003c\/li\u003e\n\u003cli\u003eResidual Output Noise: -90dBu (muted, 20Hz-20kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAES Digital Output:\u003cul\u003e\n\u003cli\u003eBalanced XLR 2 channel, 96kHz sampling rate (Default with SRC Bypassed)\u003c\/li\u003e\n\u003cli\u003eSwitchable output sample rates,44.1kHz\/ 48kHz\/ 88.2kHz\/ (96kHz)\u003c\/li\u003e\n\u003cli\u003e2.5Vpp balanced terminated 110Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eConnection: Neutrik EtherCON (RJ45)\u003c\/li\u003e\n\u003cli\u003edsnake mode (48kHz devices)*: 64 channels assignable, compatible with AR2412, AR84, AB168, ME\u003c\/li\u003e\n\u003cli\u003edx mode (96kHz devices): 32 channels assignable*, compatible with DX168\u003c\/li\u003e\n\u003cli\u003egigaACE (96kHz devices): 128 channels assignable, compatible with dLive, SQ and DXHub*\u003c\/li\u003e\n\u003cli\u003eInputs: Fully Patchable\u003c\/li\u003e\n\u003cli\u003eSync\/SRC: assignable as master audio sync for all modes, * SRC 64 channel\u003cul\u003e\n\u003cli\u003eFaders: 100mm motorised \u003c\/li\u003e\n\u003cli\u003eTouch Screen: 7\" Capacitive, 800 x 480 resolution, 24 bit RGB \u003c\/li\u003e\n\u003cli\u003eSoftKeys: 16\u003c\/li\u003e\n\u003cli\u003eMute Groups \/ DCA Groups: 8 \/ 8\u003c\/li\u003e\n\u003cli\u003eNetwork: TCP\/IP Ethernet for MIDI and Control\u003c\/li\u003e\n\u003cli\u003eMIDI: TCP\/IP and USB B\u003c\/li\u003e\n\u003cli\u003eFootswitch: Single or Dual, Momentary or Latching*\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSource\u003cul\u003e\n\u003cli\u003eCH1-48: Fully patchable\u003c\/li\u003e\n\u003cli\u003eUSB Global Source: SQ-Drive or USB B Streaming\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePolarity: Normal\/Invert\u003c\/li\u003e\n\u003cli\u003eTrim: -24 to +24dB \u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 12dB\/octave 20Hz – 2kHz \u003c\/li\u003e\n\u003cli\u003eInsert (Pre EQ\/Comp): Fully Patchable \u003c\/li\u003e\n\u003cli\u003eDelay: Up to 341ms \u003c\/li\u003e\n\u003cli\u003eGate: Patchable Sidechain \u003cul\u003e\n\u003cli\u003eSidechain filter: Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k)\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Depth: -72dBu to +18dBu \/ 0 to 60dB\u003c\/li\u003e\n\u003cli\u003eAttack \/ Hold \/ Release: 50µs to 300ms \/ 10ms to 5s \/ 10ms to 1s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePEQ: 4-Band fully parametric, 20-20kHz, +\/-15dB\u003cul\u003e\n\u003cli\u003eBand 1, Band 4: Selectable Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBand 2, Band 3: Bell\u003c\/li\u003e\n\u003cli\u003eBell Width: Variable Q, 1.5 to 1\/9th octave\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCompressor: Patchable Sidechain\u003cul\u003e\n\u003cli\u003eSidechain filter: Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k), Q=1\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/li\u003e\n\u003cli\u003eAttack \/ Release: 30µs to 300ms \/ 50ms to 2s\u003c\/li\u003e\n\u003cli\u003eKnee: Soft\/Hard\u003c\/li\u003e\n\u003cli\u003eDetector response: Peak\/RMS switchable\u003c\/li\u003e\n\u003cli\u003eParallel Path Compression: dry\/wet -infin to 0dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eChannel Direct Out:\u003cul\u003e\n\u003cli\u003eFollow Fader, Mute, Mute Group, DCA (global all ch)\u003c\/li\u003e\n\u003cli\u003eMulti-channel IO option module\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInputs: Fully Patchable\u003c\/li\u003e\n\u003cli\u003eOutputs: Fully Patchable\u003c\/li\u003e\n\u003cli\u003eSync\/SRC:\u003cul\u003e\n\u003cli\u003eAssignable as master audio sync\u003c\/li\u003e\n\u003cli\u003eMeasured balanced XLR in to XLR out, 0dB gain, 0dBu input\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 112 dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response: +0\/-0.5dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eHeadroom: +18dB\u003c\/li\u003e\n\u003cli\u003eInternal operating Level: 0dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mic\/Line routed to Main L\/R Out: Unity gain faders@0dB, 0.006%, - 84dBu (20 - 20kHz)\u003c\/li\u003e\n\u003cli\u003edBFS Alignment: +18dBu = 0dBFS (+22dBu at XLR output)\u003c\/li\u003e\n\u003cli\u003eMeter Calibration: 0dB meter = -18dBFS (+4dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eMain Meter Type: 2 x 12 segment, fast (peak) response\u003c\/li\u003e\n\u003cli\u003eChannel Meter Type: Single Point Metering, fully programmable colour\/brightness\u003c\/li\u003e\n\u003cli\u003ePeak Indication: -3dBFS (+19dBu at XLR out), multipoint sensing\u003c\/li\u003e\n\u003cli\u003eSampling Rate: 96kHz\u003c\/li\u003e\n\u003cli\u003eBit Depth: Uses XCVI core custom bit widths in algorithms, up to 96bits\u003c\/li\u003e\n\u003cli\u003eLatency: \u0026lt;0.7mS, Local Mic Input routed to Main L\/R. (Direct, No EQ\/ Effects) \u003c\/li\u003e\n\u003cli\u003eOperating Temperature Range: 0 deg C to 40 deg C (32 deg F to 104 deg F)\u003c\/li\u003e\n\u003cli\u003eMains Power: 100-240V AC, 50\/60Hz\u003c\/li\u003e\n\u003cli\u003eMax Power Consumption: 90W\u003c\/li\u003e\n\u003cli\u003eSource select: Post-Preamp, Post-HPF, Post Gate, Insert Return, Post PEQ, Post Comp, Post Delay trim -infin to 10dB per channel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInsert (Pre EQ\/Comp): Fully Patchable\u003c\/li\u003e\n\u003cli\u003eDelay: Up to 682ms\u003c\/li\u003e\n\u003cli\u003eGEQ: 28 bands 31Hz-16kHz, +\/-12dB Gain, Constant 1\/3 oct\u003c\/li\u003e\n\u003cli\u003ePEQ: As Input PEQ\u003c\/li\u003e\n\u003cli\u003eCompressor: As Input Compressor\u003cul\u003e\n\u003cli\u003eInternal FX: 8 x RackFX engine, Send\u0026gt;Return or Inserted (4 dedicated fx bus)\u003c\/li\u003e\n\u003cli\u003eTypes: SMR Reverb, StereoTap Delay, Gated Reverb, ADT, BlueChorus, Symphonic Chorus, Flanger, Phaser\u003c\/li\u003e\n\u003cli\u003e8 dedicated Stereo FX returns: Fader, Pan, Mute, Routing to Mix\/LR, 4-Band PEQ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePAFL: PFL or stereo in-place AFL, 0 to -24dB Trim, PAFL Delay Up to 682ms\u003c\/li\u003e\n\u003cli\u003eTalkback: dedicated input, Assignable to any mix, Gain, Pad, 48V, 12dB\/oct HPF\u003c\/li\u003e\n\u003cli\u003eSignal Generator: Assignable to any mix, Sine\/White\/Pink\/Bandpass Noise\u003c\/li\u003e\n\u003cli\u003eRTA: 31-Bands 1\/3 octave 20-20kHz, follows PAFL source\u003c\/li\u003e\n\u003cli\u003eSQ-Drive: USB A\u003cul\u003e\n\u003cli\u003eStereo Record: 2 channel, WAV, 96kHz, 24-bit, source fully patchable\u003c\/li\u003e\n\u003cli\u003eStereo Playback: 1\/2 channel, WAV, 44.1, 48, 96kHz 16,24-bit, source fully patchable\u003c\/li\u003e\n\u003cli\u003eMultitrack Record: 16 channel, WAV, 96kHz, 24-bit, track sources fully patchable\u003c\/li\u003e\n\u003cli\u003eMultitrack Playback: 16 channel, WAV, 96kHz, 24-bit fully patchable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB Audio Streaming: USB B, Core Audio compliant, ASIO\/WDM for Windows\u003cul\u003e\n\u003cli\u003eSend (upstream): 32 channel, 96kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eReturn (downstream): 32 channel, 96kHz, 24-bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHeight: 198mm\u003c\/li\u003e\n\u003cli\u003eWidth: 638mm\u003c\/li\u003e\n\u003cli\u003eDepth: 514.9mm\u003c\/li\u003e\n\u003cli\u003eWeight: 13.3kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":43739935080624,"sku":"ALLSQ6","price":3040.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/ALLSQ6_Allen_Heath_SQ-6240X_Image_1.jpg?v=1743495332"},{"product_id":"sq7-48-channel-96khz-digital-mixer-32-onboard-preamps","title":"SQ7 48 Channel 96KHz Digital Mixer 32 Onboard PreAmps","description":"\u003cp\u003eSQ-7 is the 33-fader flagship console in the SQ series, powered by Allen \u0026amp; Heath’s revolutionary 96kHz XCVI FPGA engine. Created to excel in demanding scenarios such as AV, corporate events, live productions and houses of worship, SQ-7 offers pristine high-resolution audio quality and an ultra-low latency of \u0026lt;0.7ms. The console features 32 exceptional on board mic preamps, plus 8 stereo FX engines with dedicated stereo return channels and access to the renowned RackExtra FX library. SQ is a natural choice for in-ear monitor setups, providing 12 stereo mixes (configurable as groups or auxes), whilst Automatic Mic Mixing makes it an excellent choice for conferences, panel talks and more.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e96kHz XCVI Core: SQ is driven by Allen \u0026amp; Heath’s 96kHz XCVI FPGA engine, delivering exceptional high-resolution audio quality, ultra-low latency of \u0026lt;0.7ms and variable bit depths for optimised dynamic range. XCVI is the next-generation foundation that allows SQ to handle high channel counts at 96kHz, with massive mix headroom thanks to a 96bit accumulator, and the sheer power to embed our acclaimed DEEP plugins into all 48 input channels and all mixes.\u003c\/li\u003e\n\u003cli\u003eDEEP processing ready: SQ’s DEEP processing architecture allows owners to hand-pick boutique compressor and preamp emulations to suit their style and needs. DEEP plugins can be embedded directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.\u003c\/li\u003e\n\u003cli\u003eThe Ultimate IEM Mixer\u003c\/li\u003e\n\u003cli\u003eWith no less than 12 stereo mixes and super-low latency, and both parametric and graphic EQ on every mix, SQ-7 is the perfect companion for in-ear monitoring setups. SQ’s airline-friendly compactness and rugged build quality mean there’s no reason to gamble on house monitor consoles again.\u003c\/li\u003e\n\u003cli\u003ePacked with I\/O: As the largest model in the SQ series, SQ-7 also packs the highest number of onboard preamps and built-in output sockets, and being SQ, everything is freely and individually patchable. There are 32 pristine XLR mic or line inputs, along with a talkback input that can serve as an extra input when needed. There are also 3 stereo line inputs that can be used as mono inputs, two using ¼” TRS jacks, and one on a 3.5mm mini jack for convenience. Any combination of direct outs, FX or Mix outputs can then be routed at will to the SQ-7’s 16 XLR, 2 TRS jack and stereo AES digital outputs.\u003c\/li\u003e\n\u003cli\u003eExpandable up to 48 mics: Thanks to its SLink intelligent port, SQ-7 can be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible solution for owners of other Allen \u0026amp; Heath digital systems. You can even connect to another SQ, Qu or dLive system for two way audio patching.\u003c\/li\u003e\n\u003cli\u003eDante, Waves and more: SQ is the centrepiece of a growing ecosystem of apps, expanders, audio networking, personal mixers and more, allowing you to connect, adapt and expand to your heart’s content. It’s compatible with leading audio networking standards too – add an audio networking card such as Dante or Waves to SQ’s I\/O port and you’re ready to integrate with installed systems, provide a digital FoH \/ Monitor split and more.\u003c\/li\u003e\n\u003cli\u003eFlexible multitrack recording: The integrated SQ-Drive makes it quick and easy to capture a 96kHz multitrack or stereo recording of the show direct to a USB key or drive. No software setup, no soundcard driver issues and no extra laptop to bring to the performance. SQ-Drive is also a smart way to manage walk-in music. Also provided is a built-in 32×32 96kHz audio interface for multitrack recording, backing tracks or virtual soundcheck applications. The interface is Core Audio and ASIO compliant and comes complete with MIDI and DAW control capabilities.\u003c\/li\u003e\n\u003cli\u003eAdvanced AMM: SQ-7’s advanced automatic mic mixers (AMM’s) make it a natural choice for mixing conferences, panel talks and TV shows. They’re fully integrated in the mixer too, with no extra latency, so you don’t need to route the audio to an internal DSP rack or an external plugin system. Two fully independent 24 channel AMM’s can be utilised for two separate zones or combined into a single 48 channel AMM for larger events.\u003c\/li\u003e\n\u003cli\u003eDesigned for the pro: We know that the live environment can be tough on gear – that’s why we devised our most punishing regime of testing and retesting yet for SQ. From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.\u003c\/li\u003e\n\u003cli\u003eThe Mixing Experience: We think that you should decide how the mixer operates, not the other way around. That’s why we’ve packed SQ with options that let you design your own workflows. Channels and mixes can be individually dragged and dropped to any strip, with custom naming and colour coding on the displays, so you’re in full control of the layout. SQ-7 features assignable 16 SoftKeys and 8 Soft Rotaries with LCD displays, so you get to choose which functions you always want at your fingertips. Each strip features our patented Chromatic Channel Metering system, giving at-a-glance level indication using variable brightness and colour. A ‘channel to all’ mix button instantly accesses all send levels and assignments for the selected channel.\u003c\/li\u003e\n\u003cli\u003eSQ MixPad App: The SQ MixPad app is available for free on iOS and Android platforms, providing wireless control of the main mixing functions. This enables the engineer to mix from different listening positions, set up monitor mixes from the stage, or just add extra local control. All you need is an iPad or Android device and a wireless router.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eiOS download: https:\/\/itunes.apple.com\/us\/app\/sq-mixpad\/id1257668261\u003c\/p\u003e\u003cp\u003eAndroid download: https:\/\/play.google.com\/store\/apps\/details?id=com.allenheath.squmixpad\u003c\/p\u003e\u003ch3\u003eMain Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e96kHz FPGA processing\u003c\/li\u003e\n\u003cli\u003e48 Input Channels\u003c\/li\u003e\n\u003cli\u003eDEEP Processing ready\u003c\/li\u003e\n\u003cli\u003e33 Faders \/ 6 Layers\u003c\/li\u003e\n\u003cli\u003e12 Stereo mixes + LR\u003c\/li\u003e\n\u003cli\u003e3 Stereo Matrix\u003c\/li\u003e\n\u003cli\u003e8 Stereo FX Engines + dedicated returns\u003c\/li\u003e\n\u003cli\u003e7” capacitive touchscreen\u003c\/li\u003e\n\u003cli\u003eSLink port for remote audio \/ expansion\u003c\/li\u003e\n\u003cli\u003e64ch I\/O Port for audio networking\u003c\/li\u003e\n\u003cli\u003e32×32 USB audio interface\u003c\/li\u003e\n\u003cli\u003eSQ-Drive direct recording to USB\u003c\/li\u003e\n\u003cli\u003eAES output\u003c\/li\u003e\n\u003cli\u003eChromatic channel metering\u003c\/li\u003e\n\u003cli\u003eIntegrated LED illumination\u003c\/li\u003e\n\u003cli\u003eDedicated physical controls\u003c\/li\u003e\n\u003cli\u003e16 Assignable SoftKeys\u003c\/li\u003e\n\u003cli\u003e8 Assignable Soft Rotaries\u003c\/li\u003e\n\u003cli\u003eChannel LCD displays\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMic\/Line Inputs: Balanced XLR, fully recallable \u003cul\u003e\n\u003cli\u003eInput Sensitivity: -60 to +0dBu \u003c\/li\u003e\n\u003cli\u003eSwitchable Pad: -20dB \u003c\/li\u003e\n\u003cli\u003eAnalogue Gain: 0dB to +60dB, 1dB steps \u003c\/li\u003e\n\u003cli\u003eMaximum Input Level: +30dBu\u003c\/li\u003e\n\u003cli\u003eInput Impedance: \u0026gt;5kΩ\u003c\/li\u003e\n\u003cli\u003eTHD+N, Unity gain 0dB: 0.002% -92dBu (20Hz-20kHz, AES Direct Out, @0dBu 1kHz)\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mid gain +30dB: 0.003% -91dBu (20Hz-20kHz, AES Direct Out, @-30dBu INPUT 1kHz)\u003c\/li\u003e\n\u003cli\u003ePhantom Power: +48V (+3V \/ -2V)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo Line Inputs \u003cul\u003e\n\u003cli\u003eST1, ST2 connectors: Balanced, 1\/4\" TRS jack\u003c\/li\u003e\n\u003cli\u003eST3 connector: Unbalanced, stereo 3.5mm Mini Jack\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity (ST1, ST2 \/ ST3): Nominal +4dBu ST1, ST2 \/ 0dBu ST3\u003c\/li\u003e\n\u003cli\u003eTrim: +\/-24dB \u003c\/li\u003e\n\u003cli\u003eMaximum Input Level (ST1,ST2 \/ ST3): +22dBu \/ +18dBu\u003c\/li\u003e\n\u003cli\u003eInput Impedance: \u0026gt;7kΩ \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutputs 1-12: Balanced, XLR\u003c\/li\u003e\n\u003cli\u003eOutputs A and B: Balanced 1\/4\" TRS Jack \u003cul\u003e\n\u003cli\u003eSource: Patchable\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eNominal Output: +4dBu = 0dB meter reading\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +22dBu\u003c\/li\u003e\n\u003cli\u003eResidual Output Noise: -90dBu (muted, 20Hz-20kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAES Digital Output:\u003cul\u003e\n\u003cli\u003eBalanced XLR 2 channel, 96kHz sampling rate (Default with SRC Bypassed)\u003c\/li\u003e\n\u003cli\u003eSwitchable output sample rates,44.1kHz\/ 48kHz\/ 88.2kHz\/ (96kHz)\u003c\/li\u003e\n\u003cli\u003e2.5Vpp balanced terminated 110Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eConnection: Neutrik EtherCON (RJ45)\u003c\/li\u003e\n\u003cli\u003edsnake mode (48kHz devices)*: 64 channels assignable, compatible with AR2412, AR84, AB168, ME\u003c\/li\u003e\n\u003cli\u003edx mode (96kHz devices): 32 channels assignable*, compatible with DX168\u003c\/li\u003e\n\u003cli\u003egigaACE (96kHz devices): 128 channels assignable, compatible with dLive, SQ and DXHub*\u003c\/li\u003e\n\u003cli\u003eInputs: Fully Patchable\u003c\/li\u003e\n\u003cli\u003eSync\/SRC: assignable as master audio sync for all modes, * SRC 64 channel\u003cul\u003e\n\u003cli\u003eFaders: 100mm motorised \u003c\/li\u003e\n\u003cli\u003eTouch Screen: 7\" Capacitive, 800 x 480 resolution, 24 bit RGB \u003c\/li\u003e\n\u003cli\u003eSoftKeys: 16\u003c\/li\u003e\n\u003cli\u003eSoftRotarys: 8\u003c\/li\u003e\n\u003cli\u003eMute Groups \/ DCA Groups: 8 \/ 8\u003c\/li\u003e\n\u003cli\u003eNetwork: TCP\/IP Ethernet for MIDI and Control\u003c\/li\u003e\n\u003cli\u003eMIDI: TCP\/IP and USB B\u003c\/li\u003e\n\u003cli\u003eFootswitch: Single or Dual, Momentary or Latching*\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSource\u003cul\u003e\n\u003cli\u003eCH1-48: Fully patchable\u003c\/li\u003e\n\u003cli\u003eUSB Global Source: SQ-Drive or USB B Streaming\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePolarity: Normal\/Invert\u003c\/li\u003e\n\u003cli\u003eTrim: -24 to +24dB \u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 12dB\/octave 20Hz – 2kHz \u003c\/li\u003e\n\u003cli\u003eInsert (Pre EQ\/Comp): Fully Patchable \u003c\/li\u003e\n\u003cli\u003eDelay: Up to 341ms \u003c\/li\u003e\n\u003cli\u003eGate: Patchable Sidechain \u003cul\u003e\n\u003cli\u003eSidechain filter: Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k)\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Depth: -72dBu to +18dBu \/ 0 to 60dB\u003c\/li\u003e\n\u003cli\u003eAttack \/ Hold \/ Release: 50µs to 300ms \/ 10ms to 5s \/ 10ms to 1s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePEQ: 4-Band fully parametric, 20-20kHz, +\/-15dB\u003cul\u003e\n\u003cli\u003eBand 1, Band 4: Selectable Shelving (Baxandall), Bell\u003c\/li\u003e\n\u003cli\u003eBand 2, Band 3: Bell\u003c\/li\u003e\n\u003cli\u003eBell Width: Variable Q, 1.5 to 1\/9th octave\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCompressor: Patchable Sidechain\u003cul\u003e\n\u003cli\u003eSidechain filter: Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k), Q=1\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/li\u003e\n\u003cli\u003eAttack \/ Release: 30µs to 300ms \/ 50ms to 2s\u003c\/li\u003e\n\u003cli\u003eKnee: Soft\/Hard\u003c\/li\u003e\n\u003cli\u003eDetector response: Peak\/RMS switchable\u003c\/li\u003e\n\u003cli\u003eParallel Path Compression: dry\/wet -infin to 0dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eChannel Direct Out:\u003cul\u003e\n\u003cli\u003eFollow Fader, Mute, Mute Group, DCA (global all ch)\u003c\/li\u003e\n\u003cli\u003eMulti-channel IO option module\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInputs: Fully Patchable\u003c\/li\u003e\n\u003cli\u003eOutputs: Fully Patchable\u003c\/li\u003e\n\u003cli\u003eSync\/SRC:\u003cul\u003e\n\u003cli\u003eAssignable as master audio sync\u003c\/li\u003e\n\u003cli\u003eMeasured balanced XLR in to XLR out, 0dB gain, 0dBu input\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 112 dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response: +0\/-0.5dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eHeadroom: +18dB\u003c\/li\u003e\n\u003cli\u003eInternal operating Level: 0dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mic\/Line routed to Main L\/R Out: Unity gain faders@0dB, 0.006%, - 84dBu (20 - 20kHz)\u003c\/li\u003e\n\u003cli\u003edBFS Alignment: +18dBu = 0dBFS (+22dBu at XLR output)\u003c\/li\u003e\n\u003cli\u003eMeter Calibration: 0dB meter = -18dBFS (+4dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eMain Meter Type: 2 x 12 segment, fast (peak) response\u003c\/li\u003e\n\u003cli\u003eChannel Meter Type: Single Point Metering, fully programmable colour\/brightness\u003c\/li\u003e\n\u003cli\u003ePeak Indication: -3dBFS (+19dBu at XLR out), multipoint sensing\u003c\/li\u003e\n\u003cli\u003eSampling Rate: 96kHz\u003c\/li\u003e\n\u003cli\u003eBit Depth: Uses XCVI core custom bit widths in algorithms, up to 96bits\u003c\/li\u003e\n\u003cli\u003eLatency: \u0026lt;0.7mS, Local Mic Input routed to Main L\/R. (Direct, No EQ\/ Effects) \u003c\/li\u003e\n\u003cli\u003eOperating Temperature Range: 0 deg C to 40 deg C (32 deg F to 104 deg F)\u003c\/li\u003e\n\u003cli\u003eMains Power: 100-240V AC, 50\/60Hz\u003c\/li\u003e\n\u003cli\u003eMax Power Consumption: 75W\u003c\/li\u003e\n\u003cli\u003eSource select: Post-Preamp, Post-HPF, Post Gate, Insert Return, Post PEQ, Post Comp, Post Delay trim -infin to 10dB per channel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInsert (Pre EQ\/Comp): Fully Patchable\u003c\/li\u003e\n\u003cli\u003eDelay: Up to 682ms\u003c\/li\u003e\n\u003cli\u003eGEQ: 28 bands 31Hz-16kHz, +\/-12dB Gain, Constant 1\/3 oct\u003c\/li\u003e\n\u003cli\u003ePEQ: As Input PEQ\u003c\/li\u003e\n\u003cli\u003eCompressor: As Input Compressor\u003cul\u003e\n\u003cli\u003eInternal FX: 8 x RackFX engine, Send\u0026gt;Return or Inserted (4 dedicated fx bus)\u003c\/li\u003e\n\u003cli\u003eTypes: SMR Reverb, StereoTap Delay, Gated Reverb, ADT, BlueChorus, Symphonic Chorus, Flanger, Phaser\u003c\/li\u003e\n\u003cli\u003e8 dedicated Stereo FX returns: Fader, Pan, Mute, Routing to Mix\/LR, 4-Band PEQ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePAFL: PFL or stereo in-place AFL, 0 to -24dB Trim, PAFL Delay Up to 682ms\u003c\/li\u003e\n\u003cli\u003eTalkback: dedicated input, Assignable to any mix, Gain, Pad, 48V, 12dB\/oct HPF\u003c\/li\u003e\n\u003cli\u003eSignal Generator: Assignable to any mix, Sine\/White\/Pink\/Bandpass Noise\u003c\/li\u003e\n\u003cli\u003eRTA: 31-Bands 1\/3 octave 20-20kHz, follows PAFL source\u003c\/li\u003e\n\u003cli\u003eSQ-Drive: USB A\u003cul\u003e\n\u003cli\u003eStereo Record: 2 channel, WAV, 96kHz, 24-bit, source fully patchable\u003c\/li\u003e\n\u003cli\u003eStereo Playback: 1\/2 channel, WAV, 44.1, 48, 96kHz 16,24-bit, source fully patchable\u003c\/li\u003e\n\u003cli\u003eMultitrack Record: 16 channel, WAV, 96kHz, 24-bit, track sources fully patchable\u003c\/li\u003e\n\u003cli\u003eMultitrack Playback: 16 channel, WAV, 96kHz, 24-bit fully patchable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB Audio Streaming: USB B, Core Audio compliant, ASIO\/WDM for Windows\u003cul\u003e\n\u003cli\u003eSend (upstream): 32 channel, 96kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eReturn (downstream): 32 channel, 96kHz, 24-bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eDesk mounted dimensions: 804 x 514.9 x 198 mm (W x D x H)\u003c\/li\u003e\n\u003cli\u003eShipping dimensions: 960 x 685 x 360 mm (W x D x H)\u003c\/li\u003e\n\u003cli\u003eUnpacked weight: 17.8 kg \u003c\/li\u003e\n\u003cli\u003ePacked weight: 21.9 kg\u003c\/li\u003e\n\u003cli\u003eOperating Temperature Range: 0 deg C to 40 deg C (32 deg F to 104 deg F)\u003c\/li\u003e\n\u003cli\u003eMains Power: 100-240V AC, 50\/60Hz\u003c\/li\u003e\n\u003cli\u003eMax Power Consumption: 110W\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":43739935146160,"sku":"ALLSQ7","price":3999.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/ALLSQ7_Allen_Heath_SQ-7240X_Image_1.jpg?v=1743495337"},{"product_id":"pm4100-half-rack-stereo-pre-amp-mixer-4xgpio-in-1xstereo-out","title":"PM4100 Half-Rack Stereo Pre-Amp\/Mixer 4xGPIO IN\/ 1xStereo OUT","description":"\u003cp\u003eThe PM4100 is a multi-functional stereo preamplifier controlled via the network or RS-232 connection. The PM4100 is equipped with four stereo inputs, 4 GPIO, and one stereo output. It integrates easily with a variety of control systems and the USB input enables direct audio connection and volume control from a computer. The PM4100 can be powered by either PoE or 12V DC. It’s audio performance, ease-of-use, and versatile feature set makes the PM4100 ideal for a variety of professional audio applications.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eFour unbalanced stereo inputs\u003c\/li\u003e\n\u003cli\u003eOne balanced stereo output\u003c\/li\u003e\n\u003cli\u003e2 bi-directional RS-232 ports for third party control with feedback\u003c\/li\u003e\n\u003cli\u003e4 GPIO for control of relays, switches, and sensors\u003c\/li\u003e\n\u003cli\u003ePossible to mix Input 1 with the current selected input\u003c\/li\u003e\n\u003cli\u003e3 band equalizer for bass, mid and treble control\u003c\/li\u003e\n\u003cli\u003eAuto standby mode\u003c\/li\u003e\n\u003cli\u003ePoE powered (IEEE 802.3at Class 2, 7W)\u003c\/li\u003e\n\u003cli\u003eWhen powered by PoE the 12V DC output supplies power for external devices such as control systems\u003c\/li\u003e\n\u003cli\u003eCovered by Biamp Systems’ five-year warranty\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNetwork Connection: RJ-45 with Ethernet (CAT5e or better)\u003c\/li\u003e\n\u003cli\u003eInputs\u003cul\u003e\n\u003cli\u003eNumber of Inputs:  4 (stereo)\u003c\/li\u003e\n\u003cli\u003eConnector:  RCA\u003c\/li\u003e\n\u003cli\u003eInput Impedance:  \u0026lt; 100kΩ\u003c\/li\u003e\n\u003cli\u003eMax Input Level:  2 Vrms\u003c\/li\u003e\n\u003cli\u003eInput Gain (adjustable):  ± 12 dB\u003c\/li\u003e\n\u003cli\u003eWake on Signal:  Adjustable level\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutputs\u003cul\u003e\n\u003cli\u003eNumber of Outputs:  1 (stereo)\u003c\/li\u003e\n\u003cli\u003eOutput impedance:  100Ω\u003c\/li\u003e\n\u003cli\u003eOutput Level (@ 0 dB FS):  1.3 Vrms\u003c\/li\u003e\n\u003cli\u003eConnector:  5-pin, 0.3-inch Euroblock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB\u003cul\u003e\n\u003cli\u003eConnector:  USB 2.0 Type-B\u003c\/li\u003e\n\u003cli\u003eBit Depth:  16-bit\u003c\/li\u003e\n\u003cli\u003eSample Rate:  48kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eGPIO\u003cul\u003e\n\u003cli\u003eNumber of Ports:  4\u003c\/li\u003e\n\u003cli\u003eConnector:  5-pin, 0.3-inch Euroblock\u003c\/li\u003e\n\u003cli\u003eType:  Open drain\u003c\/li\u003e\n\u003cli\u003eInput Trigger Low:  \u0026lt; 1V DC\u003c\/li\u003e\n\u003cli\u003eInput Trigger High:  \u0026gt; 4V DC\u003c\/li\u003e\n\u003cli\u003eIsolated Output:  No\u003c\/li\u003e\n\u003cli\u003eMax Voltage:  24V DC\u003c\/li\u003e\n\u003cli\u003eMax Current:  0.5 A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eRS-232 \/ IR\u003cul\u003e\n\u003cli\u003eNumber of Ports:  2 (bidirectional)\u003c\/li\u003e\n\u003cli\u003eConnector:  3-pin, 0.3-inch Euroblock\u003c\/li\u003e\n\u003cli\u003eBaud Rate:  1200 – 115200 bit\/sec\u003c\/li\u003e\n\u003cli\u003eData Bits:  7, 8\u003c\/li\u003e\n\u003cli\u003eParity:  Even, Odd, None\u003c\/li\u003e\n\u003cli\u003eStop Bits:  1, 2\u003c\/li\u003e\n\u003cli\u003eIR Frequency Range:  400 Hz to 500 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePower\u003cul\u003e\n\u003cli\u003eMain:  12V DC 5W\u003c\/li\u003e\n\u003cli\u003ePoE:  IEEE 802.3at Class 2, 7W\u003c\/li\u003e\n\u003cli\u003eCooling:  Convection\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnvironmental\u003cul\u003e\n\u003cli\u003eAmbient Operating Temperature Range:  32 - 86° F (0 – 30° C)\u003c\/li\u003e\n\u003cli\u003eHumidity:  10-90% relative humidity (non-condensing)\u003c\/li\u003e\n\u003cli\u003eAltitude:  0-6,600 ft (0-2000m) MSL \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHeight:  1.5 inches (37 mm)\u003c\/li\u003e\n\u003cli\u003eWidth:  8.6 inches (218 mm)\u003c\/li\u003e\n\u003cli\u003eDepth:  2.8 inches (70 mm)\u003c\/li\u003e\n\u003cli\u003eWeight:  1.1 lbs (0.5 kg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Biamp","offers":[{"title":"Default Title","offer_id":43739991048368,"sku":"BIAPM4100","price":460.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/BIAPM4100_Biamp_913-1888-900_Image_1.jpg?v=1743456452"},{"product_id":"dlz-creator-digital-mixer-for-podcasting-streaming","title":"DLZ Creator Digital Mixer for Podcasting \/ Streaming","description":"\u003cp\u003eThe DLZ Creator Adaptive Digital Mixer for Podcasting and Streaming enables users of all experience levels to quickly get professional results for podcasts, YouTube videos, live streams, and more.\u003c\/p\u003e\u003cp\u003eDLZ Creator is an adaptive digital mixer for podcasting and streaming that features Mix Agent™ technology, Onyx80 mic preamps and a 10.1” touchscreen that tailors the controls based on your choice of modes.\u003c\/p\u003e\u003cp\u003eDLZ Creator is designed to make you a better content producer. Mix Agent™ is your virtual audio assistant that guides you through setup, including setting your gain levels. AutoMix manages levels for up to 4 mics, so everyone can always be heard. Using Mix Minus with your Bluetooth®-connected smartphone brings a caller into your mix with no audible echo. 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In addition, the Ui12 and Ui16 each feature built-in HARMAN signal processing from dbx, DigiTech and Lexicon, including dbx AFS2, DigiTech Amp Modeling, and more. Both models feature fully recallable and remote-controlled mic gain and phantom power, along with 4-band parametric EQ, high-pass filter, compressor, de-esser and noise gate on input channels. \u003cbr\u003e\u003cbr\u003eBoth mixers offer 31-band graphic EQ, noise gate and compressor on all outputs, plus real-time frequency analyser (RTA) on inputs and outputs. Built in are three dedicated Lexicon FX busses: Reverb, Delay and Chorus. In addition, mixer controls include Subgroups, Mute groups and View groups, among others. The Ui Series mixers feature full Show\/Snapshot recallability with channel recall safes. while security lockout features allow customization of device access to only specific functions and mixes if needed. Both mixers also offer independent network interfaces on board for simultaneous control by Wi-Fi and Ethernet, plus a floor-ready rugged chassis for live applications. \u003cbr\u003e\u003cbr\u003eThe Ui12 also features four XLR combo mic\/line inputs, four XLR mic inputs, two channels of Hi- Z\/instrument inputs, as well as a stereo RCA line input. A 2-channel USB media player is included, along with two balanced XLR Aux outputs, two quarter-inch headphone outputs with level control, plus balanced stereo XLR and quarter-inch main outputs. 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In addition, the Ui12 and Ui16 each feature built-in HARMAN signal processing from dbx, DigiTech and Lexicon, including dbx AFS2, DigiTech Amp Modeling, and more. Both models feature fully recallable and remote-controlled mic gain and phantom power, along with 4-band parametric EQ, high-pass filter, compressor, de-esser and noise gate on input channels. \u003cbr\u003e\u003cbr\u003eBoth mixers offer 31-band graphic EQ, noise gate and compressor on all outputs, plus real-time frequency analyser (RTA) on inputs and outputs. Built in are three dedicated Lexicon FX busses: Reverb, Delay and Chorus. In addition, mixer controls include Subgroups, Mute groups and View groups, among others. The Ui Series mixers feature full Show\/Snapshot recallability with channel recall safes. while security lockout features allow customization of device access to only specific functions and mixes if needed. Both mixers also offer independent network interfaces on board for simultaneous control by Wi-Fi and Ethernet, plus a floor-ready rugged chassis for live applications. \u003cbr\u003e\u003cbr\u003eThe Ui16 boasts eight XLR combo mic\/line inputs, four XLR mic inputs, two channels of Hi- Z\/instrument inputs, as well as a stereo RCA line input. A 2-channel USB media player is included, along with four balanced XLR Aux outputs, two quarter-inch headphone outputs with level control, plus balanced stereo XLR and quarter-inch main outputs. Two-channel USB audio playback is compatible with MP3, WAV and AIFF formats, and 2-channel USB Record direct-to-memory devices functionality is possible as well. The Ui16 also has an HDMI display connection output.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eTablet\/PC\/Smartphone Controlled Digital Mixer\u003c\/li\u003e\n\u003cli\u003eIntegrated Wi-Fi\u003c\/li\u003e\n\u003cli\u003eCross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices\u003c\/li\u003e\n\u003cli\u003eUse up to 10 control devices (tablets, phones, PCs) simultaneously\u003c\/li\u003e\n\u003cli\u003eLegendary Harman Signal Processing from dbx®, Digitech®, and Lexicon®\u003c\/li\u003e\n\u003cli\u003eFully recallable and remote-controlled mic preamps\u003c\/li\u003e\n\u003cli\u003e4-band Parametric EQ, High-Pass Filter, Compressor, De-esser and Noise Gate on input channels\u003c\/li\u003e\n\u003cli\u003e31-band Graphic EQ, Noise Gate and Compressor on all outputs\u003c\/li\u003e\n\u003cli\u003eReal-Time Frequency Analyser (RTA) on inputs and outputs\u003c\/li\u003e\n\u003cli\u003e3 dedicated Lexicon® FX effects processors: Reverb, Delay and Chorus\u003c\/li\u003e\n\u003cli\u003eSubgroups, Mute Groups, View Groups, and more mixer controls\u003c\/li\u003e\n\u003cli\u003eShow\/Snapshot recall with channel safes and security lockout\u003c\/li\u003e\n\u003cli\u003e2-channel USB audio playback and recording\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHardware Form: Floor\/Rack\u003c\/li\u003e\n\u003cli\u003eWi-Fi Router Onboard: Yes\u003c\/li\u003e\n\u003cli\u003eEthernet control: Yes\u003c\/li\u003e\n\u003cli\u003eTotal Inputs: 16\u003c\/li\u003e\n\u003cli\u003eXLR Mic Inputs: 8 Mic\/Line, 4 Mic\u003c\/li\u003e\n\u003cli\u003eHi-Z\/instrument channels: 2\u003c\/li\u003e\n\u003cli\u003eMain Outputs: XLR and 1\/4”\u003c\/li\u003e\n\u003cli\u003eAux \/ Monitor Sends: 6 balanced XLR\u003c\/li\u003e\n\u003cli\u003eUSB Playback: 2-channel\u003c\/li\u003e\n\u003cli\u003eUSB Stereo Recording: 2-channel\u003c\/li\u003e\n\u003cli\u003eHDMI Output No: Yes\u003c\/li\u003e\n\u003cli\u003eHeadphone 1\/4” out: 2\u003c\/li\u003e\n\u003cli\u003eStereo RCA Line input: Yes\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e4U Rackspace\u003c\/li\u003e\n\u003cli\u003eHeight: 177mm\u003c\/li\u003e\n\u003cli\u003eWidth: 483mm\u003c\/li\u003e\n\u003cli\u003eDepth: 110mm\u003c\/li\u003e\n\u003cli\u003eWeight: 3.61kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":43741834281136,"sku":"SOUUI16","price":532.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/SOUUI16_Soundcraft_SCR0593_Image_1.jpg?v=1743470021"},{"product_id":"ui24r-24-ch-digital-mixing-multi-track-recording-system-4u","title":"Ui24R Remote Cont Digital Mixing+Multi-track Recording System 4U","description":"\u003cp\u003ehe Soundcraft Ui24R is a complete, rack-mountable, digital mixing and multi-track recording system that delivers flexible I\/O, pristine sound quality, intuitive wireless control, and roadworthy reliability—all in a streamlined design. The system can double as a stagebox and can be controlled by up to 10 devices via Ethernet or built-in dual-band Wi-Fi, making it possible to control mixing and multi-track recording wirelessly from anywhere in the venue. Renowned Lexicon, dbx and DigiTech signal processing ensures pristine sound, while 20 Studer-designed microphone preamps deliver more professional inputs than any other mixer in its class. The compact, rack-mounted Ui24R is also compatible with the new HARMAN Connected PA system, and offers unprecedented control, versatility and power at an incredible value. From the stage to the studio, Soundcraft Ui24R is the ultimate system for artists, venues and engineers who need to save space and deliver superior sound.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eRenowned Soundcraft quality and performance\u003c\/li\u003e\n\u003cli\u003eBuilt-in dual-band Wi-Fi eliminates the need for a router to provides a reliable connection to up to 10 mobile devices in mission critical situations\u003c\/li\u003e\n\u003cli\u003eControl Ui24R from iOS, Android, Windows, Mac OS and Linux browsers without installing additional apps\u003c\/li\u003e\n\u003cli\u003eRecord and mix with the warmth of 20 professional-quality Studer-designed preamps\u003c\/li\u003e\n\u003cli\u003edbx compression and iconic Lexicon reverb and delay processing\u003c\/li\u003e\n\u003cli\u003e2 channels of DigiTech guitar amp modeling\u003c\/li\u003e\n\u003cli\u003eDual-path, redundant multi-track recording of all 24 inputs to USB drive and connected Mac\/PC\u003c\/li\u003e\n\u003cli\u003e24 simultaneous inputs (10 combo ¼” TRS\/XLR, 10 XLR, 2 line level, 2 digital)\u003c\/li\u003e\n\u003cli\u003e4-band parametric EQ, high-pass filter, compressor, de-esser, and noise gate on input channels\u003c\/li\u003e\n\u003cli\u003e31-band graphic EQ, noise gate, compressor, and dbx® AFS2 Automatic Feedback Suppression on all outputs\u003c\/li\u003e\n\u003cli\u003eReal-time frequency analyzer (RTA) on inputs and outputs\u003c\/li\u003e\n\u003cli\u003eCompatible with Mac\/PC DAWs and other music software\u003c\/li\u003e\n\u003cli\u003eCompatible with Harman Connected PA application and system for easier setup and control\u003c\/li\u003e\n\u003cli\u003e4U rackmount design\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response\u003cul\u003e\u003cli\u003e20Hz-20kHz +\/- 0.5 dB\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTHD\u003cul\u003e\n\u003cli\u003eMic input (Min gain to bus) @ 1kHz \u0026lt;0.005%\u003c\/li\u003e\n\u003cli\u003eMic input (Max gain to bus) @ 1kHz \u0026lt;0.008%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eNoise\u003cul\u003e\n\u003cli\u003eResidual Noise -96dBu\u003c\/li\u003e\n\u003cli\u003eMic Input E.I.N.22Hz-22kHz unweighted:-128dB EIN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput Gain\u003cul\u003e\u003cli\u003eMic\/Line Gain: -6dB to +58dB  (Step accuracy depends on size of fader in GUI)\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eGate\u003cul\u003e\n\u003cli\u003eThreshold: -inf to +6dB\u003c\/li\u003e\n\u003cli\u003eAttack: 1ms to 400ms\u003c\/li\u003e\n\u003cli\u003eRelease: 5ms to 2000ms\u003c\/li\u003e\n\u003cli\u003eHold: 1ms to 2000ms\u003c\/li\u003e\n\u003cli\u003eDepth: -inf to 0dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCompressor\u003cul\u003e\n\u003cli\u003eThreshold: -90dB +6dB\u003c\/li\u003e\n\u003cli\u003eRatio: 1:1 - 50:1\u003c\/li\u003e\n\u003cli\u003eAttack: 1ms - 400ms\u003c\/li\u003e\n\u003cli\u003eRelease: 10ms - 2000ms\u003c\/li\u003e\n\u003cli\u003eMakeup Gain: -24dB - +48dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEQ Channel\u003cul\u003e\n\u003cli\u003e4 band parametriq: EQ\u003c\/li\u003e\n\u003cli\u003eEach Band Freq: 20Hz to 22kHz\u003c\/li\u003e\n\u003cli\u003eQ .05 - 15\u003c\/li\u003e\n\u003cli\u003eGain: -20dB to +20dB\u003c\/li\u003e\n\u003cli\u003eHPF : 20Hz to 1kHz (selectable slopes)\u003c\/li\u003e\n\u003cli\u003eLPF: 22kHz to 1kHz (selectable slopes)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDe-esser\u003cul\u003e\n\u003cli\u003eThreshold: -90dB to 6dB\u003c\/li\u003e\n\u003cli\u003eRatio infinity to 1:1\u003c\/li\u003e\n\u003cli\u003eFrequency: 2kHz to 15kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEQ Outputs\u003cul\u003e\u003cli\u003e31 band GEQ, 20Hz - 20KHz +-15dB\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCompressor outputs\u003cul\u003e\n\u003cli\u003eThreshold: -90dB +6dB\u003c\/li\u003e\n\u003cli\u003eRatio: 1:1 - 50:1\u003c\/li\u003e\n\u003cli\u003eAttack: 1ms - 400ms\u003c\/li\u003e\n\u003cli\u003eRelease: 10ms - 2000ms\u003c\/li\u003e\n\u003cli\u003eMakeup Gain: -24dB - +48dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003edbx® AFS on all outputs\u003cul\u003e\u003cli\u003e12 parametric EQ’s (6 fixed, 6 floating)\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLatency\u003cul\u003e\u003cli\u003eAll Processing ON for inputs and outputs 3.2ms\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput and Output Levels\u003cul\u003e\n\u003cli\u003eMic Input: +19.5dBu max\u003c\/li\u003e\n\u003cli\u003eLine input: +19.5dBu max\u003c\/li\u003e\n\u003cli\u003eMix output: +20.5dBu max\u003c\/li\u003e\n\u003cli\u003eHeadphone outputs: 500mW 1 output used\u003c\/li\u003e\n\u003cli\u003e(@120Ω), 380mw both outputs used\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput and Output Impedances\u003cul\u003e\n\u003cli\u003eMic input: 1-2 4.2kΩ input 3-20 6kΩ\u003c\/li\u003e\n\u003cli\u003eLine Input: 12kΩ\u003c\/li\u003e\n\u003cli\u003eHi-Z Input: \u0026gt;600kΩ\u003c\/li\u003e\n\u003cli\u003eBalanced Outputs: \u0026lt;150Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB\u003cul\u003e\n\u003cli\u003eMax Current: 500mA\u003c\/li\u003e\n\u003cli\u003eMax Current available to all ports: 900mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePower\u003cul\u003e\n\u003cli\u003eConsumption (typical): \u0026lt; 65W\u003c\/li\u003e\n\u003cli\u003eAC input voltage range: 88-265VAC auto sensing\u003c\/li\u003e\n\u003cli\u003eAC frequency: 47-63Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOperating Conditions\u003cul\u003e\n\u003cli\u003eTemperature range: 5°C - 40°C\u003c\/li\u003e\n\u003cli\u003eHumidity: 0%-90%\u003c\/li\u003e\n\u003cli\u003eStorage Temperature: -20°C to 60°C \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHeight: 4U High\u003c\/li\u003e\n\u003cli\u003eWidth: 19\"\u003c\/li\u003e\n\u003cli\u003eShipping weight: 31lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":43741834313904,"sku":"SOUUI24","price":1054.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/SOUUI24_Soundcraft_SCR0646_Image_1.jpg?v=1743470022"},{"product_id":"vi1000-96-chl-compact-digital-console-with-integrated-dante","title":"Vi1000 96Ch Compact Digital Console with Integrated Dante","description":"\u003cp\u003eThe Soundcraft Vi1000 digital mixing console represents the culmination of the groundbreaking achievements and rich feature set offered by Soundcraft acclaimed Vi Series—now in a more compact form factor.\u003c\/p\u003e\u003cp\u003eThe reduced footprint of the Vi1000 makes it ideal for smaller touring projects, rental companies, corporate AV applications, as well as music venue, theater and HOW installations in search of a versatile digital mixer. Among its many features, the Vi1000 incorporates Vistonics II \\'knobs-on-glass\\' functionality, making it easy to see and access the power and versatility of the mixing environment; along with Soundcraft Faderglow™ colour coding, which illuminates the fader slots according to function using clearly defined colours. Offering pristine audio quality, a wealth of functionality, an intuitive user interface for streamlined operation, and the roadworthy reliability that Soundcraft Vi Series consoles are known for, the new Vi1000 delivers space saving, world-class audio mixing capability.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInnovation That Never Loses Sight Of The End User:\u003c\/strong\u003e All the cutting-edge features in the world mean little if a mixing console isn’t intuitive to use. Recognizing that many audio engineers are freelance technicians, the ability to sit down behind the console and quickly and easily grasp its layout and functionality was of paramount importance throughout the Vi1000’s design phase. With this in mind, Soundcraft engineers made easy-to-understand, streamlined operation a priority. From its Vistonics II and Faderglow integration to the inclusion of built-in microphone monitoring, every aspect of the Soundcraft Vi1000 exudes painstaking attention to detail—ensuring a mixing environment that inspires one’s best efforts.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVistonics II Functionality:\u003c\/strong\u003e Central to the Vi1000’s intuitive design is the Vistonics II ‘knobs-on-glass’ user interface. With Vistonics II, each control is always clearly labeled as to its function, despite their assignable nature. The functions are colour coded and use icons to clearly indicate the parameter being adjusted—whether it’s a signal level, filter frequency, or attack\/release time. A simple touch of the screen is all it takes to access all the parameters associated with a particular channel strip. The amount of information presented in an easy-to-read format enables you to quickly scan the entire desk and see all channel strip settings at a glance—an inherent capability of analog consoles, but sadly lacking on most digital consoles.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpidercore Integrated DSP:\u003c\/strong\u003e The SpiderCore DSP engine used in the Vi1000 runs the same 40-bit floating point audio processing algorithms found in Studer’s high-end broadcast consoles–ensuring pristine audio quality. This engine mixes FPGA and DSP technology in a unique combination that maximizes I\/O routing and DSP mixing capability and also includes dedicated Lexicon multi-effects processing chips. The SpiderCore engine provides a total capacity of 96 channels to mix, and 24 mono or stereo mix busses, configurable as auxiliary, group or matrix, plus the main LR and C busses.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible And Expandable I\/O:\u003c\/strong\u003e Linked directly to the SpiderCore DSP engine, the Vi1000’s comprehensive I\/O system provides a total of 212 x 212 simultaneous inputs and outputs. These comprise 16 channels of on-board HQ mic preamps, 16 on-board line outs 2 pairs of AES\/EBU inputs and outputs and a 64ch MADI and Dante recording interface. In addition, two double expansion card slots provide industry standard audio networking protocol support and stagebox connection. Optional I\/O expansion cards can be chosen from the extensive ViSi Connect range, which include MADI, Dante, Aviom®, Rocknet™, BLU link, SDI, TDIF, ADAT and other industry-standard formats.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDante Networking Is Standard:\u003c\/strong\u003e Dante networking—the uncompressed, multi-channel digital media networking technology with near-zero latency and synchronization—is standard issue on the Vi1000. This interface provides an instant connection to the popular, industry standard audio networking protocol and makes recording and virtual sound check tasks quick and easy.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated World-Class Lexicon Reverb And Delay: \u003c\/strong\u003eLexicon reverb and delay effects have long been recognized as the standard by which all others are judged. With the Vi1000 digital console, the industry’s best reverb and delay come standard—ready for use anytime, and reminiscent of the unparalleled Lexicon PCM81 Multi-Effects Processor, known for its smooth, natural sounding reverb.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt-In BSS DPR901II Dynamic EQ Processing: \u003c\/strong\u003eFor years, the BSS DPR901II dynamic equalizer has been known for its superior performance. While this classic analog audio problem solver has been imitated by all BSS’ competitors, none have matched the overall quality of the original. Onboard Soundcraft Vi consoles, users will find the only officially-approved digitally modelled version of the original—further contributing to this console’s superior audio performance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone Monitoring For AKG, Shure, And Sennheiser Wireless Systems: \u003c\/strong\u003eMix engineers will certainly appreciate the built-in monitoring support for wireless microphone systems from AKG (WMS \u0026amp; DMS), Shure (ULXD\/QLXD) and Sennheiser (6000 series). This capability makes it easy to check battery power, RF levels, plus the mute and clipping status of the attached wireless microphones—right on the channel strip that controls each mic.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003evMIX Automatic Microphone Mixing For Stress-Free Dialogue Mixing: \u003c\/strong\u003eWith the Vi1000’s included vMIX Automatic Microphone Mixing capability, engineers can automatically mix up two separate groups of up to 16 microphones in conference or theatrical applications to free up hands or reduce the number of snapshots needed to control ambience in multi-mic speech applications. vMIX comes directly from high-end Studer Vista broadcast consoles and is another key system attribute that streamlines workflow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e96 input channels with 24 mono\/stereo mix busses, plus LRC master busses: \u003c\/strong\u003eVistonics II proprietary ‘knobs-on-glass’ functionality; key to the console’s streamlined, intuitiveoperational interface and widely praised as the easiest-to-use digital console on the market\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoundcraft Faderglow Technology: \u003c\/strong\u003eWith Faderglow technology, colour coding of the Vi1000’s faders help audio engineers avoid costly mistakes caused by adjusting the wrong parameter after changing layers. Fader tracks are illuminated in colours that integrate with the Vistonics screens to provide quick, at-a-glance information. Regardless of whether a fader is assigned to Matrix outputs, sends on faders, VCA groups, or graphic EQ, Faderglow makes it quick and easy to identify what function is being controlled by what fader at any given time.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProven Electronic And Mechanical Design For Rock-Solid Reliability:\u003c\/strong\u003e The Vi1000 incorporates the same electronics and mechanical frame design found in the larger Vi consoles. The benefit? Proven road-worthy performance and reliability. We realize a digital console is a serious investment and, hence, expectations are high. The Vi1000—like all Soundcraft Vi Series mixing consoles—is designed to deliver unparalleled performance.\u003c\/li\u003e\n\u003cli\u003eSpiderCore™ integrated DSP engine ensures superior audio performance\u003c\/li\u003e\n\u003cli\u003eSoundcraft Faderglow color coding illuminates the fader slots according to function\u003c\/li\u003e\n\u003cli\u003eIntegrated Dante™ interface facilitates instant connection to industry standard Dante audio networks\u003c\/li\u003e\n\u003cli\u003eTwo double-slot expansion slots for Stagebox connection or option card installation\u003c\/li\u003e\n\u003cli\u003eBuilt-in Lexicon world-class reverb, delay, and pitch effects from the industry’s leading brand\u003c\/li\u003e\n\u003cli\u003eOnboard BSS DPR901ii dynamic EQ digitally modelled after the original, industry-standard BSS analogue unit\u003c\/li\u003e\n\u003cli\u003eIntegrated microphone monitoring for AKG, Shure®, and Sennheiser wireless systems\u003c\/li\u003e\n\u003cli\u003eIncluded vMIX automatic microphone mixing for two groups of up to 16 mics in conference or theatrical applications\u003c\/li\u003e\n\u003cli\u003eProven electronic and mechanical design delivers the performance and reliability Vi Series consoles are known for\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eControl Surface\\n\u003cul\u003e\n\u003cli\u003eInput Faders: 8 (16 when assigned to output faders)\u003c\/li\u003e\n\u003cli\u003eOutput Faders: 8 + 3 + 1\u003c\/li\u003e\n\u003cli\u003eTotal Faders: 20\u003c\/li\u003e\n\u003cli\u003eVistonics II screens: 2 (1 input, 1 master)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLocal I\/0 Physical Connectors\\n\u003cul\u003e\n\u003cli\u003eTotal I\/O count: 212 in\/212 out\u003c\/li\u003e\n\u003cli\u003eMic\/Line Inputs: 16 Soundcraft HQ preamps\u003c\/li\u003e\n\u003cli\u003eLine Outputs: 16\u003c\/li\u003e\n\u003cli\u003eAES\/EBU In (with SRC): 2 (4ch)\u003c\/li\u003e\n\u003cli\u003eAES\/EBU Out: 2 (4ch)\u003c\/li\u003e\n\u003cli\u003eTB Mic in: 1 front panel with rear panel 48V on\/off sw\u003c\/li\u003e\n\u003cli\u003ePhones out: 1 stereo jack, under front armrest\u003c\/li\u003e\n\u003cli\u003eDante ports: 1x 64ch\u003c\/li\u003e\n\u003cli\u003eMADI Optical: 64 in\/64 out\u003c\/li\u003e\n\u003cli\u003eD21m Option Slots: 2x double\/4 single (total 128ch)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDSP Mixing Core\\n\u003cul\u003e\n\u003cli\u003eInput Channels: 96 mono Pairable to 48 stereo\u003c\/li\u003e\n\u003cli\u003eBusses - Aux\/Grp: 24 mono or stereo\u003c\/li\u003e\n\u003cli\u003eBusses - Matrix: From bus pool – max 16 mono\/stereo\u003c\/li\u003e\n\u003cli\u003eBusses - Master: 3 (LRC)\u003c\/li\u003e\n\u003cli\u003eAssignable Insert Points: 64 external + 8 DEQ + 4FX\u003c\/li\u003e\n\u003cli\u003eLexicon FX: 4 Stereo reverb\/delay\/pitch effects\u003c\/li\u003e\n\u003cli\u003eBSS GEQ: All mono\/stereo busses and masters\u003c\/li\u003e\n\u003cli\u003eBSS DPR901ii DEQ: 8 instances\u003c\/li\u003e\n\u003cli\u003evMIX Automixing: 2x16ch instances\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eExternal Control Ports\\n\u003cul\u003e\n\u003cli\u003eEthernet: 1 (for Mirroring and external control)\u003c\/li\u003e\n\u003cli\u003eMIDI: 1 In 2 Out\u003c\/li\u003e\n\u003cli\u003eMains Input: 2, switched, for redundant PSUs.\u003c\/li\u003e\n\u003cli\u003eUSB2.0: 4 (2 front, 2 rear)\u003c\/li\u003e\n\u003cli\u003eWordclock: In \/Out 2x BNC\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHeight: 351mm\u003c\/li\u003e\n\u003cli\u003eWidth: 844mm\u003c\/li\u003e\n\u003cli\u003eDepth: 803mm\u003c\/li\u003e\n\u003cli\u003eWeight: 25kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":43741834346672,"sku":"SOUVI1000","price":19755.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/SOUVI1000_Soundcraft_SCR0659_Image_1.jpg?v=1743470025"},{"product_id":"vi2000-digital-live-sound-console","title":"VI2000 Digital Live Sound Console","description":"\u003cp\u003eThe latest addition to Soundcraft Vi range of digital live consoles, the new Vi2000 brings unparalleled mixing power to the live touring, install and corporate AV markets in a single-box, cost-effective package. The new console combines the unique Vistonics-based control surface concepts of the highly successful Vi3000, 5000 and 7000 consoles, with Soundcraft® SpiderCore - a powerful integrated DSP and IO engine based on STUDER technology and compact enough to reside inside the control surface itself.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eSoundcraft® SpiderCore\u003c\/li\u003e\n\u003cli\u003evMIX automatic microphone mixing\u003c\/li\u003e\n\u003cli\u003eConfigurable up to 48 mic line inputs\u003c\/li\u003e\n\u003cli\u003e16 line outputs\u003c\/li\u003e\n\u003cli\u003eTwo 64ch expansion slots\u003c\/li\u003e\n\u003cli\u003eBuilt-in 64x64ch Dante interface\u003c\/li\u003e\n\u003cli\u003e16 input faders\u003c\/li\u003e\n\u003cli\u003e8 output faders\u003c\/li\u003e\n\u003cli\u003eFaderglow\u003c\/li\u003e\n\u003cli\u003eVM2 microphone monitoring \u003c\/li\u003e\n\u003cli\u003eVistonics\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eControl Surface\u003cul\u003e\n\u003cli\u003eInput Faders:  16\u003c\/li\u003e\n\u003cli\u003eOutput Faders: 8 +3 (LRC masters) +1 (Monitor A\/B)\u003c\/li\u003e\n\u003cli\u003eTotal Faders:  28\u003c\/li\u003e\n\u003cli\u003e3D Vistonics screens:  3 (2 input, 1 master)\u003c\/li\u003e\n\u003cli\u003eFader bay operation:  4x Fixed Input layers A\/B\/C\/D giving 64 inputs on 16 fdrs. Input channels can be assigned to Master bay for 24 input fdrs. 5x User layers 1-5 1x Busses 1-16 Layer plus screen assign 17-24, for 24 mono\/stereo busses VCA\/A\/B\/C\/D\/E output\/input fader pages, (A-E user definable)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLocal I\/O Physical Connectors\u003cul\u003e\n\u003cli\u003eMic\/Line Inputs:  48, 32 or 16 configurable (max 3x 16ch out cards of 4 total) (Last 5 outs default to local monitors but can be repatched)\u003c\/li\u003e\n\u003cli\u003eAES\/EBU In:  2 (=4ch) plus optional 16ch via Vista1 card (remove 2 mic or line out cards to fit).\u003c\/li\u003e\n\u003cli\u003eAES\/EBU Out:  2 (=4ch) plus optional 16ch via Vista1 card (remove 2 mic or line out cards to fit).\u003c\/li\u003e\n\u003cli\u003eTB Mic in:  1 front panel, with rear-switched 48V.\u003c\/li\u003e\n\u003cli\u003ePhones out:  1 ste jack, under armrest\u003c\/li\u003e\n\u003cli\u003eOptical MADI In\/Out:  1 (outputs paralleled with Dante interface).\u003c\/li\u003e\n\u003cli\u003eDante ports:  1x 64ch in\/out (2x Ethercon Pri\/Sec). Dante inputs are A\/B switched with optical MADI.\u003c\/li\u003e\n\u003cli\u003eD21m Option Slots:  2 double\/4single (total 128ch)\u003c\/li\u003e\n\u003cli\u003eAES\/EBU Input Sample Rate:  32–108kHz (with SRC enabled)\u003c\/li\u003e\n\u003cli\u003eTotal number of simultaneous IO channels:  246 inputs \/ 214 outputs (assumes 48 mic in\/16 line out config)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDSP Mixing Core:  Soundcraft® SpiderCore\u003cul\u003e\n\u003cli\u003eProcessing:  40-bit Floating point, 48kHz sample rate\u003c\/li\u003e\n\u003cli\u003eInput Channels to mix:  96 mono Pairable to 48 stereo\u003c\/li\u003e\n\u003cli\u003eBusses - Aux\/Grp:  24 mono\/stereo\u003c\/li\u003e\n\u003cli\u003eBusses - Matrix From 24 bus pool – max 16 mono\/stereo.\u003c\/li\u003e\n\u003cli\u003eBusses - Master:  3 (LRC)\u003c\/li\u003e\n\u003cli\u003eAssignable Insert Points:  64 + 4FX\u003c\/li\u003e\n\u003cli\u003eTie Lines:  128 (allow Stagebox IO to connect to Local IO without using mixing channels).\u003c\/li\u003e\n\u003cli\u003eLexicon FX:  4 units (14 reverbs, 7 delays, 8 pitch-shift effects in each unit) Tap Delay from F-key 1-4.\u003c\/li\u003e\n\u003cli\u003eBSS GEQ:  24 mono\/stereo +LRC.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eExternal control ports\u003cul\u003e\n\u003cli\u003eEthernet:  1 (dedicated HiQnet \/ Realtime Rack control)\u003c\/li\u003e\n\u003cli\u003eMIDI:  1 In, 1 Out\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOther Ports\u003cul\u003e\n\u003cli\u003eMains Input:  2, switched (redundant power supplies built in)\u003c\/li\u003e\n\u003cli\u003eUSB2.0:  4 (2 front, 2 rear)\u003c\/li\u003e\n\u003cli\u003eWordclock:  In \/Out 2x BNC\u003c\/li\u003e\n\u003cli\u003eDVI out Reserved for future use\u003c\/li\u003e\n\u003cli\u003eGooseneck lamp 4-pin XLR:  2, for rear panel illumination\u003c\/li\u003e\n\u003cli\u003eStagebox Optional, via MADI optical or Cat 5 option cards fitted to D21m expansion slots. Can connect up to 2 x 64ch Vi Stageboxes. Also compatible with Compact Stagebox and Mini Stagebox\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHeight: 351mm\u003c\/li\u003e\n\u003cli\u003eWidth: 1155mm\u003c\/li\u003e\n\u003cli\u003eDepth: 784mm\u003c\/li\u003e\n\u003cli\u003eWeight: 45.2kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":43741834379440,"sku":"SOUVI2000","price":30570.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/SOUVI2000_Soundcraft_SCR0633_Image_1.jpg?v=1743470028"},{"product_id":"vi3000-36-faders-24-mono-stereo-bus-with-4-touch-screens","title":"VI3000 36 Faders 24 Mono\/Stereo Bus with 4 Touch Screens","description":"\u003cp\u003eThe Soundcraft Vi3000 features an all-new appearance with a more efficiently designed control surface, 36 faders, 24 mono\/stereo busses and a sweeping black screen panel with four Vistonics II™ touchscreen interfaces with sleek, updated 3D graphics. Because the Vi3000 has four touchscreens, it the only console in its class that can be used by two engineers at the same time. \u003c\/p\u003e\u003cp\u003eThe Soundcraft Vi3000 offers extensive rear panel connectivity. In addition to a full complement of analog and digital inputs and outputs, the console provides MIDI, USB, Ethernet, DVI out, Dante\/MADI record feed outputs, redundant power supply and other connections. The Vi3000 has two expansion bays that can be fitted with MADI Stagebox cards, to connect multiple Soundcraft Stagebox input expander modules. The Vi3000 can also accommodate the new Soundcraft Realtime Rack, a hardware\/software unit designed in collaboration with plug-in manufacturer Universal Audio that provides access to 74 industry-standard UAD plug-ins. The Vi3000 is the first Soundcraft console to incorporate a Dante interface as standard, for seamless digital audio networking with Dante-enabled devices. \u003c\/p\u003e\u003cp\u003eAlong with its greatly expanded functionality, the Vi3000 retains all the features that have made the Soundcraft Vi Series the consoles of choice for live sound engineers worldwide, such as FaderGlow™ illuminated faders that display different colors according to function, the ability to store and recall snapshots and cues, compatibility with Soundcraft ViSi app that allows remote control from an iPad, built-in Lexicon reverb\/delays, dbx compression, effects and more.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eVirtual Vi offline set up\u003c\/li\u003e\n\u003cli\u003eVM2 radio mic status monitoring\u003c\/li\u003e\n\u003cli\u003eBSS DPR901ii Dynamic EQ\u003c\/li\u003e\n\u003cli\u003eCopy\/Paste channel bus and FX settings\u003c\/li\u003e\n\u003cli\u003eCopy\/Paste processing elements \u003c\/li\u003e\n\u003cli\u003eSettings Library \u003c\/li\u003e\n\u003cli\u003eSophisticated Cue List Management \u003c\/li\u003e\n\u003cli\u003eAdvanced events integration\u003c\/li\u003e\n\u003cli\u003eAutomated microphone mixing \u003c\/li\u003e\n\u003cli\u003eSnapshot crossfades\u003c\/li\u003e\n\u003cli\u003eViSi Remote iPad® app\u003c\/li\u003e\n\u003cli\u003eAll busses to stereo\u003c\/li\u003e\n\u003cli\u003e4 Aux send points\u003c\/li\u003e\n\u003cli\u003eAux VCA mode\u003c\/li\u003e\n\u003cli\u003eAuto-increase of ambient mic levels in monitor mixes between songs\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response\u003cul\u003e\n\u003cli\u003eStagebox Mic input to Line output:  +0\/-1dB, 20Hz-20kHz\u003c\/li\u003e\n\u003cli\u003eAES\/EBU In to AES\/EBU Out:  +0\/-0.2dB, 20Hz-20kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eT.H.D. \u0026amp; Noise\u003cul\u003e\n\u003cli\u003e2Hz-22kHz\u003c\/li\u003e\n\u003cli\u003eStagebox Mic In (min gain) to Local Line Out:  \u0026lt;0.003% @ 1kHz\u003c\/li\u003e\n\u003cli\u003eStagebox Mic In (max gain) to Local Line Out:  \u0026lt;0.020% @ 1kHz\u003c\/li\u003e\n\u003cli\u003eLocal Line In to Line Out:  \u0026lt;0.003% @ 1kHz\u003c\/li\u003e\n\u003cli\u003eMic Input E.I.N:  \u0026lt;-126dBu (150Ω source)\u003c\/li\u003e\n\u003cli\u003e22Hz-22kHz bandwidth, unweighted\u003c\/li\u003e\n\u003cli\u003eResidual Noise:  -91dBu\u003c\/li\u003e\n\u003cli\u003eStagebox line output; no inputs routed, Mix fader @0dB\u003c\/li\u003e\n\u003cli\u003eCMRR, Stagebox Mic input:  80dB @ 1kHz\u003c\/li\u003e\n\u003cli\u003eSampling Frequency:  48kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLatency\u003cul\u003e\n\u003cli\u003eStagebox Mic Input to Local Line output:  \u0026lt; 2ms @48kHz\u003c\/li\u003e\n\u003cli\u003eAES\/EBU Input Sample Rate:  32-108kHz (with SRC enabled)\u003c\/li\u003e\n\u003cli\u003eDSP Resolution:  40-bit floating point\u003c\/li\u003e\n\u003cli\u003eInternal Clock Accuracy:  \u0026lt; +\/- 50ppm\u003c\/li\u003e\n\u003cli\u003eInternal Clock Jitter:  \u0026lt; +\/- 2ns\u003c\/li\u003e\n\u003cli\u003eExternal Sync:  BNC Wordclock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; Output Levels\u003cul\u003e\n\u003cli\u003eMic Inputs:  +28dBu max\u003c\/li\u003e\n\u003cli\u003eLine Inputs:  +22dBu max\u003c\/li\u003e\n\u003cli\u003eLine Outputs:  +22dBu max\u003c\/li\u003e\n\u003cli\u003eNominal Operating Level:  +4dBu (-18dBFS)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; Output Impedances\u003cul\u003e\n\u003cli\u003eMic Inputs:  2k7Ω\u003c\/li\u003e\n\u003cli\u003eAll other analogue Inputs:  \u0026gt;10kΩ\u003c\/li\u003e\n\u003cli\u003eLine Outputs:  \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eAES\/EBU Outputs:  110Ω\u003c\/li\u003e\n\u003cli\u003eOscillator:  20Hz to 20kHz\/Pink\/White Noise, variable level\u003c\/li\u003e\n\u003cli\u003eStagebox HP Filter:  80Hz fixed, 12dB per octave\u003c\/li\u003e\n\u003cli\u003eChannel HP Filter:  20Hz-600Hz, 18dB per octave\u003c\/li\u003e\n\u003cli\u003eChannel LP Filter:  1kHz-20kHz, 18dB per octave\u003c\/li\u003e\n\u003cli\u003eEQ (Inputs and Bus Outputs)\u003c\/li\u003e\n\u003cli\u003eHF:  20Hz-20kHz, +\/-18dB, Q=0.3-8.7 or shelving\u003c\/li\u003e\n\u003cli\u003eHi-Mid:  20Hz-20kHz, +\/-18dB, Q=0.3-8.7\u003c\/li\u003e\n\u003cli\u003eLo-Mid:  20Hz-20kHz, +\/-18dB, Q=0.3-8.7\u003c\/li\u003e\n\u003cli\u003eLF:  20Hz-20kHz, +\/-18dB, Q=0.3-8.7 or shelving\u003c\/li\u003e\n\u003cli\u003eMetering:  Internal 20-segment LED bargraphs plus 9-segment gain reduction meters for all inputs and Outputs. Peak hold variable from 0-2s.\u003c\/li\u003e\n\u003cli\u003eMains Voltage Operating Range:  90-264V, 47-63Hz, auto-ranging\u003c\/li\u003e\n\u003cli\u003eMains Power Consumption:  300W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTemperature\/Humidity Range\u003cul\u003e\n\u003cli\u003eOperating Temperature Range:  0°C to 45°C (32°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative Humidity:  0% - 90%, non-condensing Ta=40°C (104°F)\u003c\/li\u003e\n\u003cli\u003eStorage Temperature Range:  -20°C to 60°C (-4°F to 140°F)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHeight: 351mm\u003c\/li\u003e\n\u003cli\u003eWidth: 1446mm\u003c\/li\u003e\n\u003cli\u003eDepth: 784mm\u003c\/li\u003e\n\u003cli\u003eWeight: 54kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":43741834412208,"sku":"SOUVI3000","price":39520.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/SOUVI3000_Soundcraft_SCR0583_Image_1.jpg?v=1743470031"},{"product_id":"digilive-16-digital-mixer-16-inputs-16-bus-12-mic-2-stereo","title":"digiLive 16 Digital Mixer 16 inputs \/ 16 Bus \/ 12 Mic \/ 2 Stereo","description":"\u003cp\u003eThe DIGILIVE 16 offers ultra-compact digital audio mixer combines the power of a hardware mixer with the beauty and simplicity of a touch-screen control surface.\u003cbr\u003eThe DIGILIVE 16 is designed to be quick, simple and intuitive to use. In addition to the 7-inch high-resolution touch-screen where you can access all your features, I\/O options and effects, the mixer features full 100mm motorised faders that can recall scene settings at a moments notice. Full control is also available remotely via Wi-Fi using your iPad so you are free to mix anywhere in the venue.\u003c\/p\u003e\n\u003ch2\u003eProduct Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e16 input with 16 internal busses\u003c\/li\u003e\n\u003cli\u003e12 professional mic input channels\u003c\/li\u003e\n\u003cli\u003e2 stereo inputs\u003c\/li\u003e\n\u003cli\u003e8 configurable smart outputs\u003c\/li\u003e\n\u003cli\u003e7″ high resolution touch screen\u003c\/li\u003e\n\u003cli\u003e9 motorised 100mm faders\u003c\/li\u003e\n\u003cli\u003eAdvanced hybrid user interface\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMic Inputs: 12 (8x XLR \/ 4x Combo XLR)\u003c\/li\u003e\n\u003cli\u003eStereo Inputs: 2\u003c\/li\u003e\n\u003cli\u003eMaster Output: 2 (Left\/Right balanced XLR)\u003c\/li\u003e\n\u003cli\u003eSmart Outputs: 6 (assignable balanced XLR)\u003c\/li\u003e\n\u003cli\u003eInternal busses: 16\u003c\/li\u003e\n\u003cli\u003eStage monitor: 1 TRS Jack output\u003c\/li\u003e\n\u003cli\u003eHeadphone: 1 TRS Jack output\u003c\/li\u003e\n\u003cli\u003eScreen: 7″ high definition touch screen\u003c\/li\u003e\n\u003cli\u003eFaders: 8x motorised 100mm channel faders + 1x motorised 100mm master L\/R mix\u003c\/li\u003e\n\u003cli\u003eOperation system: Android system\u003c\/li\u003e\n\u003cli\u003eNetwork: Yes, via included WiFi module\u003c\/li\u003e\n\u003cli\u003eRemote control: iPad iOS via ‘Digilive Blackbox’ app\u003c\/li\u003e\n\u003cli\u003eSample Frequency: 48 KHz\u003c\/li\u003e\n\u003cli\u003eAD\/DA: 192 KHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eDSP: 40 bit float point, SHARC processor\u003c\/li\u003e\n\u003cli\u003eEffects: up to 8 assignable effect modules\u003c\/li\u003e\n\u003cli\u003eAES\/EBU: Output XLR\u003c\/li\u003e\n\u003cli\u003eS\/PDIF: Input \/ Output (RCA Phono)\u003c\/li\u003e\n\u003cli\u003eUSB Interface: 2 for playback\/recording, scene\/setting storage and system updates\u003c\/li\u003e\n\u003cli\u003ePower Supply: 90-240V ~ 50\/60Hz power supply 12VDC\u003c\/li\u003e\n\u003cli\u003eDimension W*H*D: 357 x 480 x 145 (mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Studiomaster","offers":[{"title":"Default Title","offer_id":43741835460784,"sku":"STUDIDILIVE16","price":799.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/STUDIDILIVE16_Studiomaster_5060255343425_Image_1.jpg?v=1743470093"},{"product_id":"digilive-16rs-digital-rack-mixer-16inputs-16bus-12mic-2st","title":"digiLive 16RS Digital Rack Mixer 16inputs\/16Bus\/12Mic\/2St 3U","description":"\u003cp\u003eThe DIGILIVE 16RS offers our ultra-compact digital audio mixer in rack mountable form, combining the power of a hardware mixer with the beauty and simplicity of a touch-screen control surface.\u003cbr\u003eThe DIGILIVE 16RS is designed to be quick, simple and intuitive to use. In addition to the 7-inch high-resolution touch-screen where you can access all your features, I\/O options and effects, the mixer features full digital rotary encoders that can recall scene settings at a moments notice. Full control is also available remotely via Wi-Fi using your iPad so you are free to mix anywhere in the venue.\u003c\/p\u003e\n\u003ch2\u003eProduct Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e16 input with 16 internal busses\u003c\/li\u003e\n\u003cli\u003e12 digital gain mic input channels\u003c\/li\u003e\n\u003cli\u003e2 stereo inputs\u003c\/li\u003e\n\u003cli\u003e8 configurable smart outputs\u003c\/li\u003e\n\u003cli\u003e7″ high resolution touch screen\u003c\/li\u003e\n\u003cli\u003eUltra compact unit size\u003c\/li\u003e\n\u003cli\u003eAdvanced hybrid user interface\u003c\/li\u003e\n\u003cli\u003eFull iOS Tablet control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMic Inputs: 12 (8x XLR \/ 4x Combo XLR)\u003c\/li\u003e\n\u003cli\u003eStereo Inputs: 2\u003c\/li\u003e\n\u003cli\u003eMaster Output: 2 (Left\/Right balanced XLR)\u003c\/li\u003e\n\u003cli\u003eSmart Outputs: 6 (assignable balanced XLR)\u003c\/li\u003e\n\u003cli\u003eInternal busses: 16\u003c\/li\u003e\n\u003cli\u003eStage monitor: 1 TRS Jack output\u003c\/li\u003e\n\u003cli\u003eHeadphone: 1 TRS Jack output\u003c\/li\u003e\n\u003cli\u003eScreen: 7″ high definition touch screen\u003c\/li\u003e\n\u003cli\u003eOperation system: Android system\u003c\/li\u003e\n\u003cli\u003eNetwork: Yes, via included WiFi module\u003c\/li\u003e\n\u003cli\u003eRemote control: iPad iOS via ‘Digilive Blackbox’ app\u003c\/li\u003e\n\u003cli\u003eSample Frequency: 48 KHz\u003c\/li\u003e\n\u003cli\u003eAD\/DA: 192 KHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eDSP: 40 bit float point, SHARC processor\u003c\/li\u003e\n\u003cli\u003eEffects: up to 8 assignable effect modules\u003c\/li\u003e\n\u003cli\u003eAES\/EBU: Output XLR\u003c\/li\u003e\n\u003cli\u003eS\/PDIF: Input \/ Output (RCA Phono)\u003c\/li\u003e\n\u003cli\u003eUSB Interface: 2 for playback\/recording, scene\/setting storage and system updates\u003c\/li\u003e\n\u003cli\u003ePower Supply: 90-240V ~ 50\/60Hz IEC power supply\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Studiomaster","offers":[{"title":"Default Title","offer_id":43741835493552,"sku":"STUDIDILIVE16RS","price":799.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/STUDIDILIVE16RS_Studiomaster_5060255343654_Image_1.jpg?v=1743470096"},{"product_id":"digilive-4c-compact-wifi-digital-mixer-4-input-2-mic-1-stereo","title":"digiLive 4C Compact WiFi Digital Mixer 4 input \/ 2 Mic \/ 1 Stereo","description":"\u003cp\u003eThe digiLiVE 4C features two mono Mic\/Line input channels (each with combination XLR\/TRS jack connectors and switchable phantom power); stereo Left and Right line-level inputs (TRS jack or stereo minijack); and one stereo USB Input for music playback (mp3 or WAV files). Two balanced XLR stereo Mix Outputs (Left and Right) allow you to connect to active loudspeakers or to a power amplifier and loudspeakers. Two separate internal busses feed the two onboard effects (REVerb and DELay). One auxiliary output (AUX1) is provided to enable you either to connect to an active loudspeaker or to a power amplifier and loudspeaker combination to provide stage monitoring or an additional mix output, or to feed an external effects unit whose output could be returned to the digiLiVE via the analogue stereo L-R inputs. A stereo Headphone output provides local monitoring of inputs and outputs. One Footswitch jack allows you to connect a footswitch to switch the delay and reverb on and off.\u003c\/p\u003e\n\u003ch2\u003eProduct Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e4 input, 2 Mic, 1 Stereo\u003c\/li\u003e\n\u003cli\u003eConnect with any device with Wi-Fi or LAN\u003c\/li\u003e\n\u003cli\u003ePHONE – TABLET – LAPTOP – multi platform\u003c\/li\u003e\n\u003cli\u003e2 effect busses\u003c\/li\u003e\n\u003cli\u003eAssignable footswitch input\u003c\/li\u003e\n\u003cli\u003eComplete control from the front panel\u003c\/li\u003e\n\u003cli\u003eAnalogue feel to operate\u003c\/li\u003e\n\u003cli\u003eBalanced input and output sockets\u003c\/li\u003e\n\u003cli\u003eUltra compact\u003c\/li\u003e\n\u003cli\u003eProfessional features throughout\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eInputs: 4 analogue input\u003c\/li\u003e\n\u003cli\u003eMic Input: 2 MIC\/LINE COMBO XLR\/JACK\u003c\/li\u003e\n\u003cli\u003eLine Input: 1 STEREO Jacks\/3.5mm mini Jack\u003c\/li\u003e\n\u003cli\u003eMaster output: 2 Left\/Right balanced XLR\u003c\/li\u003e\n\u003cli\u003eInternal busses: 2 stereo FX \/ 1 mono AUX \/ stereo PFL \/ Main Mix\u003c\/li\u003e\n\u003cli\u003eStereo Monitor: 1 TRS Jack output\u003c\/li\u003e\n\u003cli\u003eHeadphone: 1 TRS Jack output\u003c\/li\u003e\n\u003cli\u003eControl Interface: Full mix from 3 rotary encoders\u003c\/li\u003e\n\u003cli\u003eSample Frequency: 48 KHz\u003c\/li\u003e\n\u003cli\u003eAD\/DA: 48KHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eDSP: 40-bit float point, SHARC processor\u003c\/li\u003e\n\u003cli\u003eRemote control: Cross platform – Any device with Wi-Fi \/ Lan and web browser\u003c\/li\u003e\n\u003cli\u003eEffects: 2 – programmable DELAY and REVERB\u003c\/li\u003e\n\u003cli\u003eUSB Interface: 2 for playback\/recording, scene storage and system updates\u003c\/li\u003e\n\u003cli\u003eNetwork: yes via WIFI external module or RJ45 LAN connection\u003c\/li\u003e\n\u003cli\u003ePower: 90-240V ~ 50\/60Hz power supply 12VDC output\u003c\/li\u003e\n\u003cli\u003eWeight: 6kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Studiomaster","offers":[{"title":"Default Title","offer_id":43741835526320,"sku":"STUDIDILIVE4C","price":253.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/STUDIDILIVE4C_Studiomaster_5060255344743_Image_1.jpg?v=1743470099"},{"product_id":"digilive-8c-compact-wifi-digital-mixer-8-input-2-mic-1-stereo","title":"digiLive 8C Compact Wifi Digital Mixer 8 input \/ 2 Mic \/ 1 Stereo","description":"\u003cp\u003eThe digiLiVE 8C features 6 mono Mic\/line input channels (each with XLR\/TRS jack combination connectors and switchable phantom power); stereo Left and Right line-level inputs (TRS jack or stereo minijack); and one stereo USB Input for music playback (mp3 or WAV files). Two balanced XLR stereo Mix Outputs (Left and Right) allow you to connect to active loudspeakers or to a power amplifier and loudspeakers. Two separate internal busses (FX1 and FX2) feed the onboard effects (REVerb and DELay) and two auxiliary outputs (AUX1 and AUX 2) are provided to enable you to create separate stage monitor mixes and\/or additional front of house (FOH) mixes. Alternatively, you could use these outputs to feed external effects units whose outputs could be returned to the digiLiVE either through the analogue stereo L-R input or via one or two mic\/line inputs. A stereo Headphone output provides local monitoring of inputs and outputs. Two Footswitch jacks allow you to connect two footswitches to switch FX on and off.\u003c\/p\u003e\n\u003ch2\u003eProduct Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e8 input, 6 Mic, 1 Stereo\u003c\/li\u003e\n\u003cli\u003eConnect with any device with Wi-Fi or LAN\u003c\/li\u003e\n\u003cli\u003ePhone – Tablet – Laptop – multi platform\u003c\/li\u003e\n\u003cli\u003e4 effect busses\u003c\/li\u003e\n\u003cli\u003eAssignable footswitch input\u003c\/li\u003e\n\u003cli\u003eComplete control from the front panel\u003c\/li\u003e\n\u003cli\u003eAnalogue feel to operate\u003c\/li\u003e\n\u003cli\u003eBalanced input and output sockets\u003c\/li\u003e\n\u003cli\u003eUltra compact\u003c\/li\u003e\n\u003cli\u003eProfessional features throughout\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eInputs: 8 analogue input\u003c\/li\u003e\n\u003cli\u003eMIC Input: 6 MIC\/LINE COMBO XLR\/JACK\u003c\/li\u003e\n\u003cli\u003eLINE Input: 1 STEREO Jacks\/3.5mm mini Jack\u003c\/li\u003e\n\u003cli\u003eMaster output: 2 Left\/Right balanced XLR\u003c\/li\u003e\n\u003cli\u003eInternal busses: 4 stereo FX \/ 2 mono AUX \/ stereo PFL \/ Main Mix\u003c\/li\u003e\n\u003cli\u003eStereo Monitor: 2 TRS Jack output\u003c\/li\u003e\n\u003cli\u003eHeadphone: 1 TRS Jack output\u003c\/li\u003e\n\u003cli\u003eControl Interface: Full mix from 3 rotary encoders\u003c\/li\u003e\n\u003cli\u003eSample Frequency: 48 KHz\u003c\/li\u003e\n\u003cli\u003eAD\/DA: 48KHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eDSP: 40-bit float point, SHARC processor\u003c\/li\u003e\n\u003cli\u003eRemote control: Cross platform – Any device with Wi-Fi \/ Lan and web browser\u003c\/li\u003e\n\u003cli\u003eEffects: 4 – programmable DELAY x2 and REVERB x2\u003c\/li\u003e\n\u003cli\u003eUSB Interface: 2 for playback\/recording, scene storage and system updates\u003c\/li\u003e\n\u003cli\u003eNetwork: yes via WIFI external module or RJ45 LAN connection\u003c\/li\u003e\n\u003cli\u003ePower: 90-240V ~ 50\/60Hz power supply 12VDC output\u003c\/li\u003e\n\u003cli\u003eWeight: 8kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Studiomaster","offers":[{"title":"Default Title","offer_id":43741835559088,"sku":"STUDIDILIVE8","price":302.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/STUDIDILIVE8_Studiomaster_5060255344750_Image_1.jpg?v=1743470101"},{"product_id":"cl1-digital-mixing-console-with-dante-48-mono-8-stereo-i-p","title":"CL1 Digital Mixing Console with Dante 48 Mono+8 Stereo i\/p","description":"\u003cp\u003eThe pursuit of perfection is ongoing and will probably never end, but along the way Yamaha has introduced a number of innovations that have become industry standards offering performance and familiarity that discerning users continue to demand. By definition, “standards” are best kept as they are. With evolutionary refinements, of course. \u003cbr\u003e\u003cbr\u003eYamaha CL series digital mixing consoles represent a new level of refinement. They offer an evolved experience in accessible mixing, plus sonic purity with sound shaping capabilities that will give the most imaginative engineer unprecedented creative freedom. The CL series embodies the leading standards in live sound in their most advanced, most expressive form.\u003c\/p\u003e\u003cp\u003eDual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eCL series digital mixing consoles represent a new level of refinement\u003c\/li\u003e\n\u003cli\u003eBuilt in Dante\u003c\/li\u003e\n\u003cli\u003eOffer an evolved experience in accessible mixing\u003c\/li\u003e\n\u003cli\u003ePlus sonic purity with sound shaping capabilities\u003c\/li\u003e\n\u003cli\u003eGives the most imaginative engineer unprecedented creative freedom\u003c\/li\u003e\n\u003cli\u003eCL series embodies the leading standards in live sound\u003c\/li\u003e\n\u003cli\u003eMost advanced, most expressive form\u003c\/li\u003e\n\u003c\/ul\u003e\u003cdiv\u003e\n\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\n\u003ch3\u003eGeneral\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eSampling frequency rate\u003cul\u003e\n\u003cli\u003eInternal: 44.1kHz \/ 48kHz\u003c\/li\u003e\n\u003cli\u003eExternal: 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSignal delay: Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz\u003c\/li\u003e\n\u003cli\u003eFader: 100mm motorized, Resolution=1024steps, +10dB to -138dB, -∞dB all faders\u003c\/li\u003e\n\u003cli\u003eFrequency response: +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion: Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.\u003c\/li\u003e\n\u003cli\u003eHum \u0026amp; Noise: -128dBu typ., Equivalent Input Noise, Input Gain=Max., -88dBu, Residual output noise, ST master off\u003c\/li\u003e\n\u003cli\u003eDynamic range: 112dB typ.: DA Converter \/ 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.\u003c\/li\u003e\n\u003cli\u003eCrosstalk: -100dB*1, adjacent OMNI IN\/OMNI OUT channels, Input Gain = Min.\u003c\/li\u003e\n\u003cli\u003ePower requirements: US\/Canada: 120V 60Hz, Japan: 100V 50\/60Hz, China: 110-240V 50\/60Hz, Korea: 220V 60Hz, Other: 110-240V 50\/60Hz\u003c\/li\u003e\n\u003cli\u003ePower consumption: 170W: Internal Power Supply \/ 200W: Simultaneous use of Internal PSU and External PW800W\u003c\/li\u003e\n\u003cli\u003eOthers: Temperature Range: Operating temperature range: 0 - 40°C, Storage temperature range: -20 - 60°C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 299mm\u003c\/li\u003e\n\u003cli\u003eWidth: 648mm\u003c\/li\u003e\n\u003cli\u003eDepth: 667mm\u003c\/li\u003e\n\u003cli\u003eWeight: 24kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":43741877010608,"sku":"YAMCL1","price":19442.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/YAMCL1_Yamaha_CL1_Image_1.jpg?v=1765892033"},{"product_id":"cl3-digital-mixing-console-with-dante-64-mono-8-stereo-i-p","title":"CL3 Digital Mixing Console with Dante 64 Mono+8 Stereo i\/p","description":"\u003cp\u003eThe pursuit of perfection is ongoing and will probably never end, but along the way Yamaha has introduced a number of innovations that have become industry standards offering performance and familiarity that discerning users continue to demand. By definition, “standards” are best kept as they are. With evolutionary refinements, of course. \u003cbr\u003e\u003cbr\u003eYamaha CL series digital mixing consoles represent a new level of refinement. They offer an evolved experience in accessible mixing, plus sonic purity with sound shaping capabilities that will give the most imaginative engineer unprecedented creative freedom. The CL series embodies the leading standards in live sound in their most advanced, most expressive form.\u003c\/p\u003e\u003cp\u003eAn ideal blend of compact size and channel capacity for a variety of live and installed applications.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eCL series digital mixing consoles represent a new level of refinement\u003c\/li\u003e\n\u003cli\u003eBuilt in Dante\u003c\/li\u003e\n\u003cli\u003eOffer an evolved experience in accessible mixing\u003c\/li\u003e\n\u003cli\u003ePlus sonic purity with sound shaping capabilities\u003c\/li\u003e\n\u003cli\u003eGives the most imaginative engineer unprecedented creative freedom\u003c\/li\u003e\n\u003cli\u003eCL series embodies the leading standards in live sound\u003c\/li\u003e\n\u003cli\u003eMost advanced, most expressive form\u003c\/li\u003e\n\u003c\/ul\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\n\u003ch3\u003eGeneral\u003c\/h3\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cul\u003e\n\u003cli\u003eInput channels: 64 mono, 8 stereo.\u003c\/li\u003e\n\u003cli\u003eMix\/Matrix Buses: 24 mixes \/ 8 matrices (Input to Matrix supported)\u003c\/li\u003e\n\u003cli\u003eFader configuration: 16-fader left section, 8-fader Centralogic section, 2-fader master section.\u003c\/li\u003e\n\u003cli\u003eStainless steel stay for iPad support.\u003c\/li\u003e\n\u003cli\u003eMeter bridge optional\u003c\/li\u003e\n\u003cli\u003eSampling frequency rate:\u003cul\u003e\n\u003cli\u003eInternal44.1kHz \/ 48kHz\u003c\/li\u003e\n\u003cli\u003eExternal44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSignal delay: Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion: Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.\u003c\/li\u003e\n\u003cli\u003eFrequency response: +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT\u003c\/li\u003e\n\u003cli\u003eDynamic range: 112dB typ.: DA Converter \/ 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.\u003c\/li\u003e\n\u003cli\u003eHum \u0026amp; noise level: Equivalent input noise-128dBu typ., Equivalent Input Noise, Input Gain=Max\u003c\/li\u003e\n\u003cli\u003eResidual output noise: -88dBu, Residual output noise, ST master off\u003c\/li\u003e\n\u003cli\u003eCrosstalk: -100dB*1, adjacent OMNI IN\/OMNI OUT channels, Input Gain = Min.\u003c\/li\u003e\n\u003cli\u003ePower requirements: US\/Canada: 120V 60Hz, Japan: 100V 50\/60Hz, China: 110-240V 50\/60Hz, Korea: 220V 60Hz, Other: 110-240V 50\/60Hz\u003c\/li\u003e\n\u003cli\u003ePower consumption: 170W: Internal Power Supply \/ 200W: Simultaneous use of Internal PSU and External PW800W\u003c\/li\u003e\n\u003cli\u003eOthers: Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eWidth: 839mm\u003c\/li\u003e\n\u003cli\u003eHeight: 299mm\u003c\/li\u003e\n\u003cli\u003eDepth: 667mm\u003c\/li\u003e\n\u003cli\u003eWeight: 29kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":43741877043376,"sku":"YAMCL3","price":25733.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/YAMCL3_Yamaha_CL3_Image_1.jpg?v=1765892037"},{"product_id":"cl5-digital-mixing-console-with-dante-72-mono-8-stereo-i-p","title":"CL5 Digital Mixing Console with Dante 72 Mono+8 Stereo i\/p","description":"\u003cp\u003eThe pursuit of perfection is ongoing and will probably never end, but along the way Yamaha has introduced a number of innovations that have become industry standards offering performance and familiarity that discerning users continue to demand. By definition, “standards” are best kept as they are. With evolutionary refinements, of course. \u003cbr\u003e\u003cbr\u003eYamaha CL series digital mixing consoles represent a new level of refinement. They offer an evolved experience in accessible mixing, plus sonic purity with sound shaping capabilities that will give the most imaginative engineer unprecedented creative freedom. The CL series embodies the leading standards in live sound in their most advanced, most expressive form.\u003c\/p\u003e\u003cp\u003eWith a three-section fader layout for efficient hands-on control, the CL5 is the ideal choice for a diverse spectrum of live sound systems.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eCL series digital mixing consoles represent a new level of refinement\u003c\/li\u003e\n\u003cli\u003eBuilt in Dante\u003c\/li\u003e\n\u003cli\u003eOffer an evolved experience in accessible mixing\u003c\/li\u003e\n\u003cli\u003ePlus sonic purity with sound shaping capabilities\u003c\/li\u003e\n\u003cli\u003eGives the most imaginative engineer unprecedented creative freedom\u003c\/li\u003e\n\u003cli\u003eCL series embodies the leading standards in live sound\u003c\/li\u003e\n\u003cli\u003eMost advanced, most expressive form\u003c\/li\u003e\n\u003c\/ul\u003e\u003cdiv\u003e\n\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\n\u003ch3\u003eGeneral\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eSampling frequency rate\u003cul\u003e\n\u003cli\u003eInternal: 44.1kHz \/ 48kHz\u003c\/li\u003e\n\u003cli\u003eExternal: 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSignal delay: Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz\u003c\/li\u003e\n\u003cli\u003eFader: 100mm motorized, Resolution=1024steps, +10dB to -138dB, -∞dB all faders\u003c\/li\u003e\n\u003cli\u003eFrequency response: +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion: Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.\u003c\/li\u003e\n\u003cli\u003eHum \u0026amp; Noise: -128dBu typ., Equivalent Input Noise, Input Gain=Max., -88dBu, Residual output noise, ST master off\u003c\/li\u003e\n\u003cli\u003eDynamic range: 112dB typ.: DA Converter \/ 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.\u003c\/li\u003e\n\u003cli\u003eCrosstalk: -100dB*1, adjacent OMNI IN\/OMNI OUT channels, Input Gain = Min.\u003c\/li\u003e\n\u003cli\u003ePower requirements: US\/Canada: 120V 60Hz, Japan: 100V 50\/60Hz, China: 110-240V 50\/60Hz, Korea: 220V 60Hz, Other: 110-240V 50\/60Hz\u003c\/li\u003e\n\u003cli\u003ePower consumption: 170W: Internal Power Supply \/ 200W: Simultaneous use of Internal PSU and External PW800W\u003c\/li\u003e\n\u003cli\u003eOthers: Temperature Range: Operating temperature range: 0 - 40°C, Storage temperature range: -20 - 60°C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 299mm\u003c\/li\u003e\n\u003cli\u003eWidth: 1053mm\u003c\/li\u003e\n\u003cli\u003eDepth: 667mm\u003c\/li\u003e\n\u003cli\u003eWeight: 36kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":43741877076144,"sku":"YAMCL5","price":33282.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/YAMCL5_Yamaha_CL5_Image_1.jpg?v=1765892039"},{"product_id":"dm3-compact-digital-mixer-16-mono-1-stereo-2-fx-return-dante","title":"DM3 Compact Digital Mixer 16 Mono\/ 1 Stereo\/2 FX Return + Dante","description":"\u003cp\u003eThe DM3-D is a compact Dante-equipped digital mixing console with versatile capabilities that make it perfect for a wide range of applications. The DM3 offers superb sound quality, fast and easy setup and operation, and professional-level features.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e8 + 1 fader configuration\u003c\/li\u003e\n\u003cli\u003e9-inch multi-touch screen\u003c\/li\u003e\n\u003cli\u003eInput mixing channels: 16 mono + 1 stereo + 2 FX return\u003c\/li\u003e\n\u003cli\u003eBusses: 1 Stereo, 6 Mix, 2 FX, 2 Matrix (Supports Input to Matrix)\u003c\/li\u003e\n\u003cli\u003eLocal I\/O: 16 Mic\/Line (12 XLR + 4 XLR\/TRS Phones Combo) inputs, and 8 (XLR) outputs\u003c\/li\u003e\n\u003cli\u003eDante: 16 inputs, and 16 outputs\u003c\/li\u003e\n\u003cli\u003eUSB: 18 inputs, and 18 outputs\u003c\/li\u003e\n\u003cli\u003e8 DCA groups with Roll-out\u003c\/li\u003e\n\u003cli\u003e18 Effects, and GEQ on Mix 1-6 and Stereo channels\u003c\/li\u003e\n\u003cli\u003eSampling rate: 48kHz\/96kHz\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eOutline\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eMixing Capacity\u003cul\u003e\n\u003cli\u003eInput Channels:  16 mono + 1 stereo + 2 FX return\u003c\/li\u003e\n\u003cli\u003eMix Buses:  6\u003c\/li\u003e\n\u003cli\u003eMatrices:  2 (Supports input to matrix)\u003c\/li\u003e\n\u003cli\u003eStereo Buses:  1\u003c\/li\u003e\n\u003cli\u003eFX Buses:  2\u003c\/li\u003e\n\u003cli\u003eCue Buses:  1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eGeneral specifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eI\/O Connectors\u003cul\u003e\n\u003cli\u003eAnalog Input:  16 Mic\/Line (12 XLR + 4 XLR\/TRS Phones Combo)\u003c\/li\u003e\n\u003cli\u003eAnalog Output:  8 (XLR)\u003c\/li\u003e\n\u003cli\u003eDante:  2 (etherCON: Primary\/Secondary)\u003c\/li\u003e\n\u003cli\u003eNetwork:  1 (RJ-45)\u003c\/li\u003e\n\u003cli\u003eUSB TO HOST:  1 (USB Type-B, USB2.0)\u003c\/li\u003e\n\u003cli\u003eUSB TO DEVICE:  1 (USB Type-A)\u003c\/li\u003e\n\u003cli\u003ePhones:  1 (TRS Phones)\u003c\/li\u003e\n\u003cli\u003eDC:  1 (XLR 4pin, DC power IN)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUser Interface:  1x 9-inch multi-touch screen, 9x faders (8 channels + 1 main), 1x \"Touch and Turn\" rotary encoder\u003c\/li\u003e\n\u003cli\u003eRecording \u0026amp; Playback:\u003cul\u003e\n\u003cli\u003ePC\/Mac:  Recording 18 track, Playback 18 track\u003c\/li\u003e\n\u003cli\u003eUSB storage device:  Recording 2 track (USB hard disk \/ SSD \/ flash memory), Playback 2 track (USB hard disk \/ SSD \/ flash memory)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSampling frequency rate:  96 kHz \/ 48 kHz\u003c\/li\u003e\n\u003cli\u003eSignal delay: Less than 1.3 ms, (CH INPUT to OMNI OUT, Fs=96 kHz)\u003c\/li\u003e\n\u003cli\u003eFrequency response:  +0.5, -1.0 dB 20 Hz-20 kHz, reference to the nominal output level@1 kHz, INPUT to OMNI OUT\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion:  Less than 0.01 % 20 Hz - 20 kHz@+4 dBu into 10 kΩ, INPUT to OMNI OUT, Input Gain= Min\u003c\/li\u003e\n\u003cli\u003eHum \u0026amp; noise level: \u003cul\u003e\n\u003cli\u003eEquivalent input noise:  -126 dBu typ., Input Gain= Max.\u003c\/li\u003e\n\u003cli\u003eResidual output noise:  -84 dBu, ST main off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDynamic range:  110 dB typ., DA Converter, 106 dB typ., INPUT to OMNI OUT, Input Gain=Min.\u003c\/li\u003e\n\u003cli\u003eCrosstalk:  -100 dB, adjacent INPUT\/OMNI OUT channels, Input Gain= Min. @1 kHz\u003c\/li\u003e\n\u003cli\u003ePower requirements:  DC24 V\/2.5 A, PA-L500 (100 V-240 V, 50 Hz\/60 Hz)\u003c\/li\u003e\n\u003cli\u003ePower consumption:  43 W\u003c\/li\u003e\n\u003cli\u003eDimensions:\u003cul\u003e\n\u003cli\u003eW:  320 mm (12.6\")\u003c\/li\u003e\n\u003cli\u003eH:  140 mm (5.6\")\u003c\/li\u003e\n\u003cli\u003eD:  455 mm (18.0\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eNet weight:  6.5 kg (14.3 lb)\u003c\/li\u003e\n\u003cli\u003eOperating temperature:  0 - 40 °C\u003c\/li\u003e\n\u003cli\u003eStorage temperature:  -20 - 60 °C\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eWhat's in the Box?\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eOwner Manual\u003c\/li\u003e\n\u003cli\u003ePower Adapter\u003c\/li\u003e\n\u003cli\u003eDownload Information\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":43741877797040,"sku":"YAMDM3","price":1837.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/YAMDM3_Yamaha_CDM3UK_Image_1.jpg?v=1743472191"},{"product_id":"dm3s-standard-compact-digital-mixer-16-mono-1-stereo-2-fx-return","title":"DM3S Standard Compact Digital Mixer 16 Mono\/ 1 Stereo\/2 FX Return","description":"\u003cp\u003eThe portable DM3 Standard compact digital mixing console features versatile capabilities that make it perfect for a wide range of applications. The DM3 Standard offers superb sound quality, fast and easy setup and operation, and professional-level features.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e8 + 1 fader configuration\u003c\/li\u003e\n\u003cli\u003e9-inch multi-touch screen\u003c\/li\u003e\n\u003cli\u003eInput mixing channels: 16 mono + 1 stereo + 2 FX return\u003c\/li\u003e\n\u003cli\u003eBusses: 1 Stereo, 6 Mix, 2 FX, 2 Matrix (Supports Input to Matrix)\u003c\/li\u003e\n\u003cli\u003eLocal I\/O: 16 Mic\/Line (12 XLR + 4 XLR\/TRS Phones Combo) inputs, and 8 (XLR) outputs\u003c\/li\u003e\n\u003cli\u003eUSB: 18 inputs, and 18 outputs\u003c\/li\u003e\n\u003cli\u003e8 DCA groups with Roll-out\u003c\/li\u003e\n\u003cli\u003e18 Effects, and GEQ on Mix 1-6 and Stereo channels\u003c\/li\u003e\n\u003cli\u003eSampling rate: 48kHz\/96kHz\u003c\/li\u003e\n\u003cli\u003eDimensions (W x H x D): 320 mm × 455 mm × 140 mm\u003c\/li\u003e\n\u003cli\u003eNet weight: 14.3lbs\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eOutline\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eMixing Capacity\u003cul\u003e\n\u003cli\u003eInput Channels:  16 mono + 1 stereo + 2 FX return\u003c\/li\u003e\n\u003cli\u003eMix Buses:  6\u003c\/li\u003e\n\u003cli\u003eMatrices:  2 (Supports input to matrix)\u003c\/li\u003e\n\u003cli\u003eStereo Buses:  1\u003c\/li\u003e\n\u003cli\u003eFX Buses:  2\u003c\/li\u003e\n\u003cli\u003eCue Buses:  1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eGeneral specifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eI\/O Connectors\u003cul\u003e\n\u003cli\u003eAnalog Input:  16 Mic\/Line (12 XLR + 4 XLR\/TRS Phones Combo)\u003c\/li\u003e\n\u003cli\u003eAnalog Output:  8 (XLR)\u003c\/li\u003e\n\u003cli\u003eNetwork:  1 (RJ-45)\u003c\/li\u003e\n\u003cli\u003eUSB TO HOST:  1 (USB Type-B, USB2.0)\u003c\/li\u003e\n\u003cli\u003eUSB TO DEVICE:  1 (USB Type-A)\u003c\/li\u003e\n\u003cli\u003ePhones:  1 (TRS Phones)\u003c\/li\u003e\n\u003cli\u003eDC:  1 (XLR 4pin, DC power IN)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUser Interface:  1x 9-inch multi-touch screen, 9x faders (8 channels + 1 main), 1x \"Touch and Turn\" rotary encoder\u003c\/li\u003e\n\u003cli\u003eRecording \u0026amp; Playback:\u003cul\u003e\n\u003cli\u003ePC\/Mac:  Recording 18 track, Playback 18 track\u003c\/li\u003e\n\u003cli\u003eUSB storage device:  Recording 2 track (USB hard disk \/ SSD \/ flash memory), Playback 2 track (USB hard disk \/ SSD \/ flash memory)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSampling frequency rate:  96 kHz \/ 48 kHz\u003c\/li\u003e\n\u003cli\u003eSignal delay: Less than 1.3 ms, (CH INPUT to OMNI OUT, Fs=96 kHz)\u003c\/li\u003e\n\u003cli\u003eFrequency response:  +0.5, -1.0 dB 20 Hz-20 kHz, reference to the nominal output level@1 kHz, INPUT to OMNI OUT\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion:  Less than 0.01 % 20 Hz - 20 kHz@+4 dBu into 10 kΩ, INPUT to OMNI OUT, Input Gain= Min\u003c\/li\u003e\n\u003cli\u003eHum \u0026amp; noise level: \u003cul\u003e\n\u003cli\u003eEquivalent input noise:  -126 dBu typ., Input Gain= Max.\u003c\/li\u003e\n\u003cli\u003eResidual output noise:  -84 dBu, ST main off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDynamic range:  110 dB typ., DA Converter, 106 dB typ., INPUT to OMNI OUT, Input Gain=Min.\u003c\/li\u003e\n\u003cli\u003eCrosstalk:  -100 dB, adjacent INPUT\/OMNI OUT channels, Input Gain= Min. @1 kHz\u003c\/li\u003e\n\u003cli\u003ePower requirements:  DC24 V\/2.5 A, PA-L500 (100 V-240 V, 50 Hz\/60 Hz)\u003c\/li\u003e\n\u003cli\u003ePower consumption:  43 W\u003c\/li\u003e\n\u003cli\u003eDimensions:\u003cul\u003e\n\u003cli\u003eW:  320 mm (12.6\")\u003c\/li\u003e\n\u003cli\u003eH:  140 mm (5.6\")\u003c\/li\u003e\n\u003cli\u003eD:  455 mm (18.0\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eNet weight:  6.5 kg (14.3 lb)\u003c\/li\u003e\n\u003cli\u003eOperating temperature:  0 - 40 °C\u003c\/li\u003e\n\u003cli\u003eStorage temperature:  -20 - 60 °C\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eWhat's in the Box?\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eOwner Manual\u003c\/li\u003e\n\u003cli\u003ePower Adapter\u003c\/li\u003e\n\u003cli\u003eDownload Information\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":43741877862576,"sku":"YAMDM3S","price":1469.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/YAMDM3S_Yamaha_CDM3SUK_Image_1.jpg?v=1743472200"},{"product_id":"dm7-digital-mixer-120-mono-2-stereo-12-matrix-dante","title":"DM7 Digital Mixer 120 Mono\/ 2 Stereo\/ 12 Matrix + Dante","description":"\u003cp\u003eThe DM7 is a Dante-equipped versatile digital mixing console with unparalleled sound quality, ease of operation, and high reliability that make it perfect for a wide range of applications. The DM7 is configured with 24 + 4 faders and a 2 x 12” + 1 x 7” multi-touch screen.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eDante-equipped\u003c\/li\u003e\n\u003cli\u003eHigh reliability \u003c\/li\u003e\n\u003cli\u003eConfigured with 24 + 4 faders\u003c\/li\u003e\n\u003cli\u003e2 x 12\" touchscreen\u003c\/li\u003e\n\u003cli\u003e1 x 7\" touchscreen\u003c\/li\u003e\n\u003cli\u003eBuilt-in power supply \u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eInput mixing channels: 120 mono\u003c\/li\u003e\n\u003cli\u003eBuses: 48 Mix + 12 Matrix + 2 Stereo\u003c\/li\u003e\n\u003cli\u003eDisplay: 12.1\" multi-touch screen x 2, 7\" multi-touch screen x 1\u003c\/li\u003e\n\u003cli\u003eFaders: 28 (12 + 12 + 4)\u003c\/li\u003e\n\u003cli\u003eAnalog I\/O: 32 inputs \/ 16 outputs\u003c\/li\u003e\n\u003cli\u003eDante: 144 in \/ 144 out\u003c\/li\u003e\n\u003cli\u003eAES\/EBU: 2 in \/ 2 out (with SRC)\u003c\/li\u003e\n\u003cli\u003eSlot: PY Slot x 1\u003c\/li\u003e\n\u003cli\u003eUSB Audio Interface: 18 in \/ 18 out\u003c\/li\u003e\n\u003cli\u003ePower supply: Redundant power supply built-in\u003c\/li\u003e\n\u003cli\u003ePower consumption: 240 W\u003c\/li\u003e\n\u003cli\u003eDimensions (W x H x D): 793 mm x 324 mm x 564 mm (31.3\" x 12.8\" x 22.2\")\u003c\/li\u003e\n\u003cli\u003eNet Weight: 23.5 kg (51.8 lb)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":43741877895344,"sku":"YAMDM7","price":23332.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/YAMDM7_Yamaha_DM7_Image_1.jpg?v=1765892047"},{"product_id":"dm7c-compact-digital-mixer-72-mono-2-stereo-12-matrix-dante","title":"DM7C Compact Digital Mixer 72 Mono\/ 2 Stereo\/ 12 Matrix + Dante","description":"\u003cp\u003eThe DM7 Compact is a Dante-equipped versatile digital mixing console with unparalleled sound quality, ease of operation, and high reliability that make it perfect for a wide range of applications. The DM7 Compact is configured with 12 + 4 faders and a 1 x 12” + 1 x 7” multi-touch screen, and a rack-mountable with an optional RK1 rack mount kit.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eDante-equipped\u003c\/li\u003e\n\u003cli\u003eConfigured with 12 + 4 faders\u003c\/li\u003e\n\u003cli\u003e1 x 12\" multi-touch screen \u003c\/li\u003e\n\u003cli\u003e1 x 7\" multi-touch screen\u003c\/li\u003e\n\u003cli\u003eRack-mountable with optional RK1 rack mount kit\u003c\/li\u003e\n\u003cli\u003eOptional RK1 rack mount kit\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eInput mixing channels: 72 mono\u003c\/li\u003e\n\u003cli\u003eBuses: 48 Mix + 12 Matrix + 2 Stereo\u003c\/li\u003e\n\u003cli\u003eDisplay: 12.1\" multi-touch screen x 1, 7\" multitouch screen x 1\u003c\/li\u003e\n\u003cli\u003eFaders: 16 (12 + 4)\u003c\/li\u003e\n\u003cli\u003eAnalog I\/O: 16 inputs \/ 16 outputs\u003c\/li\u003e\n\u003cli\u003eDante: 144 in \/ 144 out\u003c\/li\u003e\n\u003cli\u003eAES\/EBU: 1 out\u003c\/li\u003e\n\u003cli\u003eSlot: PY Slot x 1\u003c\/li\u003e\n\u003cli\u003eUSB Audio Interface: 18 in \/ 18 out\u003c\/li\u003e\n\u003cli\u003ePower supply: Redundant power supply built-in\u003c\/li\u003e\n\u003cli\u003ePower consumption: 240 W\u003c\/li\u003e\n\u003cli\u003eDimensions (W x H x D): 468 mm x 324 mm x 564 mm (18.5\" x 12.8\" x 22.2\")\u003c\/li\u003e\n\u003cli\u003eNet Weight: 16.5 kg (36.4 lb)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":43741877928112,"sku":"YAMDM7C","price":12307.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/YAMDM7C_Yamaha_DM7C_Image_1.jpg?v=1765892048"},{"product_id":"dm7-control-sidecar-expansion-controller","title":"DM7 Control Sidecar Expansion Controller","description":"\u003cp\u003eThe DM7 Control is an expansion controller with a variety of physical control devices that can be used to conveniently control functions for a number of applications, such as User Defined Keys, Scene Memory keys, Monitor Control keys and knobs, and Panner joystick. The Broadcast \/ Theatre Package is included with the DM7 Control controller. * Side pads not included.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eSide pads not included\u003c\/li\u003e\n\u003cli\u003eScene memory keys\u003c\/li\u003e\n\u003cli\u003eMonitor control keys and knobs\u003c\/li\u003e\n\u003cli\u003eBroadcast \/ theatre package included\u003c\/li\u003e\n\u003cli\u003e2 faders \u003c\/li\u003e\n\u003cli\u003eUser defined keys\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eFaders: 2\u003c\/li\u003e\n\u003cli\u003eUser Defined Keys: 16\u003c\/li\u003e\n\u003cli\u003eUser Defined Knobs: 4\u003c\/li\u003e\n\u003cli\u003eScene Memory Keys: Update, Preview, Store, Recall, Inc, and Dec\u003c\/li\u003e\n\u003cli\u003eMonitor Control for Monitor A\/B\u003c\/li\u003e\n\u003cli\u003ePanner: 1\u003c\/li\u003e\n\u003cli\u003eJog Wheel: 1\u003c\/li\u003e\n\u003cli\u003ePower supply: AC INPUT and EXT DC INPUT for power supply redundancy\u003c\/li\u003e\n\u003cli\u003ePower consumption: 20 W\u003c\/li\u003e\n\u003cli\u003eDimensions (W x H x D): 191 mm x 323 mm x 562 mm (7.6\" x 12.8\" x 22.2\")\u003c\/li\u003e\n\u003cli\u003eNet Weight: 7 kg (15.5 lb)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":43741877960880,"sku":"YAMDM7CS","price":3972.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/YAMDM7CS_Yamaha_CTLDM7_Image_1.jpg?v=1765892049"},{"product_id":"ql1-digital-mixing-console-with-dante-32-mono-8-stereo-i-p","title":"QL1 Digital Mixing Console with Dante 32 Mono+8 Stereo i\/p","description":"\u003cp\u003eThe acclaimed CL series raised live digital mixing console performance to an unprecedented level of refinement with evolved sound quality, operability, and functionality, while maintaining the traditional values that have made Yamaha digital mixers industry standards. Core features and performance inherited directly from the CL series, including natural sound supported by sonically superb internal processing capabilities, operation that easily adapts to the demands of just about any working environment, and built-in Dante networking that facilitates flexible system configuration, have now been condensed and concentrated into the compact QL series digital mixing consoles. QL series consoles offer all-in-one mixing, processing, and routing capability for small to medium scale live sound, corporate speech events, installations, and much more.\u003c\/p\u003e\u003cp\u003e16 + 2 fader configuration in a compact, rack mountable unit.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in Dante networking\u003c\/li\u003e\n\u003cli\u003eFacilitates flexible system configuration\u003c\/li\u003e\n\u003cli\u003eCondensed and concentrated\u003c\/li\u003e\n\u003cli\u003eOffers all-in-one mixing and processing\u003c\/li\u003e\n\u003cli\u003eRouting capability for small to medium scale live sound\u003c\/li\u003e\n\u003cli\u003eCorporate speech events, installations, and much more\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSampling frequency rate\u003cul\u003e\n\u003cli\u003eInternal: 44.1kHz \/ 48kHz\u003c\/li\u003e\n\u003cli\u003eExternal: 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSignal delay: Less than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz\u003c\/li\u003e\n\u003cli\u003eFader: 100mm motorized, Resolution=1024steps, +10dB to –138dB, –∞dB all faders\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion: Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min.\u003c\/li\u003e\n\u003cli\u003eFrequency response: +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT\u003c\/li\u003e\n\u003cli\u003eDynamic range: 112dB typ.: DA Converter \/ 108dB typ.: INPUT to OMNI OUT, Input Gain = Min.\u003c\/li\u003e\n\u003cli\u003eHum \u0026amp; noise level\u003c\/li\u003e\n\u003cli\u003eEquivalent input noise: -128dBu typ., Equivalent Input Noise, Input Gain=Max\u003c\/li\u003e\n\u003cli\u003eResidual output noise: -88dBu, Residual output noise, ST master off\u003c\/li\u003e\n\u003cli\u003eCrosstalk: -100dB*1, adjacent INPUT\/OMNI OUT channels, Input Gain = Min.\u003c\/li\u003e\n\u003cli\u003ePower requirements: 100-240V 50\/60Hz\u003c\/li\u003e\n\u003cli\u003ePower consumption: 135W\u003c\/li\u003e\n\u003c\/ul\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 272mm\u003c\/li\u003e\n\u003cli\u003eWidth: 468mm\u003c\/li\u003e\n\u003cli\u003eDepth: 562mm\u003c\/li\u003e\n\u003cli\u003eWeight: 14.7kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":43741881467056,"sku":"YAMQL1","price":10431.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/YAMQL1_Yamaha_QL1_Image_1.jpg?v=1765892063"},{"product_id":"ql5-digital-mixing-console-with-dante-64-mono-8-stereo-i-p","title":"QL5 Digital Mixing Console with Dante 64 Mono+8 Stereo i\/p","description":"\u003cp\u003eThe acclaimed CL series raised live digital mixing console performance to an unprecedented level of refinement with evolved sound quality, operability, and functionality, while maintaining the traditional values that have made Yamaha digital mixers industry standards. Core features and performance inherited directly from the CL series, including natural sound supported by sonically superb internal processing capabilities, operation that easily adapts to the demands of just about any working environment, and built-in Dante networking that facilitates flexible system configuration, have now been condensed and concentrated into the compact QL series digital mixing consoles. QL series consoles offer all-in-one mixing, processing, and routing capability for small to medium scale live sound, corporate speech events, installations, and much more.\u003c\/p\u003e\u003cp\u003e32 + 2 fader configuration adapts to a wide range of channel layouts. The QL5 is a compact console with large-scale capabilities.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in Dante networking\u003c\/li\u003e\n\u003cli\u003eFacilitates flexible system configuration\u003c\/li\u003e\n\u003cli\u003eCondensed and concentrated\u003c\/li\u003e\n\u003cli\u003eOffers all-in-one mixing and processing\u003c\/li\u003e\n\u003cli\u003eRouting capability for small to medium scale live sound\u003c\/li\u003e\n\u003cli\u003eCorporate speech events, installations, and much more\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSampling frequency rate\u003cul\u003e\n\u003cli\u003eInternal: 44.1kHz \/ 48kHz\u003c\/li\u003e\n\u003cli\u003eExternal: 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSignal delay: Less than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz\u003c\/li\u003e\n\u003cli\u003eFader: 100mm motorized, Resolution=1024steps, +10dB to –138dB, –∞dB all faders\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion: Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min.\u003c\/li\u003e\n\u003cli\u003eFrequency response: +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT\u003c\/li\u003e\n\u003cli\u003eDynamic range: 112dB typ.: DA Converter \/ 108dB typ.: INPUT to OMNI OUT, Input Gain = Min.\u003c\/li\u003e\n\u003cli\u003eHum \u0026amp; noise level\u003c\/li\u003e\n\u003cli\u003eEquivalent input noise: -128dBu typ., Equivalent Input Noise, Input Gain=Max\u003c\/li\u003e\n\u003cli\u003eResidual output noise: -88dBu, Residual output noise, ST master off\u003c\/li\u003e\n\u003cli\u003eCrosstalk: -100dB*1, adjacent INPUT\/OMNI OUT channels, Input Gain = Min.\u003c\/li\u003e\n\u003cli\u003ePower requirements: 100-240V 50\/60Hz\u003c\/li\u003e\n\u003cli\u003ePower consumption: 200W\u003c\/li\u003e\n\u003c\/ul\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 272mm\u003c\/li\u003e\n\u003cli\u003eWidth: 828mm\u003c\/li\u003e\n\u003cli\u003eDepth: 563mm\u003c\/li\u003e\n\u003cli\u003eWeight: 21.8kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":43741881499824,"sku":"YAMQL5","price":18795.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/YAMQL5_Yamaha_QL5_Image_1.jpg?v=1765892064"},{"product_id":"tf1-digital-mixing-console-32-mono-2-stereo-i-p","title":"TF1 Digital Mixing Console 32 Mono+2 Stereo i\/p","description":"\u003cp\u003eCompact, portable, and even rack mountable, the TF1 offers impressive capability and versatility for smaller systems.\u003c\/p\u003e\u003cp\u003eTF series consoles take live sound reinforcement to a new level of refinement with TouchFlow Operation™, recallable D-PRE™ preamplifiers, advanced processing, and much more.\u003c\/p\u003e\u003cp\u003eYamaha has created a new digital mixing console that gives the user intuition even freer rein. TouchFlow Operation™ introduced in the TF series consoles allows the user to respond to the music and artists on stage with unprecedented speed and freedom, taking live sound reinforcement to a new level of refinement. With the TouchFlow Operation interface optimized for touch panel control, experienced engineers as well as newcomers to the field will find it easier than ever to achieve the ideal mix. Recallable D-PRE™ preamplifiers support sound quality that will satisfy the most discerning professional ears, while advanced live recording features and seamless operation with high-performance I\/O racks give these compact digital mixers capabilities that make them outstanding choices for a wide range of applications. Experience the intuitive control and creative freedom that a truly evolved digital console can provide.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eTouchFlow Operation™ – Smooth, Natural Control Flow\u003c\/li\u003e\n\u003cli\u003eIntuitive User Interface Optimized for Touch Panel Operation\u003c\/li\u003e\n\u003cli\u003eTouch Operation for Intimate Control\u003c\/li\u003e\n\u003cli\u003eTouch \u0026amp; Turn Knob Offers Extra Control Precision\u003c\/li\u003e\n\u003cli\u003eTraditional Overview and Selected Channel Interfaces\u003c\/li\u003e\n\u003cli\u003eNew Features for Smooth Setup and Operation\u003c\/li\u003e\n\u003cli\u003eDesign for Superior Visibility and Quick Operation\u003c\/li\u003e\n\u003cli\u003ePanel Layout Maximizes Workflow Efficiency\u003c\/li\u003e\n\u003cli\u003eAdvanced Design Promotes Smooth, Comfortable Operation\u003c\/li\u003e\n\u003cli\u003eApplications that Work Seamlessly with the Console\u003c\/li\u003e\n\u003cli\u003eA Versatile Live Recording and Playback Solution for Any Application\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSampling frequency rate Internal: 48 kHz\u003c\/li\u003e\n\u003cli\u003eSignal delay: Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz\u003c\/li\u003e\n\u003cli\u003eFader: 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion: Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 Ω , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB\/octave filter@80 kHz)\u003c\/li\u003e\n\u003cli\u003eFrequency response: +0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT\u003c\/li\u003e\n\u003cli\u003eDynamic range: 110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.\u003c\/li\u003e\n\u003cli\u003eHum \u0026amp; noise level\u003cul\u003e\n\u003cli\u003eEquivalent input noise: –128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)\u003c\/li\u003e\n\u003cli\u003eResidual output noise: –85 dBu, ST master off (Measured with an A-Weight filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCrosstalk: –100 dB (Measured with a –30 dB\/octave filter@22 kHz), adjacent INPUT\/OMNI OUT channels, Input Gain=Min.\u003c\/li\u003e\n\u003cli\u003ePower requirements: 100–240 V 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003ePower consumption: 120 W\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHeight: 225mm\u003c\/li\u003e\n\u003cli\u003eWidth: 510mm\u003c\/li\u003e\n\u003cli\u003eDepth: 599mm\u003c\/li\u003e\n\u003cli\u003eWeight: 13.5kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":43741882679472,"sku":"YAMTF1","price":2786.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/YAMTF1_Yamaha_TF1_Image_1.jpg?v=1765892072"},{"product_id":"tf3-digital-mixing-console-40-mono-2-stereo-i-p","title":"TF3 Digital Mixing Console 40 Mono+2 Stereo i\/p","description":"\u003cp\u003eThe TF3 offers ample input capacity and hands-on control in a compact console that can handle a wide range of applications.\u003c\/p\u003e\u003cp\u003eTF series consoles take live sound reinforcement to a new level of refinement with TouchFlow Operation™, recallable D-PRE™ preamplifiers, advanced processing, and much more.\u003c\/p\u003e\u003cp\u003eYamaha has created a new digital mixing console that gives the user intuition even freer rein. TouchFlow Operation™ introduced in the TF series consoles allows the user to respond to the music and artists on stage with unprecedented speed and freedom, taking live sound reinforcement to a new level of refinement. With the TouchFlow Operation interface optimized for touch panel control, experienced engineers as well as newcomers to the field will find it easier than ever to achieve the ideal mix. Recallable D-PRE™ preamplifiers support sound quality that will satisfy the most discerning professional ears, while advanced live recording features and seamless operation with high-performance I\/O racks give these compact digital mixers capabilities that make them outstanding choices for a wide range of applications. Experience the intuitive control and creative freedom that a truly evolved digital console can provide.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eTouchFlow Operation™ – Smooth, Natural Control Flow\u003c\/li\u003e\n\u003cli\u003eIntuitive User Interface Optimized for Touch Panel Operation\u003c\/li\u003e\n\u003cli\u003eTouch Operation for Intimate Control\u003c\/li\u003e\n\u003cli\u003eTouch \u0026amp; Turn Knob Offers Extra Control Precision\u003c\/li\u003e\n\u003cli\u003eTraditional Overview and Selected Channel Interfaces\u003c\/li\u003e\n\u003cli\u003eNew Features for Smooth Setup and Operation\u003c\/li\u003e\n\u003cli\u003eDesign for Superior Visibility and Quick Operation\u003c\/li\u003e\n\u003cli\u003ePanel Layout Maximizes Workflow Efficiency\u003c\/li\u003e\n\u003cli\u003eAdvanced Design Promotes Smooth, Comfortable Operation\u003c\/li\u003e\n\u003cli\u003eApplications that Work Seamlessly with the Console\u003c\/li\u003e\n\u003cli\u003eA Versatile Live Recording and Playback Solution for Any Application\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSampling frequency rate Internal: 48 kHz\u003c\/li\u003e\n\u003cli\u003eSignal delay: Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz\u003c\/li\u003e\n\u003cli\u003eFader: 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion: Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 Ω , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB\/octave filter@80 kHz)\u003c\/li\u003e\n\u003cli\u003eFrequency response: +0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT\u003c\/li\u003e\n\u003cli\u003eDynamic range: 110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.\u003c\/li\u003e\n\u003cli\u003eHum \u0026amp; noise level\u003cul\u003e\n\u003cli\u003eEquivalent input noise: –128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)\u003c\/li\u003e\n\u003cli\u003eResidual output noise: –85 dBu, ST master off (Measured with an A-Weight filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCrosstalk: –100 dB (Measured with a –30 dB\/octave filter@22 kHz), adjacent INPUT\/OMNI OUT channels, Input Gain=Min.\u003c\/li\u003e\n\u003cli\u003ePower requirements: 100–240 V 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003ePower consumption: 120 W\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHeight: 225mm\u003c\/li\u003e\n\u003cli\u003eWidth: 716mm\u003c\/li\u003e\n\u003cli\u003eDepth: 599mm\u003c\/li\u003e\n\u003cli\u003eWeight: 17kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":43741882745008,"sku":"YAMTF3","price":3426.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/YAMTF3_Yamaha_TF3_Image_1.jpg?v=1765892073"},{"product_id":"tf5-digital-mixing-console-40-mono-2-stereo-i-p","title":"TF5 Digital Mixing Console 40 Mono+2 Stereo i\/p","description":"\u003cp\u003eHigh input capacity and fader count makes the TF5 a powerful console ideal for larger applications.\u003c\/p\u003e\u003cp\u003eTF series consoles take live sound reinforcement to a new level of refinement with TouchFlow Operation™, recallable D-PRE™ preamplifiers, advanced processing, and much more.\u003c\/p\u003e\u003cp\u003eYamaha has created a new digital mixing console that gives the user intuition even freer rein. TouchFlow Operation™ introduced in the TF series consoles allows the user to respond to the music and artists on stage with unprecedented speed and freedom, taking live sound reinforcement to a new level of refinement. With the TouchFlow Operation interface optimized for touch panel control, experienced engineers as well as newcomers to the field will find it easier than ever to achieve the ideal mix. Recallable D-PRE™ preamplifiers support sound quality that will satisfy the most discerning professional ears, while advanced live recording features and seamless operation with high-performance I\/O racks give these compact digital mixers capabilities that make them outstanding choices for a wide range of applications. Experience the intuitive control and creative freedom that a truly evolved digital console can provide.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eTouchFlow Operation™ – Smooth, Natural Control Flow\u003c\/li\u003e\n\u003cli\u003eIntuitive User Interface Optimized for Touch Panel Operation\u003c\/li\u003e\n\u003cli\u003eTouch Operation for Intimate Control\u003c\/li\u003e\n\u003cli\u003eTouch \u0026amp; Turn Knob Offers Extra Control Precision\u003c\/li\u003e\n\u003cli\u003eTraditional Overview and Selected Channel Interfaces\u003c\/li\u003e\n\u003cli\u003eNew Features for Smooth Setup and Operation\u003c\/li\u003e\n\u003cli\u003eDesign for Superior Visibility and Quick Operation\u003c\/li\u003e\n\u003cli\u003ePanel Layout Maximizes Workflow Efficiency\u003c\/li\u003e\n\u003cli\u003eAdvanced Design Promotes Smooth, Comfortable Operation\u003c\/li\u003e\n\u003cli\u003eApplications that Work Seamlessly with the Console\u003c\/li\u003e\n\u003cli\u003eA Versatile Live Recording and Playback Solution for Any Application\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSampling frequency rate Internal: 48 kHz\u003c\/li\u003e\n\u003cli\u003eSignal delay: Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz\u003c\/li\u003e\n\u003cli\u003eFader: 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion: Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 Ω , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB\/octave filter@80 kHz)\u003c\/li\u003e\n\u003cli\u003eFrequency response: +0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT\u003c\/li\u003e\n\u003cli\u003eDynamic range: 110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.\u003c\/li\u003e\n\u003cli\u003eHum \u0026amp; noise level\u003cul\u003e\n\u003cli\u003eEquivalent input noise: –128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)\u003c\/li\u003e\n\u003cli\u003eResidual output noise: –85 dBu, ST master off (Measured with an A-Weight filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCrosstalk: –100 dB (Measured with a –30 dB\/octave filter@22 kHz), adjacent INPUT\/OMNI OUT channels, Input Gain=Min.\u003c\/li\u003e\n\u003cli\u003ePower requirements: 100–240 V 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003ePower consumption: 120 W\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHeight: 225mm\u003c\/li\u003e\n\u003cli\u003eWidth: 866mm\u003c\/li\u003e\n\u003cli\u003eDepth: 599mm\u003c\/li\u003e\n\u003cli\u003eWeight: 20kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":43741882777776,"sku":"YAMTF5","price":4441.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/YAMTF5_Yamaha_TF5_Image_1.jpg?v=1765892075"},{"product_id":"tf-rack-digital-mixer-compact-rack-mount-version-of-tf1","title":"TF RACK Digital Mixer Compact Rack Mount Version of TF1","description":"\u003cp\u003eTF-RACK offers all-in-one mixing and processing capability for small to medium scale live sound, corporate speech events, installations and much more. It packs intuitive user interface, natural control flow, digital effects\/processing units and many shortcuts to great sound into a compact, portable rack-style unit.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eThe scene memory features banks A and B, both capable of holding up to 100 scenes each\u003c\/li\u003e\n\u003cli\u003e1-knob EQ feature that provides improved speed and smooth operation\u003c\/li\u003e\n\u003cli\u003eFeatures a selection of optimized QuickPro Presets\u003c\/li\u003e\n\u003cli\u003eOver 100 presets for input channels that range from vocals to drum sets\u003c\/li\u003e\n\u003cli\u003eFor output channels there are several presets for speaker systems and in-ear monitors with many variations to suit all environments and room sizes\u003c\/li\u003e\n\u003cli\u003eNew recallable versions of Yamaha’s acclaimed D-PRE microphone preamplifier\u003c\/li\u003e\n\u003cli\u003eTF consoles feature eight powerful processing\/effect units which feature the same type of SPX processors that have become standards in recording and live sound applications.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifcations\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSampling frequency rate: Internal 48 kHz\u003c\/li\u003e\n\u003cli\u003eSignal delay: Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz\u003c\/li\u003e\n\u003cli\u003eFader: Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion: Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 Ω, INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB\/octave filter@80 kHz)\u003c\/li\u003e\n\u003cli\u003eFrequency response: +0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT\u003c\/li\u003e\n\u003cli\u003eDynamic range: 110 dB typ., DA Converter, 108 dB typ., INPUT to OMNI OUT, Input Gain=Min.\u003c\/li\u003e\n\u003cli\u003eInput channel functions: 8 DCA Groups\u003c\/li\u003e\n\u003cli\u003eCrosstalk: –100 dB (Measured with a –30 dB\/octave filter@22 kHz), adjacent INPUT\/OMNI OUT channels, Input Gain=Min.\u003c\/li\u003e\n\u003cli\u003eOn-board processors: DSP 8 Effects + 10 GEQ\u003c\/li\u003e\n\u003cli\u003ePower requirements: 100–240 V 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003ePower consumption: 85 W\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eI\/O\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eInputs: 16 mic\/line (XLR\/TRS combo) + 1 stereo line (RCA pin)\u003c\/li\u003e\n\u003cli\u003eOutputs: 16 (8 XLR + 8 TRS phone)\u003c\/li\u003e\n\u003cli\u003eExpansion slots: 1 (for NY64-D)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eMixing Capacity\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eInput Channels: 40 (32 mono + 2 stereo + 2 return)\u003c\/li\u003e\n\u003cli\u003eAux Buses: 20 (8 mono + 6 stereo)\u003c\/li\u003e\n\u003cli\u003eStereo Buses: 1\u003c\/li\u003e\n\u003cli\u003eSub Buses: 1\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eHum \u0026amp; Noise Level\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eEquivalent input noise–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)\u003c\/li\u003e\n\u003cli\u003eResidual output noise–85 dBu, ST master off (Measured with an A-Weight filter)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHeight: 132mm\u003c\/li\u003e\n\u003cli\u003eWidth: 480mm\u003c\/li\u003e\n\u003cli\u003eDepth: 409mm\u003c\/li\u003e\n\u003cli\u003eWeight: 9.2kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":43741882810544,"sku":"YAMTFRACK","price":2322.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/YAMTFRACK_Yamaha_TF-RACK_Image_1.jpg?v=1743472543"},{"product_id":"avantis-solo-64-channel-digital-mixer-42-bus-96khz-6in-6out","title":"Avantis Solo 64 Channel Digital Mixer 42 Bus 96kHz 6IN \/ 6OUT","description":"\u003cp\u003eAvantis Solo is a 64 channel 96kHz digital mixing console providing a powerful solution for any live sound application. Pristine audio quality is delivered at ultra-low latency, and comprehensive signal routing and processing options are easily accessible via the 15.6” Full HD touchscreen. Avantis is DEEP Processing ready, enabling the use of their world-class hardware emulations with no added latency or need for additional hardware.\u003c\/p\u003e\u003cp\u003eThe integrated SLink port offers Plug’n’Play operation with the GX, DX, AB and AR ranges of remote I\/O expanders plus the DX Hub remote hub. Additionally, SLink can be used for digital split applications with a second Avantis mixer or a dLive\/SQ system. Compatibility with the ME Personal Monitoring System allows performers to take control of their own monitor mixes via the ME-1 and ME-500 personal mixers. Digital audio networking cards are available to enable integration with other digital audio systems via protocols such as gigaACE, Dante, MADI and Waves SoundGrid.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eXCVI FPGA core \u003cul\u003e\n\u003cli\u003e96kHz sample rate\u003c\/li\u003e\n\u003cli\u003eVariable bit depth\u003c\/li\u003e\n\u003cli\u003e96bit accumulator\u003c\/li\u003e\n\u003cli\u003eClass leading, ultra-low latency (0.7ms)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e15.6” Full HD capacitive touchscreen with gesture control\u003c\/li\u003e\n\u003cli\u003eInnovative compact design with super-tough, lightweight full-metal chassis\u003c\/li\u003e\n\u003cli\u003e64 Input Channels with full processing (LPF\/HPF, Gate, PEQ, Comp, Delay)\u003c\/li\u003e\n\u003cli\u003eConfigurable 42 bus architecture with full processing (PEQ, GEQ, Comp, Delay) on Mix Outputs.\u003c\/li\u003e\n\u003cli\u003eDEEP Processing Ready\u003c\/li\u003e\n\u003cli\u003e72 fader strips (12 faders, 6 layers) with optional dedicated master section\u003c\/li\u003e\n\u003cli\u003eSLink EtherCON connection for remote audio using gigaACE, GX, DX, ME and dSnake protocols.\u003c\/li\u003e\n\u003cli\u003e6 Local Mic\/Line Inputs (XLR)\u003c\/li\u003e\n\u003cli\u003e6 Local Line Outputs (XLR)\u003c\/li\u003e\n\u003cli\u003e1 Stereo AES Input (XLR)\u003c\/li\u003e\n\u003cli\u003e1 Stereo AES Outputs (XLR)\u003c\/li\u003e\n\u003cli\u003e2 I\/O Ports, both capable of 128x128 operation at 96kHz – for optional cards inc. Dante, MADI and gigaACE\u003c\/li\u003e\n\u003cli\u003e8 Mute Groups\u003c\/li\u003e\n\u003cli\u003e16 DCA Groups with DCA Spill\u003c\/li\u003e\n\u003cli\u003e12 Stereo FX with dedicated FX Returns\u003c\/li\u003e\n\u003cli\u003e18 Assignable SoftKeys\u003c\/li\u003e\n\u003cli\u003e3 Assignable Custom Rotaries\u003c\/li\u003e\n\u003cli\u003eComprehensive metering with multipoint peak detection\u003c\/li\u003e\n\u003cli\u003eIntegrated Fader Illumination\u003c\/li\u003e\n\u003cli\u003eBuilt-in signal generator, RTA and spectrogram\u003c\/li\u003e\n\u003cli\u003eAMM (Automatic Mic Mixer) up to 64 channels across 1,2 or 4 zones\u003c\/li\u003e\n\u003cli\u003eQuick copy\/paste\/reset for parameters\u003c\/li\u003e\n\u003cli\u003eUser Permissions to restrict operator access\u003c\/li\u003e\n\u003cli\u003e500 Scene memories per show\u003c\/li\u003e\n\u003cli\u003eChannel Safes, Global and per Scene Recall Filters\u003c\/li\u003e\n\u003cli\u003eOnboard Stereo Recording \u0026amp; Playback\u003c\/li\u003e\n\u003cli\u003eUSB transfer of Scenes, Libraries, Shows, Audio Files.\u003c\/li\u003e\n\u003cli\u003eMIDI Control Driver for MIDI control via TCP\/IP\u003c\/li\u003e\n\u003cli\u003eWireless remote mixing apps for iPad\u003c\/li\u003e\n\u003cli\u003eBNC Word Clock connector (input or output)\u003c\/li\u003e\n\u003cli\u003e¼” TRS and 3.5mm Headphone outs with dedicated analogue volume control\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eSystem\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMeasured balanced XLR In to XLR Out, 22-40kHz, minimum Gain, Pad out\u003c\/li\u003e\n\u003cli\u003eDynamic Range:  109dB\u003c\/li\u003e\n\u003cli\u003eSystem Signal to Noise:  -92dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response:  20Hz - 30kHz (+0\/-0.8dB)\u003c\/li\u003e\n\u003cli\u003eTHD+N (analogue in to out):  0.0015% @ +16dBu output, 1kHz 0dB gain\u003c\/li\u003e\n\u003cli\u003eHeadroom:  +18dB\u003c\/li\u003e\n\u003cli\u003eInternal operating Level:  0dBu\u003c\/li\u003e\n\u003cli\u003edBFS Alignment:  +18dBu = 0dBFS (+22dBu at XLR output)\u003c\/li\u003e\n\u003cli\u003eMeter Calibration:  0dB meter = -18dBFS (+4dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eMeter Peak indication:  -3dBFS (+19dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eSampling Rate:  96kHz\u003c\/li\u003e\n\u003cli\u003eOperating Temperature Range:  0 deg C to 40 deg C\u003c\/li\u003e\n\u003cli\u003eMains Power:  100-240V AC, 50-60Hz, 150W max\u003c\/li\u003e\n\u003cli\u003eAudio recording:  Stereo .WAV files, 24bit 96kHz\u003c\/li\u003e\n\u003cli\u003eAudio playback:\u003cul\u003e\n\u003cli\u003e16\/24bit, 44.1\/48\/96kHz\u003c\/li\u003e\n\u003cli\u003eMP3 files\u003c\/li\u003e\n\u003cli\u003eFLAC files\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eInputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMic\/Line XLR Inputs:  Balanced XLR, +48V phantom power\u003c\/li\u003e\n\u003cli\u003eMic\/Line Preamp:  Fully recallable\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity:  -60 to +15dBu\u003c\/li\u003e\n\u003cli\u003eAnalogue Gain:  +5 to +60dB, 1dB steps\u003c\/li\u003e\n\u003cli\u003ePad:  -20dB Active PAD\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level:  +30dBu (PAD in)\u003c\/li\u003e\n\u003cli\u003eInput Impedance:  \u0026gt;4kΩ (Pad out), \u0026gt;10kΩ (Pad in)\u003c\/li\u003e\n\u003cli\u003eMic EIN:  -127dB with 150Ω source\u003c\/li\u003e\n\u003cli\u003ePhantom Power indication:  Per socket, internal or external phantom power sensing, triggered at +24V\u003c\/li\u003e\n\u003cli\u003eDigital Inputs:\u003cul\u003e\n\u003cli\u003eAES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω\u003c\/li\u003e\n\u003cli\u003eSRC range 24 bit, 32k - 192kHz, with bypass option\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eOutputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAnalogue XLR Outputs:  Balanced, Relay protected\u003c\/li\u003e\n\u003cli\u003eOutput Impedance:  \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eNominal Output:  +4dBu = 0dB meter reading\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level:  +22dBu\u003c\/li\u003e\n\u003cli\u003eResidual Output Noise:\u003cul\u003e\n\u003cli\u003e-95dBu (muted, 22-22kHz)\u003c\/li\u003e\n\u003cli\u003e-90dBu (muted, 0-80kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDigital Outputs:\u003cul\u003e\n\u003cli\u003eAES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω\u003c\/li\u003e\n\u003cli\u003e96kHz sampling rate, globally switchable to 48kHz, 44.1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eWidth x Depth x Height:  546 x 627 x 269 mm\u003c\/li\u003e\n\u003cli\u003eWeight:  17.5kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eWhat's in the Box?\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eAvantis Solo Digital Mixing Console\u003c\/li\u003e\n\u003cli\u003eGetting Started Guide AP13258\u003c\/li\u003e\n\u003cli\u003eSafety Sheet\u003c\/li\u003e\n\u003cli\u003eIEC mains lead\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":55150573715834,"sku":"ALLAVANTISSOLO","price":5957.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/ALLAVANTISSOLO_Allen_Heath_AVANTIS-S240X_Image_1.jpg?v=1743495155"},{"product_id":"sq-rack-48-channel-96khz-rackmount-digital-mixer-16-preamps-4u","title":"SQ-Rack 48 Channel 96kHz Rackmount Digital Mixer 16 PreAmps 4U","description":"\u003cp\u003eSQ-Rack is the ultimate tool for audio professionals, delivering Allen \u0026amp; Heath’s renowned 96kHz SQ core in a compact, rack-mountable design. Perfectly crafted to meet the demands of live sound and installation environments, SQ-Rack combines power, flexibility, and intuitive control in one versatile solution. SQ-Rack packs SQ’s 96kHz XCVI core into a shallow 4U rack-mount form factor with built-in I\/O, powerful SLink connectivity, option cards, and multichannel USB. Enjoy hands-on controls and customisable screens, along with remote access via SQ apps for ultimate control of your audio.\u003c\/p\u003e\u003cp\u003eSQ-Rack is built on Allen \u0026amp; Heath’s renowned 96kHz XCVI FPGA engine, delivering exceptional high-resolution audio quality, ultra-low latency of \u0026lt;0.7ms and variable bit depths for optimised dynamic range. XCVI allows SQ to handle 48 input channels at 96kHz, with massive mix headroom thanks to a 96bit accumulator, and the sheer power to embed our acclaimed DEEP plugins into all 48 input channels and all mixes.\u003c\/p\u003e\u003cp\u003eSQ-Rack features 16 high-quality onboard mic preamps and 3 stereo line inputs, and thanks to the integrated SLink port, adding more inputs and outputs is easy. Up to 48 mic inputs can be added via Allen \u0026amp; Heath’s extensive “Everything I\/O” range of audio expanders.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e19” Rack Mountable (4U)\u003c\/li\u003e\n\u003cli\u003eAudio and Processing:\u003cul\u003e\n\u003cli\u003e96kHz XCVI FPGA processing\u003c\/li\u003e\n\u003cli\u003e48 input channels\u003c\/li\u003e\n\u003cli\u003e12 stereo mixes + LR\u003c\/li\u003e\n\u003cli\u003e3 stereo matrix (split to 6 mono)\u003c\/li\u003e\n\u003cli\u003e8 stereo FX engines + dedicated stereo returns\u003c\/li\u003e\n\u003cli\u003eDEEP processing ready\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOnboard I\/O:\u003cul\u003e\n\u003cli\u003e16+1 built-in mic preamps\u003c\/li\u003e\n\u003cli\u003e3 stereo line inputs\u003c\/li\u003e\n\u003cli\u003e12 XLR line outputs\u003c\/li\u003e\n\u003cli\u003e2 TRS line outputs\u003c\/li\u003e\n\u003cli\u003eAES output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eControl:\u003cul\u003e\n\u003cli\u003e7” capacitive touchscreen\u003c\/li\u003e\n\u003cli\u003e8 assignable SoftKeys\u003c\/li\u003e\n\u003cli\u003e4 assignable soft rotaries\u003c\/li\u003e\n\u003cli\u003eSQ-MixPad app\u003c\/li\u003e\n\u003cli\u003eSQ-Control app\u003c\/li\u003e\n\u003cli\u003eSQ4You app\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eExpandability and Integration:\u003cul\u003e\n\u003cli\u003eSLink port for remote audio \/ expansion\u003c\/li\u003e\n\u003cli\u003e64×64 I\/O port for audio networking cards (Dante, Waves, MADI, SLink)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eRecording and Streaming:\u003cul\u003e\n\u003cli\u003eSQ-Drive direct recording to USB\u003c\/li\u003e\n\u003cli\u003e32×32 96kHz USB interface\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eInputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMic\/Line Inputs:  Balanced XLR, fully recallable\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity:  -60 to +0dBu\u003c\/li\u003e\n\u003cli\u003eSwitchable Pad:  -20dB\u003c\/li\u003e\n\u003cli\u003eAnalogue Gain:  0dB to +60dB, 1dB steps\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level:  +30dBu\u003c\/li\u003e\n\u003cli\u003eInput Impedance:  \u0026gt;5kΩ\u003c\/li\u003e\n\u003cli\u003eTHD+N, Unity gain 0dB:  0.002% -92dBu (20Hz-20kHz, AES Direct Out, @0dBu 1kHz)\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mid gain +30dB:  0.003% -91dBu (20Hz-20kHz, AES Direct Out, @-30dBu INPUT 1kHz)\u003c\/li\u003e\n\u003cli\u003ePhantom Power:  +48V (+3V \/ -2V)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStereo Line Inputs\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eST1, ST2 connectors:  Balanced, 1\/4\" TRS jack\u003c\/li\u003e\n\u003cli\u003eST3 connector:  Unbalanced, stereo 3.5mm Mini Jack\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity (ST1, ST2 \/ ST3):  Nominal +4dBu ST1, ST2 \/ 0dBu ST3\u003c\/li\u003e\n\u003cli\u003eTrim:  +\/-24dB\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level (ST1,ST2 \/ ST3):  +22dBu \/ +18dBu\u003c\/li\u003e\n\u003cli\u003eInput Impedance:  \u0026gt;7kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eOutputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eXLR Outputs:  Balanced, XLR\u003c\/li\u003e\n\u003cli\u003eOutputs A and B:  Balanced 1\/4\" TRS Jack\u003c\/li\u003e\n\u003cli\u003eSource:  Patchable\u003c\/li\u003e\n\u003cli\u003eOutput Impedance:  \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eNominal Output:  +4dBu = 0dB meter reading\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level:  +22dBu\u003c\/li\u003e\n\u003cli\u003eResidual Output Noise:  -90dBu (muted, 20Hz-20kHz)\u003c\/li\u003e\n\u003cli\u003eAES Digital Output\u003cul\u003e\n\u003cli\u003eBalanced XLR 2 channel,\u003c\/li\u003e\n\u003cli\u003e96kHz sampling rate (Default with SRC Bypassed)\u003c\/li\u003e\n\u003cli\u003eSwitchable output sample rates,44.1kHz\/ 48kHz\/ 88.2kHz\/ (96kHz)\u003c\/li\u003e\n\u003cli\u003e2.5Vpp balanced terminated 110Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003e SLink\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eConnection:  Neutrik EtherCON (RJ45)\u003c\/li\u003e\n\u003cli\u003edsnake mode (48kHz devices):  40 input 20+40(ME) output channels\u003c\/li\u003e\n\u003cli\u003eDX mode (96kHz devices):  32 input 32 output channels\u003c\/li\u003e\n\u003cli\u003eGigaACE\/GX (96kHz devices):  128 input 128 output channels\u003c\/li\u003e\n\u003cli\u003eInputs:  Fully Patchable\u003c\/li\u003e\n\u003cli\u003eOutputs:  Fully Patchable\u003c\/li\u003e\n\u003cli\u003eSync\/SRC:  Assignable as master audio sync for all modes, 48kHz\u0026lt;\u0026gt;96kHz SRC\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eI\/O Port\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMulti-channel I\/O option module\u003c\/li\u003e\n\u003cli\u003eInputs:  Fully Patchable\u003c\/li\u003e\n\u003cli\u003eOutputs:  Fully Patchable\u003c\/li\u003e\n\u003cli\u003eSync\/SRC:  Assignable as master audio sync\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSystem\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMeasured balanced XLR in to XLR out, 0dB gain, 0dBu input\u003c\/li\u003e\n\u003cli\u003eDynamic Range:  112 dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response:  +0\/-0.5dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eHeadroom:  +18dB\u003c\/li\u003e\n\u003cli\u003eInternal operating Level:  0dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N, Mic\/Line routed to Main L\/R Out:  Unity gain faders@0dB, 0.006%, -84dBu (20 - 20kHz)\u003c\/li\u003e\n\u003cli\u003edBFS Alignment:  +18dBu = 0dBFS (+22dBu at XLR output)\u003c\/li\u003e\n\u003cli\u003eMeter Calibration:  0dB meter = -18dBFS (+4dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eMain Meter Type:  2 x 12 segment, fast (peak) response\u003c\/li\u003e\n\u003cli\u003eChannel Meter Type:  Chromatic Channel Metering, fully programmable colour\/brightness\u003c\/li\u003e\n\u003cli\u003ePeak Indication:  -3dBFS (+19dBu at XLR out), multi-point sensing\u003c\/li\u003e\n\u003cli\u003eSampling Rate:  96kHz\u003c\/li\u003e\n\u003cli\u003eBit Depth:  Uses XCVI core custom bit widths in algorithms, up to 96bits\u003c\/li\u003e\n\u003cli\u003eLatency:  \u0026lt;0.7mS, Local Mic Input to Main L\/R\u003c\/li\u003e\n\u003cli\u003eOperating Temperature:  Range 0 deg C to 40 deg C (32 deg F to 104 deg F)\u003c\/li\u003e\n\u003cli\u003eMains Power:  100-240V AC, 50\/60Hz\u003c\/li\u003e\n\u003cli\u003eMax Power Consumption:  75W\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eControl\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eTouch Screen:  7\" Capacitive, 800 x 480 resolution, 24 bit RGB\u003c\/li\u003e\n\u003cli\u003eSoftKeys:  8\u003c\/li\u003e\n\u003cli\u003eSoftRotarys:  4\u003c\/li\u003e\n\u003cli\u003eMute Groups \/ DCA Groups:  8 \/ 8\u003c\/li\u003e\n\u003cli\u003eNetwork:  TCP\/IP Ethernet for MIDI and Control\u003c\/li\u003e\n\u003cli\u003eMIDI:  TCP\/IP and USB-B\u003c\/li\u003e\n\u003cli\u003eFootswitch:  Single or Dual, Momentary or Latching\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eInput Processing\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eSource\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eCH1-48:  Fully patchable\u003c\/li\u003e\n\u003cli\u003eUSB Global Source:  SQ-Drive or USB-B Streaming (Auto Switching)\u003c\/li\u003e\n\u003cli\u003ePolarity:  Normal\/Invert\u003c\/li\u003e\n\u003cli\u003eTrim:  -24 to +24dB\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter:  12\/18\/24dB per octave 20Hz – 2kHz\u003c\/li\u003e\n\u003cli\u003eInsert (Pre EQ\/Comp):  Fully Patchable\u003c\/li\u003e\n\u003cli\u003eDelay:  Up to 341ms\u003c\/li\u003e\n\u003cli\u003eGate:  Patchable Sidechain\u003c\/li\u003e\n\u003cli\u003eSidechain filter:  Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k)\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Depth:  -72dBu to +18dBu \/ 0 to 60dB\u003c\/li\u003e\n\u003cli\u003eAttack \/ Hold \/ Release:  50μs to 300ms \/ 10ms to 5s \/ 10ms to 1s\u003c\/li\u003e\n\u003cli\u003ePEQ:  4-Band fully parametric, 20-20kHz, +\/-15dB\u003c\/li\u003e\n\u003cli\u003eBand 1, Band 4:  Selectable Shelving (Baxandall), Bell, HPF\/LPF 12dB\/octave\u003c\/li\u003e\n\u003cli\u003eBand 2, Band 3:  Bell\u003c\/li\u003e\n\u003cli\u003eBell Width:  Variable Q, 1.5 to 1\/9th octave\u003c\/li\u003e\n\u003cli\u003eCompressor:  Patchable Sidechain, DEEP options\u003c\/li\u003e\n\u003cli\u003eSidechain filter:  Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k), Q=1\u003c\/li\u003e\n\u003cli\u003eThreshold \/ Ratio:  -46dBu to 18dBu \/ 1:1 to infinity\u003c\/li\u003e\n\u003cli\u003eAttack \/ Release:  30μs to 300ms \/ 50ms to 2s\u003c\/li\u003e\n\u003cli\u003eKnee:  Soft\/Hard\u003c\/li\u003e\n\u003cli\u003eDetector response:  Peak\/RMS switchable\u003c\/li\u003e\n\u003cli\u003eParallel Path Compression:  dry\/wet -infin to 0dB\u003c\/li\u003e\n\u003cli\u003eChannel Direct Out:  Follow Fader, Mute, Mute Group, DCA (global all ch)\u003c\/li\u003e\n\u003cli\u003eSource select:  Post-Preamp, Post-HPF, Post-Gate, Insert Return, Post-PEQ, Post-Comp, Post-Delay trim -infin to 10dB per channel\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eMix Processing\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eInsert (Pre EQ\/Comp):  Fully Patchable\u003c\/li\u003e\n\u003cli\u003eDelay:  Up to 682ms\u003c\/li\u003e\n\u003cli\u003eGEQ:  28 bands 31Hz-16kHz, +\/-12dB Gain, Constant 1\/3 oct, DEEP options\u003c\/li\u003e\n\u003cli\u003ePEQ:  As Input PEQ\u003c\/li\u003e\n\u003cli\u003eCompressor:  As Input Compressor\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eFX\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eInternal FX:  8 x RackFX engine, Send\u0026gt;Return or Inserted (4 dedicated FX bus)\u003c\/li\u003e\n\u003cli\u003eTypes:  SMR Reverb, Stereo Tap Delay, Gated Reverb, ADT, Blue Chorus Symphonic Chorus, Flanger, Phaser\u003c\/li\u003e\n\u003cli\u003e8 dedicated Stereo FX returns:  Fader, Pan, Mute, Routing to Mix\/LR, 4-Band PEQ\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eAudio Tools\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003ePAFL:  PFL or stereo in-place AFL, 0 to -24dB Trim, PAFL Delay Up to 682ms\u003c\/li\u003e\n\u003cli\u003eTalkback:  Dedicated input, Assignable to any mix, Gain, Pad, 48V, 12dB\/oct HPF\u003c\/li\u003e\n\u003cli\u003eSignal Generator:  Assignable to any input or mix, Sine\/White\/Pink\/Bandpass Noise\u003c\/li\u003e\n\u003cli\u003eRTA:\u003cul\u003e\n\u003cli\u003e2x 31-Band 1\/3 octave (Stereo) or 61-Band 1\/6 octave (Mono) 20-20kHz.\u003c\/li\u003e\n\u003cli\u003ePAFL\/Selected Channel or Fixed Source\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eUSB Audio\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSQ-Drive:  USB-A\u003c\/li\u003e\n\u003cli\u003eStereo Record:  2 channel, WAV, 96kHz, 24-bit, source fully patchable\u003c\/li\u003e\n\u003cli\u003eStereo Playback:  1\/2 channel, WAV, 44.1, 48, 96kHz 16,24-bit, source fully patchable\u003c\/li\u003e\n\u003cli\u003eMultitrack Record:  1-16 channel 96kHz, 1-32 channel 48kHz, 24-bit, WAV, fully patchable\u003c\/li\u003e\n\u003cli\u003eMultitrack Playback:  1-16 channel 96kHz, 1-32 channel 48kHz, 24-bit, WAV, fully patchable\u003c\/li\u003e\n\u003cli\u003eUSB Audio Streaming:  USB-B, Core Audio compliant, ASIO\/WDM for Windows\u003c\/li\u003e\n\u003cli\u003eSend (upstream):  32 channel, 48\/96kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eReturn (downstream):  32 channel, 48\/96kHz, 24-bit\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eAMMs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eConfiguration:  2x 24ch or 1x 48ch, freely assignable\u003c\/li\u003e\n\u003cli\u003eType:  Gain Sharing\u003c\/li\u003e\n\u003cli\u003eSidechain Filter HPF \/ LPF:  12dB\/octave 20Hz – 5kHz \/ 120Hz - 20kHz\u003c\/li\u003e\n\u003cli\u003ePriority:  -15dB to +15dB per channel\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eAdd-ons\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eDEEP Preamps:  Tube Stage\u003c\/li\u003e\n\u003cli\u003eDEEP Compressors:  Opto, 16T, 16VU, PeakLimiter76, Mighty, OptTronik, Bus\u003c\/li\u003e\n\u003cli\u003eDEEP GEQ:  Proportional-Q, DiGi-GEQ, Hybrid\u003c\/li\u003e\n\u003cli\u003eRackFX units:  De-Esser, DynEQ4, MultiBD3, MultiBD4, Bucket Brigade, Echo, Hypabass\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDimensions \u0026amp; Weights\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eWidth x Depth x Height:  Unit only (rack ears not fitted):  430 x 214 x 173 mm (16.9\" x 8.4\" x 6.8\")\u003c\/li\u003e\n\u003cli\u003eUnpacked weight:  5.8 kg (12.8 lbs)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":55150573977978,"sku":"ALLSQRACK","price":1749.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/ALLSQRACK_Allen_Heath_SQ-RACK240X_Image_1.jpg?v=1765892111"},{"product_id":"avantis-64-channel-digital-mixer-42-bus-96khz-12in-12out","title":"Avantis 64 Channel Digital Mixer 42 Bus 96kHz 12IN \/ 12OUT","description":"\u003cp\u003eThe Avantis digital mixer provides 64 mono input channels, 12 stereo FX returns and 42 flexible mix buses. The third mixer based on their 96kHz XCVI FPGA engine, Avantis puts all their next‐generation technology in a standalone 64 channel \/ 42 configurable bus console, with dual Full HD touchscreens, a super‐flexible workflow with Continuity UI, extensive I\/O options, add‐on processing from their flagship dLive mixing system, and a rugged full metal chassis. Fully compatible with all the dLive I\/O cards, the full ‘Everything I\/O’ range and IP controllers.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eXCVI FPGA core\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e96kHz sample rate\u003c\/li\u003e\n\u003cli\u003eVariable bit depth\u003c\/li\u003e\n\u003cli\u003e96bit accumulator\u003c\/li\u003e\n\u003cli\u003eClass leading, ultra-low latency (0.7ms)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTwin 15.6” Full HD capacitive touchscreens with gesture control\u003c\/li\u003e\n\u003cli\u003eInnovative compact design with super-tough, lightweight full-metal chassis\u003c\/li\u003e\n\u003cli\u003e64 Input Channels with full processing (LPF\/HPF, Gate, PEQ, Comp, Delay)\u003c\/li\u003e\n\u003cli\u003eConfigurable 42 bus architecture with full processing (PEQ, GEQ, Comp, Delay) on Mix Outputs.\u003c\/li\u003e\n\u003cli\u003eDEEP Processing Ready\u003c\/li\u003e\n\u003cli\u003e144 fader strips (24 faders, 6 layers) with optional dedicated master section \u003c\/li\u003e\n\u003cli\u003eSLink EtherCON connection for remote audio using gigaACE, GX, DX, ME and dSnake protocols.\u003c\/li\u003e\n\u003cli\u003e12 Local Mic\/Line Inputs (XLR)\u003c\/li\u003e\n\u003cli\u003e12 Local Line Outputs (XLR)\u003c\/li\u003e\n\u003cli\u003e1 Stereo AES Input (XLR)\u003c\/li\u003e\n\u003cli\u003e2 Stereo AES Outputs (XLR)\u003c\/li\u003e\n\u003cli\u003e2 I\/O Ports, both capable of 128x128 operation at 96kHz – for optional cards inc. Dante, MADI and gigaACE\u003c\/li\u003e\n\u003cli\u003e8 Mute Groups\u003c\/li\u003e\n\u003cli\u003e16 DCA Groups with DCA Spill\u003c\/li\u003e\n\u003cli\u003e12 Stereo FX with dedicated FX Returns\u003c\/li\u003e\n\u003cli\u003e24 Assignable SoftKeys\u003c\/li\u003e\n\u003cli\u003e6 Assignable Custom Rotaries\u003c\/li\u003e\n\u003cli\u003eComprehensive metering with multipoint peak detection\u003c\/li\u003e\n\u003cli\u003eIntegrated Fader Illumination\u003c\/li\u003e\n\u003cli\u003eBuilt-in signal generator, RTA and spectrogram\u003c\/li\u003e\n\u003cli\u003eAMM (Automatic Mic Mixer) up to 64 channels across 1,2 or 4 zones\u003c\/li\u003e\n\u003cli\u003eQuick copy\/paste\/reset for parameters\u003c\/li\u003e\n\u003cli\u003eUser Permissions to restrict operator access\u003c\/li\u003e\n\u003cli\u003e500 Scene memories per show\u003c\/li\u003e\n\u003cli\u003eChannel Safes, Global and per Scene Recall Filters\u003c\/li\u003e\n\u003cli\u003eUSB stereo recording and playback \u003c\/li\u003e\n\u003cli\u003eUSB transfer of Scenes, Libraries, Shows\u003c\/li\u003e\n\u003cli\u003eMIDI Control Driver for MIDI control via TCP\/IP\u003c\/li\u003e\n\u003cli\u003eWireless remote mixing apps for iPad\u003c\/li\u003e\n\u003cli\u003eBNC Word Clock connector (input or output)\u003c\/li\u003e\n\u003cli\u003e¼” TRS and 3.5mm Headphone outs with dedicated analogue volume control\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eSystem\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMeasured balanced XLR In to XLR Out, 22-40kHz, minimum Gain, Pad out\u003c\/li\u003e\n\u003cli\u003eDynamic Range:  109dB\u003c\/li\u003e\n\u003cli\u003eSystem Signal to Noise:  -92dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response:  20Hz - 30kHz (+0\/-0.8dB)\u003c\/li\u003e\n\u003cli\u003eTHD+N (analogue in to out):  0.0015% @ +16dBu output, 1kHz 0dB gain\u003c\/li\u003e\n\u003cli\u003eHeadroom:  +18dB\u003c\/li\u003e\n\u003cli\u003eInternal operating Level:  0dBu\u003c\/li\u003e\n\u003cli\u003edBFS Alignment:  +18dBu = 0dBFS (+22dBu at XLR output)\u003c\/li\u003e\n\u003cli\u003eMeter Calibration:  0dB meter = -18dBFS (+4dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eMeter Peak indication:  -3dBFS (+19dBu at XLR out)\u003c\/li\u003e\n\u003cli\u003eSampling Rate:  96kHz\u003c\/li\u003e\n\u003cli\u003eOperating Temperature Range:  0 deg C to 40 deg C\u003c\/li\u003e\n\u003cli\u003eMains Power:  100-240V AC, 50-60Hz, 150W max\u003c\/li\u003e\n\u003cli\u003eUSB Audio recording:  Stereo .WAV files, 24bit 96kHz\u003c\/li\u003e\n\u003cli\u003eUSB Audio playback:\u003cul\u003e\n\u003cli\u003e16\/24bit, 44.1\/48\/96kHz\u003c\/li\u003e\n\u003cli\u003eMP3 files\u003c\/li\u003e\n\u003cli\u003eFLAC files\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eInputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMic\/Line XLR Inputs:  Balanced XLR, +48V phantom power\u003c\/li\u003e\n\u003cli\u003eMic\/Line Preamp:  Fully recallable\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity:  -60 to +15dBu\u003c\/li\u003e\n\u003cli\u003eAnalogue Gain:  +5 to +60dB, 1dB steps\u003c\/li\u003e\n\u003cli\u003ePad:  -20dB Active PAD\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level:  +30dBu (PAD in)\u003c\/li\u003e\n\u003cli\u003eInput Impedance:  \u0026gt;4kΩ (Pad out), \u0026gt;10kΩ (Pad in)\u003c\/li\u003e\n\u003cli\u003eMic EIN:  -127dB with 150Ω source\u003c\/li\u003e\n\u003cli\u003ePhantom Power indication:  Per socket, internal or external phantom power sensing, triggered at +24V\u003c\/li\u003e\n\u003cli\u003eDigital Inputs:\u003cul\u003e\n\u003cli\u003eAES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω\u003c\/li\u003e\n\u003cli\u003eSRC range 24 bit, 32k - 192kHz, with bypass option\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eOutputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAnalogue XLR Outputs:  Balanced, Relay protected\u003c\/li\u003e\n\u003cli\u003eOutput Impedance:  \u0026lt;75Ω\u003c\/li\u003e\n\u003cli\u003eNominal Output:  +4dBu = 0dB meter reading\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level:  +22dBu\u003c\/li\u003e\n\u003cli\u003eResidual Output Noise:\u003c\/li\u003e\n\u003cli\u003e-95dBu (muted, 22-22kHz)\u003c\/li\u003e\n\u003cli\u003e-90dBu (muted, 0-80kHz)\u003c\/li\u003e\n\u003cli\u003eDigital Outputs:\u003cul\u003e\n\u003cli\u003eAES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω\u003c\/li\u003e\n\u003cli\u003e96kHz sampling rate, globally switchable to 48kHz, 44.1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eWidth x Depth x Height:  917 x 627 x 269 mm\u003c\/li\u003e\n\u003cli\u003eWeight:  26kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eWhat's in the Box?\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eAvantis Digital Mixing Console\u003c\/li\u003e\n\u003cli\u003eGetting Started Guide AP11558\u003c\/li\u003e\n\u003cli\u003eSafety Sheet\u003c\/li\u003e\n\u003cli\u003eIEC Mains Lead\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":55150579286394,"sku":"ALLAVANTIS","price":9665.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/ALLAVANTIS_Allen_Heath_AVANTIS240X_Image_1.jpg?v=1743495149"},{"product_id":"si-expression-1-16ch-digital-live-sound-mixer-inc-19-rmk","title":"Si Expression 1 16Ch Digital Live Sound Mixer (Inc 19\" RMK)","description":"\u003cp\u003eDrawing on more than a decade of experience in the field of digital audio mixing, the Soundcraft Si Expression exploits some of the newest DSP, component technology and manufacturing techniques to deliver our most powerful cost effective digital console ever! Each console in the range is identical in its feature set so your only choice is how many faders and local mic amps you want. With a range covering the super portable 19\" rack mount Expression 1 to the mighty Si Expression 3 with its 30+2 faders and 32 mic\/line inputs there is a model to meet all needs. \u003cbr\u003e\u003cbr\u003eTaking the Si Expression 2 as a typical example, it features 24 recallable mic pre amps (32 on Si Expression 3 and 16 on Si Expression 1) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow\u003csup\u003e™\u003c\/sup\u003eto light the way so you are never lost. \u003cbr\u003e\u003cbr\u003eAll Si Expression consoles have busses, output processing and connectivity to match the versatility of the inputs; the 14 aux\/group mixes can be configured as 14 mono mixes, 8 mono plus 6 stereo mixes or almost anything in between, whilst the 4 matrix mixes can be mono or stereo as needed. The bus and matrix mixes are complemented with four more mix busses dedicated to the internal Lexicon FX processors all in addition to the left, right and centre busses. Each bus mix features a compressor, 4 band EQ, BSS graphic EQ and delay always available all of the time. Output connectivity is comprehensive with all models featuring 16 balanced line outputs, headphone monitor out, AES out and of course the 64x64 option slot. \u003cbr\u003e\u003cbr\u003eTo complement the channel and bus processing all Si Expression consoles integrate four stereo Lexicon FX processors based on the MX400 providing a wealth of sounds, user adjustable parameters and dedicated tap-tempo keys. As the FX are hardware based, use of all the effects, even on the most demanding programmes does not affect other processing in any way and all dynamics, EQs, filters, delays, and GEQs remain available regardless what you are doing. \u003cbr\u003e\u003cbr\u003eFlexible onboard and expansion I\/O options ensure your Si Expression integrates effortlessly with other system components utilising any of the Si series option cards including AES, Firewire\/USB\/ADAT*1, AVIOM\u003csup\u003e™\u003c\/sup\u003e, CobraNet\u003csup\u003e™\u003c\/sup\u003e, BSS Digital Audio Bus (BLU Link)*1, Dante\u003csup\u003e™\u003c\/sup\u003e*1 CAT5 or optical MADI. The MADI card, as well as being an interface to multi-track recording systems or plug-in systems like Waves, enables linking the Si Expression to any of the Soundcraft or Studer stageboxes to extend the I\/O power and flexibility. Adding a stagebox to an Si Expression actually increases the number of channels you can mix at once not just how many inputs you have available to choose from! It is said ‘Power is nothing without control’ and here the Si Expression excels with a comprehensive but imple to use\\' control surface incorporating a dedicated control for every parameter, a row of global mode encoders and colour touch screen ensuring operation is quick and easy. \u003cbr\u003e\u003cbr\u003eAs you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of the latest generation EMMA\u003csup\u003e™\u003c\/sup\u003e DSP processor, the same DSP platform that has helped propel previous Soundcraft Si series consoles to fame. All this power united with reliability, flexibility and usability puts the Si Expression in a class of its own.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e 16 mono mic inputs\u003c\/li\u003e\n\u003cli\u003e 4 line inputs\u003c\/li\u003e\n\u003cli\u003e Colour touch screen interface\u003c\/li\u003e\n\u003cli\u003e 66 channels to mix possible\u003c\/li\u003e\n\u003cli\u003e Pre\/Post selection per input per bus\u003c\/li\u003e\n\u003cli\u003e AES in and out\u003c\/li\u003e\n\u003cli\u003e Global mode encoders\u003c\/li\u003e\n\u003cli\u003e Soundcraft FaderGlow™\u003c\/li\u003e\n\u003cli\u003e GEQ on every bus\u003c\/li\u003e\n\u003cli\u003e 20 sub-group \/ aux busses\u003c\/li\u003e\n\u003cli\u003e 4 FX busses\u003c\/li\u003e\n\u003cli\u003e 8 Matrix busses\u003c\/li\u003e\n\u003cli\u003e LR and C Mix busses\u003c\/li\u003e\n\u003cli\u003e 4 Stereo Lexicon Effects engines\u003c\/li\u003e\n\u003cli\u003e Delay on inputs and outputs\u003c\/li\u003e\n\u003cli\u003e 4 Mute Groups\u003c\/li\u003e\n\u003cli\u003e Freely assignable insert loops\u003c\/li\u003e\n\u003cli\u003e Harman HiQnet integration\u003c\/li\u003e\n\u003cli\u003e 64x64 channel option card slot\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response\u003cul\u003e\u003cli\u003eMic \/ Line In to any Output: +\/-1.5dB, 20Hz-20kHz\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eT.H.D.\u003cul\u003e\u003cli\u003eMic Sensitivity -30dBu \u0026lt; 0.01% @ 1kHz\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eNoise\u003cul\u003e\n\u003cli\u003eResidual noise -86dBu\u003c\/li\u003e\n\u003cli\u003eMic Input E.I.N. 22Hz - 22kHz, Unweighted. (max gain)126dBu (150Ω source)\u003c\/li\u003e\n\u003cli\u003eMix noise, masters at unity \u0026lt; -86dBu\u003c\/li\u003e\n\u003cli\u003e1 input to mix at unity gain -84dBu\u003c\/li\u003e\n\u003cli\u003eCMRR mic @1KHz (max gain) -80dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCrosstalk (@ 1kHz)\u003cul\u003e\n\u003cli\u003eChannel ON attenuation \u0026lt;120dB\u003c\/li\u003e\n\u003cli\u003eChannel Fader attenuation \u0026lt;120dB\u003c\/li\u003e\n\u003cli\u003eMic – Mic -100dB @ 1KHz, -85dB@10kHz\u003c\/li\u003e\n\u003cli\u003eLine – Line -100dB @ 1KHz, -85dB@10kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput Gain\u003cul\u003e\n\u003cli\u003eMic Gain -5dB – 58dB integrated pad design, 1dB steps\u003c\/li\u003e\n\u003cli\u003eLine Trim -10dB - +16dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eGate\u003cul\u003e\n\u003cli\u003eThreshold -60dBfs - -6dBfs\u003c\/li\u003e\n\u003cli\u003eDepth -60dB – 3dB\u003c\/li\u003e\n\u003cli\u003eAttack 0.1ms – 200ms\u003c\/li\u003e\n\u003cli\u003eRelease 20ms – 500ms\u003c\/li\u003e\n\u003cli\u003eSide-chain HPF 22Hz – 2.5kHz\u003c\/li\u003e\n\u003cli\u003eSide-chain LPF 160Hz – 20klHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCompressor\u003cul\u003e\n\u003cli\u003eThreshold -52dBfs - -6dBfs\u003c\/li\u003e\n\u003cli\u003eRatio 1:1 – 20:1\u003c\/li\u003e\n\u003cli\u003eAttack 0.1ms – 200ms\u003c\/li\u003e\n\u003cli\u003eRelease 5ms – 900ms\u003c\/li\u003e\n\u003cli\u003eMakeup Gain 0dB – 24dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEQ\u003cul\u003e\n\u003cli\u003eHI MID \u0026amp; LO MID 22Hz – 20KHz, +\/-15dB Q 6-0.3\u003c\/li\u003e\n\u003cli\u003eShelf (HF) 800Hz – 20kHz, +\/-15dB\u003c\/li\u003e\n\u003cli\u003eShelf (LF) 20Hz – 500Hz, +\/-15dB\u003c\/li\u003e\n\u003cli\u003eHPF 40Hz – 1KHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDelay\u003cul\u003e\n\u003cli\u003eUser adjustable delay 1sample – 500ms\u003c\/li\u003e\n\u003cli\u003eGEQ 31Hz – 16KHz 1\/3 octave\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDigital I\/O\u003cul\u003e\n\u003cli\u003eAES Sample rate converter range 8KHz – 200KHz\u003c\/li\u003e\n\u003cli\u003eExternal Word Clock In range 48KHz +\/-7Hz (internal systems), +\/-3Hz with stageboxes.\u003c\/li\u003e\n\u003cli\u003eWord clock out jitter +\/- 7ns\u003c\/li\u003e\n\u003cli\u003eAnalogue out for 0dBfs +21.5dBu\u003c\/li\u003e\n\u003cli\u003eConverter resolution 24-bit\u003c\/li\u003e\n\u003cli\u003eDSP resolution 40-bit floating point\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLatency\u003cul\u003e\n\u003cli\u003eMic In to Line Out \u0026lt;0.8 ms\u003c\/li\u003e\n\u003cli\u003eAnalogue in to AES out \u0026lt;0.6 ms\u003c\/li\u003e\n\u003cli\u003eAES in to Line Out \u0026lt;0.8ms\u003c\/li\u003e\n\u003cli\u003eAES in to AES out \u0026lt;0.5ms\u003c\/li\u003e\n\u003cli\u003eStagebox Mic In to Stagebox \u0026lt;0.9mS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; Output Levels\u003cul\u003e\n\u003cli\u003eMic Input +22dBu max\u003c\/li\u003e\n\u003cli\u003eLine Input +22dBu max\u003c\/li\u003e\n\u003cli\u003eMix Output +21.5dBu max\u003c\/li\u003e\n\u003cli\u003eHeadphones (@150Ω) 300mW (recommended impedance 75Ω to 200Ω)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; Output Impedances\u003cul\u003e\n\u003cli\u003eMic Input 3kΩ\u003c\/li\u003e\n\u003cli\u003eLine Input 10kΩ\u003c\/li\u003e\n\u003cli\u003eAES Input 110Ω\u003c\/li\u003e\n\u003cli\u003eOutputs 150Ω (balanced), 75Ω (unbalanced)\u003c\/li\u003e\n\u003cli\u003eWord Clock used as Output 50Ω\u003c\/li\u003e\n\u003cli\u003eWord Clock used as Input 4K7Ω\u003c\/li\u003e\n\u003cli\u003eAES Output 110Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB\u003cul\u003e\u003cli\u003eMax current 200mA\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLamp Output\u003cul\u003e\u003cli\u003e12v DC 100mA max (per socket)\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePower\u003cul\u003e\n\u003cli\u003eConsumption (typical) \u0026lt;130w Si EXPRESSION 3\u003c\/li\u003e\n\u003cli\u003eAC Input voltage range 88-264VAC auto sensing\u003c\/li\u003e\n\u003cli\u003eAC Frequency range 47-63Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOperating Conditions\u003cul\u003e\n\u003cli\u003eOperating Temperature Range 5°C to 45°C\u003c\/li\u003e\n\u003cli\u003eHumidity 0%-90%, non condensing Ta=40°C (104°F)\u003c\/li\u003e\n\u003cli\u003eStorage Temperature Range -20°C to 60°C (-4°F to 140°F)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHeight: 168mm\u003c\/li\u003e\n\u003cli\u003eWidth: 482mm\u003c\/li\u003e\n\u003cli\u003eDepth: 520mm\u003c\/li\u003e\n\u003cli\u003eWeight: 11.8kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":55150702920058,"sku":"SOUSIE116","price":2699.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/SOUSIE116_Soundcraft_SCR0694_Image_1.jpg?v=1743470000"},{"product_id":"si-expression-2-24ch-digital-live-sound-mixer","title":"Si Expression 2 24Ch Digital Live Sound Mixer","description":"\u003cp\u003eThe Si Expression 2 features 24 recallable mic pre amps plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow™ to light the way so you are never lost.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e24 mono mic inputs\u003c\/li\u003e\n\u003cli\u003e4 line inputs\u003c\/li\u003e\n\u003cli\u003e66 inputs to mix\u003c\/li\u003e\n\u003cli\u003e1 ViSi Connect™ option card slot for 64 x 64 input\/output expansion\u003c\/li\u003e\n\u003cli\u003eFreely assignable faders and patching\u003c\/li\u003e\n\u003cli\u003ePre\/Post selection per input per bus\u003c\/li\u003e\n\u003cli\u003eAES in and out\u003c\/li\u003e\n\u003cli\u003eGlobal mode encoders\u003c\/li\u003e\n\u003cli\u003eSoundcraft FaderGlow™\u003c\/li\u003e\n\u003cli\u003eGEQ on every bus\u003c\/li\u003e\n\u003cli\u003e20 sub-group \/ aux busses\u003c\/li\u003e\n\u003cli\u003e4 FX busses\u003c\/li\u003e\n\u003cli\u003e8 Matrix busses\u003c\/li\u003e\n\u003cli\u003eLR and C Mix busses\u003c\/li\u003e\n\u003cli\u003e4 Stereo Lexicon Effects engines\u003c\/li\u003e\n\u003cli\u003eDelay on inputs and outputs\u003c\/li\u003e\n\u003cli\u003e4 Mute Groups\u003c\/li\u003e\n\u003cli\u003eFreely assignable insert loops\u003c\/li\u003e\n\u003cli\u003eHarman HiQnet integration\u003c\/li\u003e\n\u003cli\u003eColour touch screen interface\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response\u003cul\u003e\n\u003cli\u003eMic Input to Line Output:  +0\/-1dB, 20Hz – 20kHz\u003c\/li\u003e\n\u003cli\u003eStereo Input to Master Output:  +0.5\/-0.5dB, 20Hz – 20kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eT.H.D. and Noise\u003cul\u003e\n\u003cli\u003eMic Input (Min Gain) to Bus Output:  0.006% @ 1kHz\u003c\/li\u003e\n\u003cli\u003eMic Input (Max Gain) to Bus Output:  0.008% @ 1kHz\u003c\/li\u003e\n\u003cli\u003eResidual noise, Master Output, no inputs routed, mix fader @0dB:  \u0026lt;-88dBu\u003c\/li\u003e\n\u003cli\u003eMic Input E.I.N. (maximum gain):  -126dBu (150Ω source)\u003c\/li\u003e\n\u003cli\u003eMix noise, masters at unity:  \u0026lt; -86dBu\u003c\/li\u003e\n\u003cli\u003e1 input to mix at unity gain:  -84dBu\u003c\/li\u003e\n\u003cli\u003eCMRR mic @1kHz (max gain):  -80dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCrosstalk (@ 1kHz)\u003cul\u003e\n\u003cli\u003eChannel ON attenuation:  \u0026lt;120dB\u003c\/li\u003e\n\u003cli\u003eChannel Fader attenuation:  \u0026lt;120dB\u003c\/li\u003e\n\u003cli\u003eMic – Mic:  -100dB @ 1kHz, -85dB @ 10kHz\u003c\/li\u003e\n\u003cli\u003eLine – Line:  -100dB @ 1kHz, -85dB @ 10kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput Gain\u003cul\u003e\n\u003cli\u003eMic Gain:  -5dB – 58dB integrated pad design 1dB steps\u003c\/li\u003e\n\u003cli\u003eLine Trim:  -10dB - +16dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEQ\u003cul\u003e\n\u003cli\u003eHI MID \u0026amp; LO MID:  22Hz – 20kHz, +\/-15dB Q 6-0.3\u003c\/li\u003e\n\u003cli\u003eShelf (HF):  800Hz – 20kHz, +\/-15dB\u003c\/li\u003e\n\u003cli\u003eShelf (LF):  20Hz – 500Hz, +\/-15dB\u003c\/li\u003e\n\u003cli\u003eHPF:  40Hz – 1kHz\u003c\/li\u003e\n\u003cli\u003eGEQ:  31Hz – 16kHz 1\/3 octave\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDelay\u003cul\u003e\u003cli\u003eUser adjustable delay:  1 sample – 500ms\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDigital I\/O\u003cul\u003e\n\u003cli\u003eConverter resolution:  24-bit\u003c\/li\u003e\n\u003cli\u003eDSP resolution:  40-bit floating point\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLatency\u003cul\u003e\n\u003cli\u003eMic In to Line Out:  \u0026lt;0.8 ms\u003c\/li\u003e\n\u003cli\u003eAnalogue in to AES out:  \u0026lt;0.6 ms\u003c\/li\u003e\n\u003cli\u003eAES in to Line Out:  \u0026lt;0.8 ms\u003c\/li\u003e\n\u003cli\u003eAES in to AES out:  \u0026lt;0.5 ms\u003c\/li\u003e\n\u003cli\u003eStagebox Mic In to Stagebox:  \u0026lt;0.9 ms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; Output Levels\u003cul\u003e\n\u003cli\u003eMic Input:  +22dBu max\u003c\/li\u003e\n\u003cli\u003eLine Input:  +22dBu max\u003c\/li\u003e\n\u003cli\u003eMix Output:  +21.5dBu max\u003c\/li\u003e\n\u003cli\u003eHeadphones (@150Ω):  300mW (recommended impedance 32 to 200Ω)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; Output Impedances\u003cul\u003e\n\u003cli\u003eMic Input:  2kΩ\u003c\/li\u003e\n\u003cli\u003eLine Input:  \u0026gt;10kΩ\u003c\/li\u003e\n\u003cli\u003eAES Input:  110Ω\u003c\/li\u003e\n\u003cli\u003eOutputs:  150Ω (balanced), 75Ω (unbalanced)\u003c\/li\u003e\n\u003cli\u003eWord Clock used as Output:  50Ω\u003c\/li\u003e\n\u003cli\u003eWord Clock used as Input:  4k7Ω\u003c\/li\u003e\n\u003cli\u003eAES Output:  110Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLamp Output\u003cul\u003e\u003cli\u003e12v DC:  100mA max (per socket)\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePower\u003cul\u003e\n\u003cli\u003eConsumption (typical):  \u0026lt;130w Si Expression 3\u003c\/li\u003e\n\u003cli\u003eAC Input voltage range:  88-264VAC auto sensing\u003c\/li\u003e\n\u003cli\u003eAC Frequency range:  47-63Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOperating Conditions\u003cul\u003e\n\u003cli\u003eOperating Temperature Range:  5°C to 45°C\u003c\/li\u003e\n\u003cli\u003eHumidity:  0%-90%, non condensing Ta=40°C (104°F)\u003c\/li\u003e\n\u003cli\u003eStorage Temperature Range:  20°C to 60°C (-4°F to 140°F)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSi Expression 2 Dimensions (WxDxH):  716mm\/28.2\" x 520mm\/20.5\" x 168mm\/6.6\"\u003c\/li\u003e\n\u003cli\u003eWeight:  15.5kg (34lbs)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":55150702952826,"sku":"SOUSIE224","price":3165.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/SOUSIE224_Soundcraft_SCR0695_Image_1.jpg?v=1743470002"},{"product_id":"si-expression-3-32ch-digital-live-sound-mixer","title":"Si Expression 3 32Ch Digital Live Sound Mixer","description":"\u003cp\u003eThe Si Expression 3 features 32 recallable mic pre amps plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow™ to light the way so you are never lost.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e32 mono mic inputs\u003c\/li\u003e\n\u003cli\u003e4 line inputs\u003c\/li\u003e\n\u003cli\u003e66 inputs to mix\u003c\/li\u003e\n\u003cli\u003e1 ViSi Connect™ option card slot for 64 x 64 input\/output expansion\u003c\/li\u003e\n\u003cli\u003eFreely assignable faders and patching\u003c\/li\u003e\n\u003cli\u003ePre\/Post selection per input per bus\u003c\/li\u003e\n\u003cli\u003eAES in and out\u003c\/li\u003e\n\u003cli\u003eGlobal mode encoders\u003c\/li\u003e\n\u003cli\u003eSoundcraft FaderGlow™\u003c\/li\u003e\n\u003cli\u003eGEQ on every bus\u003c\/li\u003e\n\u003cli\u003e20 sub-group \/ aux busses\u003c\/li\u003e\n\u003cli\u003e4 FX busses\u003c\/li\u003e\n\u003cli\u003e8 Matrix busses\u003c\/li\u003e\n\u003cli\u003eLR and C Mix busses\u003c\/li\u003e\n\u003cli\u003e4 Stereo Lexicon Effects engines\u003c\/li\u003e\n\u003cli\u003eDelay on inputs and outputs\u003c\/li\u003e\n\u003cli\u003e4 Mute Groups\u003c\/li\u003e\n\u003cli\u003eFreely assignable insert loops\u003c\/li\u003e\n\u003cli\u003eHarman HiQnet integration\u003c\/li\u003e\n\u003cli\u003eColour touch screen interface\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response\u003cul\u003e\n\u003cli\u003eMic Input to Line Output:  +0\/-1dB, 20Hz – 20kHz\u003c\/li\u003e\n\u003cli\u003eStereo Input to Master Output:  +0.5\/-0.5dB, 20Hz – 20kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eT.H.D. and Noise\u003cul\u003e\n\u003cli\u003eMic Input (Min Gain) to Bus Output:  0.006% @ 1kHz\u003c\/li\u003e\n\u003cli\u003eMic Input (Max Gain) to Bus Output:  0.008% @ 1kHz\u003c\/li\u003e\n\u003cli\u003eResidual noise, Master Output, no inputs routed, mix fader @0dB:  \u0026lt;-88dBu\u003c\/li\u003e\n\u003cli\u003eMic Input E.I.N. (maximum gain):  -126dBu (150Ω source)\u003c\/li\u003e\n\u003cli\u003eMix noise, masters at unity:  \u0026lt; -86dBu\u003c\/li\u003e\n\u003cli\u003e1 input to mix at unity gain:  -84dBu\u003c\/li\u003e\n\u003cli\u003eCMRR mic @1kHz (max gain):  -80dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCrosstalk (@ 1kHz)\u003cul\u003e\n\u003cli\u003eChannel ON attenuation:  \u0026lt;120dB\u003c\/li\u003e\n\u003cli\u003eChannel Fader attenuation:  \u0026lt;120dB\u003c\/li\u003e\n\u003cli\u003eMic – Mic:  -100dB @ 1kHz, -85dB @ 10kHz\u003c\/li\u003e\n\u003cli\u003eLine – Line:  -100dB @ 1kHz, -85dB @ 10kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput Gain\u003cul\u003e\n\u003cli\u003eMic Gain:  -5dB – 58dB integrated pad design 1dB steps\u003c\/li\u003e\n\u003cli\u003eLine Trim:  -10dB - +16dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEQ\u003cul\u003e\n\u003cli\u003eHI MID \u0026amp; LO MID:  22Hz – 20kHz, +\/-15dB Q 6-0.3\u003c\/li\u003e\n\u003cli\u003eShelf (HF):  800Hz – 20kHz, +\/-15dB\u003c\/li\u003e\n\u003cli\u003eShelf (LF):  20Hz – 500Hz, +\/-15dB\u003c\/li\u003e\n\u003cli\u003eHPF:  40Hz – 1kHz\u003c\/li\u003e\n\u003cli\u003eGEQ:  31Hz – 16kHz 1\/3 octave\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDelay\u003cul\u003e\u003cli\u003eUser adjustable delay:  1 sample – 500ms\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDigital I\/O\u003cul\u003e\n\u003cli\u003eConverter resolution:  24-bit\u003c\/li\u003e\n\u003cli\u003eDSP resolution:  40-bit floating point\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLatency\u003cul\u003e\n\u003cli\u003eMic In to Line Out:  \u0026lt;0.8 ms\u003c\/li\u003e\n\u003cli\u003eAnalogue in to AES out:  \u0026lt;0.6 ms\u003c\/li\u003e\n\u003cli\u003eAES in to Line Out:  \u0026lt;0.8 ms\u003c\/li\u003e\n\u003cli\u003eAES in to AES out:  \u0026lt;0.5 ms\u003c\/li\u003e\n\u003cli\u003eStagebox Mic In to Stagebox:  \u0026lt;0.9 ms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; Output Levels\u003cul\u003e\n\u003cli\u003eMic Input:  +22dBu max\u003c\/li\u003e\n\u003cli\u003eLine Input:  +22dBu max\u003c\/li\u003e\n\u003cli\u003eMix Output:  +21.5dBu max\u003c\/li\u003e\n\u003cli\u003eHeadphones (@150Ω):  300mW (recommended impedance 32 to 200Ω)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; Output Impedances\u003cul\u003e\n\u003cli\u003eMic Input:  2kΩ\u003c\/li\u003e\n\u003cli\u003eLine Input:  \u0026gt;10kΩ\u003c\/li\u003e\n\u003cli\u003eAES Input:  110Ω\u003c\/li\u003e\n\u003cli\u003eOutputs:  150Ω (balanced), 75Ω (unbalanced)\u003c\/li\u003e\n\u003cli\u003eWord Clock used as Output:  50Ω\u003c\/li\u003e\n\u003cli\u003eWord Clock used as Input:  4k7Ω\u003c\/li\u003e\n\u003cli\u003eAES Output:  110Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLamp Output\u003cul\u003e\u003cli\u003e12v DC:  100mA max (per socket)\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePower\u003cul\u003e\n\u003cli\u003eConsumption (typical):  \u0026lt;130w Si Expression 3\u003c\/li\u003e\n\u003cli\u003eAC Input voltage range:  88-264VAC auto sensing\u003c\/li\u003e\n\u003cli\u003eAC Frequency range:  47-63Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOperating Conditions\u003cul\u003e\n\u003cli\u003eOperating Temperature Range:  5°C to 45°C\u003c\/li\u003e\n\u003cli\u003eHumidity:  0%-90%, non condensing Ta=40°C (104°F)\u003c\/li\u003e\n\u003cli\u003eStorage Temperature Range:  20°C to 60°C (-4°F to 140°F)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSi Expression 2 Dimensions (WxDxH):  928mm\/36.5\" x 520mm\/20.5\" x 168mm\/6.6\"\u003c\/li\u003e\n\u003cli\u003eWeight:  19.2kg (42lbs)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":55150702985594,"sku":"SOUSIE332","price":3932.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/SOUSIE332_Soundcraft_SCR0696_Image_1.jpg?v=1743470005"},{"product_id":"si-impact-40i-p-digital-mixing-console-32in-32out-usb","title":"Si Impact 40i\/p Digital Mixing Console 32in\/32out USB","description":"\u003cp\u003eDrawing on over 40 years experience in live sound mixing, Si Impact brings the latest digital mix innovations together with the unrivalled sound quality of Soundcraft. Designed to be as simple as an analog mixer, but offer radical workflow enhancements such as the unique FaderGlow™ system, massive DSP power, and a pristine 32-in\/32-out USB audio interface, Si Impact delivers digital live sound mixing and recording for those who refuse to compromise on audio quality.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eUp to 80 channels to mix\u003c\/li\u003e\n\u003cli\u003e32 Mic Inputs\u003c\/li\u003e\n\u003cli\u003e8 XLR\/1\/4\" Combi-jacks for line inputs and instruments\u003c\/li\u003e\n\u003cli\u003e40 DSP input channels (32 mono inputs and 4 stereo channels\/returns)\u003c\/li\u003e\n\u003cli\u003e31 Output busses (All with full DSP processing and GEQ)\u003c\/li\u003e\n\u003cli\u003e4-band Fully Parametric EQ on each channel and bus\u003c\/li\u003e\n\u003cli\u003e8 VCAs + 8 Mute groups\u003c\/li\u003e\n\u003cli\u003e26 motorised faders (24 input + LR\/Mono)\u003c\/li\u003e\n\u003cli\u003e4 fully customisable Fader Layers\u003c\/li\u003e\n\u003cli\u003eBuilt-in Stagebox Connectivity\u003c\/li\u003e\n\u003cli\u003e5\" touchscreen display\u003c\/li\u003e\n\u003cli\u003eMulti-Colour LCD Channel Displays on each input fader\u003c\/li\u003e\n\u003cli\u003e4 studio-grade Lexicon Effects engines and dedicated FX busses\u003c\/li\u003e\n\u003cli\u003eBSS Graphic Equalisers on every bus\u003c\/li\u003e\n\u003cli\u003e20 sub-group \/ aux busses\u003c\/li\u003e\n\u003cli\u003e4 mono\/stereo matrix busses\u003c\/li\u003e\n\u003cli\u003e32x32 USB audio interface for multi-track recording and playback *\u003c\/li\u003e\n\u003cli\u003eIncrease I\/O capabilities with option cards and stageboxes:\u003cul\u003e\n\u003cli\u003eUse included MADI option card and Soundcraft Mini Stagebox 32i or 16i for more microphone preamps, inputs and channels to mix\u003c\/li\u003e\n\u003cli\u003eAdd 2nd MADI option card and two Soundcraft Mini Stagebox 32i or 16i for up to 96 microphone preamps, 136 total inputs and 80 channels to mix.\u003c\/li\u003e\n\u003cli\u003eAdd Dante option card for 64 channels of Dante to mix\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e Frequency Response\u003cul\u003e\u003cli\u003eMic \/ Line In to any Output: +\/-1.5dB, 20Hz-20kHz\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eT.H.D.\u003cul\u003e\u003cli\u003eMic Sensitivity -30dBu \u0026lt; 0.01% @ 1kHz\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eNoise\u003cul\u003e\n\u003cli\u003eResidual noise -86dBu\u003c\/li\u003e\n\u003cli\u003eMic Input E.I.N. 22Hz - 22kHz, Unweighted. (max gain)\u003c\/li\u003e\n\u003cli\u003e126dBu (150Ω source)\u003c\/li\u003e\n\u003cli\u003eMix noise, masters at unity \u0026lt; -86dBu\u003c\/li\u003e\n\u003cli\u003e1 input to mix at unity gain -84dBu\u003c\/li\u003e\n\u003cli\u003eCMRR mic @1KHz (max gain) -80dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCrosstalk (@ 1kHz)\u003cul\u003e\n\u003cli\u003eChannel ON attenuation \u0026lt;120dB\u003c\/li\u003e\n\u003cli\u003eChannel Fader attenuation \u0026lt;120dB\u003c\/li\u003e\n\u003cli\u003eMic – Mic -100dB @ 1KHz, -85dB@10kHz\u003c\/li\u003e\n\u003cli\u003eLine – Line -100dB @ 1KHz, -85dB@10kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput Gain\u003cul\u003e\n\u003cli\u003eMic Gain -5dB – 58dB integrated pad design, 1dB steps\u003c\/li\u003e\n\u003cli\u003eLine Trim -10dB - +16dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eGate\u003cul\u003e\n\u003cli\u003eThreshold -60dBfs - -6dBfs\u003c\/li\u003e\n\u003cli\u003eDepth -60dB - -3dB\u003c\/li\u003e\n\u003cli\u003eAttack 0.1ms – 200ms\u003c\/li\u003e\n\u003cli\u003eRelease 20ms – 500ms\u003c\/li\u003e\n\u003cli\u003eSide-chain HPF 22Hz – 2.5kHz\u003c\/li\u003e\n\u003cli\u003eSide-chain LPF 160Hz – 20kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCompressor\u003cul\u003e\n\u003cli\u003eThreshold -52dBfs - -6dBfs\u003c\/li\u003e\n\u003cli\u003eRatio 1:1 – 20:1\u003c\/li\u003e\n\u003cli\u003eAttack 0.1ms – 200ms\u003c\/li\u003e\n\u003cli\u003eRelease 5ms – 900ms\u003c\/li\u003e\n\u003cli\u003eMakeup Gain 0dB – 24dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEQ\u003cul\u003e\n\u003cli\u003eAll Bands 22Hz – 20kHz, +\/-15dB Q 6-0.3\u003c\/li\u003e\n\u003cli\u003eShelf (HF) 800Hz – 20kHz, +\/-15dB\u003c\/li\u003e\n\u003cli\u003eShelf (LF) 20Hz – 500Hz, +\/-15dB\u003c\/li\u003e\n\u003cli\u003eHPF 40Hz – 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDelay\u003cul\u003e\u003cli\u003eUser adjustable delay 1sample – 500ms\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eGEQ\u003cul\u003e\u003cli\u003e31Hz – 16KHz 1\/3 octave\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDigital I\/O\u003cul\u003e\n\u003cli\u003eExternal Word Clock In range 48kHz +\/-7Hz (internal systems), +\/-3Hz with stageboxes.\u003c\/li\u003e\n\u003cli\u003eWord clock out jitter +\/- 7ns\u003c\/li\u003e\n\u003cli\u003eAnalogue out for 0dBfs +21.5dBu\u003c\/li\u003e\n\u003cli\u003eConverter resolution 24-bit\u003c\/li\u003e\n\u003cli\u003eDSP resolution 40-bit floating point\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLatency\u003cul\u003e\n\u003cli\u003eMic In to Line Out \u0026lt;0.8 ms\u003c\/li\u003e\n\u003cli\u003eAnalogue in to AES out \u0026lt;0.6 ms\u003c\/li\u003e\n\u003cli\u003eStagebox Mic In to Stagebox \u0026lt;0.9mS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; Output Levels\u003cul\u003e\n\u003cli\u003eMic Input +22dBu max\u003c\/li\u003e\n\u003cli\u003eLine Input +22dBu max\u003c\/li\u003e\n\u003cli\u003eMix Output +21.5dBu max\u003c\/li\u003e\n\u003cli\u003eHeadphones (@150Ω) 300mW (recommended\u003c\/li\u003e\n\u003cli\u003eimpedance 75 to 200Ω)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; Output Impedances\u003cul\u003e\n\u003cli\u003eMic Input 3kΩ\u003c\/li\u003e\n\u003cli\u003eLine Input 10kΩ\u003c\/li\u003e\n\u003cli\u003eOutputs 150Ω (balanced), 75Ω (unbalanced)\u003c\/li\u003e\n\u003cli\u003eWord Clock used as Output 50Ω\u003c\/li\u003e\n\u003cli\u003eWord Clock used as Input 4K7Ω\u003c\/li\u003e\n\u003cli\u003eAES Output 110Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB\u003cul\u003e\u003cli\u003eMax current 500mA\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePower\u003cul\u003e\n\u003cli\u003eConsumption (typical) \u0026lt;130w\u003c\/li\u003e\n\u003cli\u003eAC Input voltage range 88-264VAC auto sensing\u003c\/li\u003e\n\u003cli\u003eAC Frequency range 47-63Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOperating Conditions\u003cul\u003e\n\u003cli\u003eOperating Temperature Range 5°C to 45°C\u003c\/li\u003e\n\u003cli\u003eHumidity 0%-90%, non condensing Ta=40°C (104°F)\u003c\/li\u003e\n\u003cli\u003eStorage Temperature Range -20°C to 60°C (-4°F to 140°F)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHeight: 160mm\u003c\/li\u003e\n\u003cli\u003eWidth: 750mm\u003c\/li\u003e\n\u003cli\u003eDepth: 500mm\u003c\/li\u003e\n\u003cli\u003eWeight: 20kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":55150703018362,"sku":"SOUSII40","price":3212.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/SOUSII40_Soundcraft_SCR0697_Image_1.jpg?v=1765892156"},{"product_id":"si-performer-1-16ch-digital-mixer-with-dmx-light-control","title":"Si Performer 1 16Ch Digital Mixer with DMX Light Control","description":"\u003cp\u003eDrawing on the combined heritage of legendary Soundcraft quality and the powerful and intuitive Vi Series digital live sound mixers, the Si Performer brings unparalleled mix power and performance to small format digital live sound mixers.\u003c\/p\u003e\u003cp\u003eSitting where a plethora of gear once was, the Si Performer delivers the equivalent of 448 rack units of DSP including sophisticated 4-band fully parametric EQ, full dynamics processing, a comprehensive range of output options, totally flexible routing and, as with all Soundcraft consoles, an unmatched range of options to fully integrate the Si Performer into an existing system or become the centre of a thriving new installation.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e16 mono mic inputs\u003c\/li\u003e\n\u003cli\u003e8 line inputs\u003c\/li\u003e\n\u003cli\u003e80 channels to mix\u003c\/li\u003e\n\u003cli\u003e2 ViSi Connect™ option card slots for 128 x 96 input\/output paths\u003c\/li\u003e\n\u003cli\u003ePre\/Post selection per input per bus\u003c\/li\u003e\n\u003cli\u003eFreely assignable faders and patching\u003c\/li\u003e\n\u003cli\u003eSoundcraft FaderGlow™\u003c\/li\u003e\n\u003cli\u003eColour backlit LCD screens per fader\u003c\/li\u003e\n\u003cli\u003eGEQ on every bus\u003c\/li\u003e\n\u003cli\u003e20 sub-group \/ aux busses\u003c\/li\u003e\n\u003cli\u003e4 FX busses\u003c\/li\u003e\n\u003cli\u003e8 Matrix busses\u003c\/li\u003e\n\u003cli\u003eLRC Mix busses\u003c\/li\u003e\n\u003cli\u003eLCR panning\u003c\/li\u003e\n\u003cli\u003e4 Stereo Lexicon Effects engines\u003c\/li\u003e\n\u003cli\u003eDelay on inputs and outputs\u003c\/li\u003e\n\u003cli\u003e8 Mute Groups\u003c\/li\u003e\n\u003cli\u003e8 VCA Groups\u003c\/li\u003e\n\u003cli\u003eAES in and out\u003c\/li\u003e\n\u003cli\u003eDMX interface and control -control sound and light simultaneously\u003c\/li\u003e\n\u003cli\u003eFreely assignable insert loops\u003c\/li\u003e\n\u003cli\u003eHarman HiQnet integration\u003c\/li\u003e\n\u003cli\u003eColour touch screen interface\u003c\/li\u003e\n\u003cli\u003eComes with removable side cheeks \u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response\u003cul\u003e\u003cli\u003eMic \/ Line In to any Output: +\/-1.5dB, 20Hz-20kHz\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eT.H.D.\u003cul\u003e\u003cli\u003eMic Sensitivity -30dBu \u0026lt; 0.01% @ 1kHz\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eNoise\u003cul\u003e\n\u003cli\u003eResidual noise -86dBu\u003c\/li\u003e\n\u003cli\u003eMic Input E.I.N. 22Hz - 22kHz, Unweighted. (max gain)\u003c\/li\u003e\n\u003cli\u003e126dBu (150Ω source)\u003c\/li\u003e\n\u003cli\u003eMix noise, masters at unity \u0026lt; -86dBu\u003c\/li\u003e\n\u003cli\u003e1 input to mix at unity gain -84dBu\u003c\/li\u003e\n\u003cli\u003eCMRR mic @1KHz (max gain) -80dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCrosstalk (@ 1kHz)\u003cul\u003e\n\u003cli\u003eChannel ON attenuation \u0026lt;120dB\u003c\/li\u003e\n\u003cli\u003eChannel Fader attenuation \u0026lt;120dB\u003c\/li\u003e\n\u003cli\u003eMic – Mic -100dB @ 1KHz, -85dB@10kHz\u003c\/li\u003e\n\u003cli\u003eLine – Line -100dB @ 1KHz, -85dB@10kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput Gain\u003cul\u003e\n\u003cli\u003eMic Gain -5dB – 58dB integrated pad design, 1dB steps\u003c\/li\u003e\n\u003cli\u003eLine Trim -10dB - +16dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eGate\u003cul\u003e\n\u003cli\u003eThreshold -60dBfs - -6dBfs\u003c\/li\u003e\n\u003cli\u003eDepth -60dB - -3dB\u003c\/li\u003e\n\u003cli\u003eAttack 0.1ms – 200ms\u003c\/li\u003e\n\u003cli\u003eRelease 20ms – 500ms\u003c\/li\u003e\n\u003cli\u003eSide-chain HPF 22Hz – 2.5kHz\u003c\/li\u003e\n\u003cli\u003eSide-chain LPF 160Hz – 20kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCompressor\u003cul\u003e\n\u003cli\u003eThreshold -52dBfs - -6dBfs\u003c\/li\u003e\n\u003cli\u003eRatio 1:1 – 20:1\u003c\/li\u003e\n\u003cli\u003eAttack 0.1ms – 200ms\u003c\/li\u003e\n\u003cli\u003eRelease 5ms – 900ms\u003c\/li\u003e\n\u003cli\u003eMakeup Gain 0dB – 24dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEQ\u003cul\u003e\n\u003cli\u003eAll Bands 22Hz – 20kHz, +\/-15dB Q 6-0.3\u003c\/li\u003e\n\u003cli\u003eShelf (HF) 800Hz – 20kHz, +\/-15dB\u003c\/li\u003e\n\u003cli\u003eShelf (LF) 20Hz – 500Hz, +\/-15dB- HPF 40Hz – 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDelay\u003cul\u003e\n\u003cli\u003eUser adjustable delay 1sample – 500ms\u003c\/li\u003e\n\u003cli\u003eGEQ 31Hz – 16kHz 1\/3 octave\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eGEQ\u003cul\u003e\u003cli\u003e31Hz – 16KHz 1\/3 octave\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDigital I\/O\u003cul\u003e\n\u003cli\u003eAES Sample rate converter range 8kHz – 200kHz\u003c\/li\u003e\n\u003cli\u003eExternal Word Clock In range 48kHz +\/-7Hz (internal systems), +\/-3Hz with stageboxes.\u003c\/li\u003e\n\u003cli\u003eWord clock out jitter +\/- 7ns\u003c\/li\u003e\n\u003cli\u003eAnalogue out for 0dBfs +21.5dBu\u003c\/li\u003e\n\u003cli\u003eConverter resolution 24-bit\u003c\/li\u003e\n\u003cli\u003eDSP resolution 40-bit floating point\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLatency\u003cul\u003e\n\u003cli\u003eMic In to Line Out \u0026lt;0.8 ms\u003c\/li\u003e\n\u003cli\u003eAnalogue in to AES out \u0026lt;0.6 ms\u003c\/li\u003e\n\u003cli\u003eAES in to Line Out \u0026lt;0.8ms\u003c\/li\u003e\n\u003cli\u003eAES in to AES out \u0026lt;0.5ms\u003c\/li\u003e\n\u003cli\u003eStagebox Mic In to Stagebox \u0026lt;0.9mS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; Output Levels\u003cul\u003e\n\u003cli\u003eMic Input +22dBu max\u003c\/li\u003e\n\u003cli\u003eLine Input +22dBu max\u003c\/li\u003e\n\u003cli\u003eMix Output +21.5dBu max\u003c\/li\u003e\n\u003cli\u003eHeadphones (@150Ω) 300mW (recommended impedance 75 to 200Ω)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; Output Impedances\u003cul\u003e\n\u003cli\u003eMic Input 3kΩ\u003c\/li\u003e\n\u003cli\u003eLine Input 10kΩ\u003c\/li\u003e\n\u003cli\u003eAES Input 110Ω\u003c\/li\u003e\n\u003cli\u003eOutputs 150Ω (balanced), 75Ω (unbalanced)\u003c\/li\u003e\n\u003cli\u003eWord Clock used as Output 50Ω\u003c\/li\u003e\n\u003cli\u003eWord Clock used as Input 4K7Ω\u003c\/li\u003e\n\u003cli\u003eAES Output 110Ω\u003c\/li\u003e\n\u003cli\u003eDMX 120Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB\u003cul\u003e\u003cli\u003eMax current 200mA\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLamp Output\u003cul\u003e\u003cli\u003e12v DC 100mA max (per socket)\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePower\u003cul\u003e\n\u003cli\u003eConsumption (typical) \u0026lt;130w Si EXPRESSION 3\u003c\/li\u003e\n\u003cli\u003eAC Input voltage range 88-264VAC auto sensing\u003c\/li\u003e\n\u003cli\u003eAC Frequency range 47-63Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOperating Conditions\u003cul\u003e\n\u003cli\u003eOperating Temperature Range 5°C to 45°C\u003c\/li\u003e\n\u003cli\u003eHumidity 0%-90%, non condensing Ta=40°C (104°F)\u003c\/li\u003e\n\u003cli\u003eStorage Temperature Range -20°C to 60°C (-4°F to 140°F)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHeight: 193mm\u003c\/li\u003e\n\u003cli\u003eWidth: 483mm\u003c\/li\u003e\n\u003cli\u003eDepth: 522mm\u003c\/li\u003e\n\u003cli\u003eWeight: 15kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":55150703051130,"sku":"SOUSIP1","price":4037.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/SOUSIP1_Soundcraft_SCR0691_Image_1.jpg?v=1743470012"},{"product_id":"si-performer-2-24ch-digital-mixer-with-dmx-light-control","title":"Si Performer 2 24Ch Digital Mixer with DMX Light Control","description":"\u003cp\u003eThe Si Performer 2 features 24 local recallable mic pre amps and 8 stereo inputs along with two ViSi Connect™ option card slots with an additional 128x96 input\/output paths (one 64x64 expansion slot and another 64x32 expansion slot). Able to utilise Si series ViSi Connect™ option cards, the Si Performer gives a large range of additional digital I\/O connectivity including the MultiDigital Card (Firewire\/USB\/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others with a massive mix capacity of 64 mono inputs for a total of 80 inputs to mix. Each input channel has dedicated processing for high pass filter, input delay, gate, compressor and parametric EQ. Keeping you in control are 8 VCA busses, 8 mute groups, FaderGlow and colour backlit name displays on every channel so you are never lost.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e24 mono mic inputs\u003c\/li\u003e\n\u003cli\u003e8 line inputs\u003c\/li\u003e\n\u003cli\u003e80 channels to mix\u003c\/li\u003e\n\u003cli\u003e2 ViSi Connect™ option card slots for 128 x 96 input\/output paths\u003c\/li\u003e\n\u003cli\u003ePre\/Post selection per input per bus\u003c\/li\u003e\n\u003cli\u003eFreely assignable faders and patching\u003c\/li\u003e\n\u003cli\u003eSoundcraft FaderGlow™\u003c\/li\u003e\n\u003cli\u003eColour backlit LCD screens per fader\u003c\/li\u003e\n\u003cli\u003eGEQ on every bus\u003c\/li\u003e\n\u003cli\u003e20 sub-group \/ aux busses\u003c\/li\u003e\n\u003cli\u003e4 FX busses\u003c\/li\u003e\n\u003cli\u003e8 Matrix busses\u003c\/li\u003e\n\u003cli\u003eLRC Mix busses\u003c\/li\u003e\n\u003cli\u003eLCR panning\u003c\/li\u003e\n\u003cli\u003e4 Stereo Lexicon Effects engines\u003c\/li\u003e\n\u003cli\u003eDelay on inputs and outputs\u003c\/li\u003e\n\u003cli\u003e8 Mute Groups\u003c\/li\u003e\n\u003cli\u003e8 VCA Groups\u003c\/li\u003e\n\u003cli\u003eAES in and out\u003c\/li\u003e\n\u003cli\u003eDMX interface and control -control sound and light simultaneously\u003c\/li\u003e\n\u003cli\u003eFreely assignable insert loops\u003c\/li\u003e\n\u003cli\u003eHarman HiQnet integration\u003c\/li\u003e\n\u003cli\u003eColour touch screen interface\u003c\/li\u003e\n\u003cli\u003eComes with removable side cheeks\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response\u003cul\u003e\n\u003cli\u003eMic input to Line output:  +0\/-1dB, 20Hz – 20kHz \u003c\/li\u003e\n\u003cli\u003eStereo input to master output:  +0.5\/-0.5dB, 20Hz – 20kHz \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eT.H.D. \u0026amp; Noise (10Hz - 22kHz)\u003cul\u003e\n\u003cli\u003eMic In (min gain) to Bus output:  0.006% @ 1kHz \u003c\/li\u003e\n\u003cli\u003eMic In (max gain) to Bus output:  0.008% @ 1kHz \u003c\/li\u003e\n\u003cli\u003eStereo input to master output:  0.005% @ 1kHz \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMic Input E.I.N. \u003cul\u003e\u003cli\u003e22Hz-22kHz bandwidth, unweighted:  \u0026lt;-126dBu (150 Ohm source) \u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eResidual Noise\u003cul\u003e\u003cli\u003eMaster output; no inputs routed, Mix fader @0dB:  \u0026lt;-88dBu\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCMRR:  80dB @ 1kHz Mic input \u003c\/li\u003e\n\u003cli\u003eSampling Frequency:  48kHz \u003c\/li\u003e\n\u003cli\u003eConvertor Resolution:  24 bit \u003c\/li\u003e\n\u003cli\u003eLatency \u003cul\u003e\u003cli\u003eMic Input to Bus output:  \u0026lt; 1ms @48kHz \u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDSP Resolution:  40-bit floating point \u003c\/li\u003e\n\u003cli\u003eInternal Clock\u003cul\u003e\n\u003cli\u003eAccuracy:  \u0026lt; +\/- 50ppm \u003c\/li\u003e\n\u003cli\u003eJitter:  \u0026lt; +\/- 5ns \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; Output Levels\u003cul\u003e\n\u003cli\u003eMic Inputs:  +23dBu max \u003c\/li\u003e\n\u003cli\u003eStereo Inputs \/ Returns:  +22dBu max \u003c\/li\u003e\n\u003cli\u003eBus Outputs:  +22dBu max \u003c\/li\u003e\n\u003cli\u003eNominal Operating Level:  0dBu (-22dBFS) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; Output Impedances\u003cul\u003e\n\u003cli\u003eMic Inputs:  2 kOhms \u003c\/li\u003e\n\u003cli\u003eAll other analogue Inputs:  \u0026gt;10 kOhms\u003c\/li\u003e\n\u003cli\u003eLine Outputs:  \u0026lt;75 Ohms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOscillator:  20Hz to 20kHz Sine\/Pink Noise, variable level \u003c\/li\u003e\n\u003cli\u003eFilters \u003cul\u003e\u003cli\u003eChannel HP Filter:  22Hz-1kHz, 18dB per octave \u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEQ (Inputs and Bus Outputs)\u003cul\u003e\n\u003cli\u003eHF:  22Hz-20kHz, +\/-15dB, Q=0.3-6.0, bell or shelving\u003c\/li\u003e\n\u003cli\u003eHi-Mid:  22Hz-20kHz, +\/-15dB, Q=0.3-6.0 \u003c\/li\u003e\n\u003cli\u003eLo-Mid:  22Hz-20kHz, +\/-15dB, Q=0.3-6.0 \u003c\/li\u003e\n\u003cli\u003eLF:  22Hz-20kHz, +\/-15dB, Q=0.3-6.0, bell or shelving\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMetering:\u003cul\u003e\n\u003cli\u003e7x 8 segment meters for selected channel\/bus, masters \u0026amp; monitors \u003c\/li\u003e\n\u003cli\u003eEach fader strip offers 4 segment level plus gain reduction \u0026amp; Gate Closed status\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMains Voltage Operating Range:  90-264V, 47-63Hz, autoranging \u003c\/li\u003e\n\u003cli\u003eMains Power Consumption:  200W \u003c\/li\u003e\n\u003cli\u003eTemperature\/Humidity Range \u003cul\u003e\n\u003cli\u003eOperating Temperature Range:  0°C – 45°C (32°F – 113°F) \u003c\/li\u003e\n\u003cli\u003eRelative Humidity:  0% – 90%, non-condensing Ta=40°C (104°F) \u003c\/li\u003e\n\u003cli\u003eStorage Temperature Range:  20°C – 60°C (-4°F – 140°F)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDimensions (H x W x D):  170mm x 730mm x 536mm\/6.7” x 28.75” x 21.2”\u003c\/li\u003e\n\u003cli\u003eWeights:  17kg\/37lbs net\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":55150703083898,"sku":"SOUSIP2","price":4774.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/SOUSIP2_Soundcraft_SCR0692_Image_1.jpg?v=1743470013"},{"product_id":"si-performer-3-32ch-digital-mixer-with-dmx-light-control","title":"Si Performer 3 32Ch Digital Mixer with DMX Light Control","description":"\u003cp\u003eDrawing on the combined heritage of Soundcraft acclaimed Si Compact and Vi Series digital live sound mixers, the Si Performer takes mixing out of the dark with powerful digital audio mixing facilities married to a DMX 512 controller allowing for the first time the mixing console to also run the lighting rig! \\'Music \u0026amp; Lights; these have been partners in the entertainment and production industry since amplified sound met the electric light but until now even the simplest lighting setup would require a separate lighting controller console, road case and somewhere to put it; Soundcraft Si Performer changes everything. Empowering the console with a DMX interface, the Soundcraft Si Performer is able to utilize the power of motorised faders, Soundcraft FaderGlow and a console automation system to provide a flexible automated lighting controller ideal for schools, churches, touring theatre companies and conference productions.\u003c\/p\u003e\u003cp\u003eThe Si Performer 3 features 32 recallable mic pre amps plus 8 stereo returns, AES in one 64x64 expansion slot and another 64x32 expansion slot offering enough expansion to use every one of the 64 mono inputs for a possible total of 80 inputs to mix. Each input channel has dedicated processing for high pass filter, input delay, gate, compressor and parametric EQ. Keeping you in control are 8 VCA busses, 8 mute groups, FaderGlow and colour backlit name displays on every channel so you are never lost.\u003c\/p\u003e\u003cp\u003eAll Si Performer consoles have busses and output processing to match the versatility of the inputs; the 14 aux\/group mixes can be configured as 14 mono mixes or 8 mono plus 6 stereo mixes, whilst the matrix mixes can be mono or stereo as needed. The bus and matrix mixes  are complemented with four mix busses dedicated to the internal Lexicon FX processors and left, right and centre busses with options for mixing left\/right + mono\/centre or left\/centre\/right (LCR). Each bus features a compressor, 4 band fully parametric EQ, graphic EQ and delay always available all of the time.\u003c\/p\u003e\u003cp\u003eTo complement the channel and bus processing all Si Performer consoles integrate four Stereo Lexicon FX processors based on the MX400 providing a wealth of sounds, user adjustable parameters and dedicated tap-tempo keys. As the FX are hardware based use of all the effects even on the most demanding programmes do not affect the processing in any way and all dynamics, PEQ and all bands of all 31 graphic EQs are available all of the time.\u003c\/p\u003e\u003cp\u003eFlexible onboard and expansion I\/O options ensure the Si Performer integrates effortlessly with other system components; along with the 32 mic inputs there are eight analogue line inputs, AES in and out, 16 analogue line outputs, headphone monitor out, a 64x64 channel expansion slot and another 64x32 expansion slot each capable of  utilising any of the Si series option cards including CAT5 or optical MADI. The MADI card, as well as being an interface to multi-track recording systems or plug-in systems like Waves, enables linking the Si Performer to any of the Soundcraft or  Studer stageboxes to extend the I\/O power and flexibility; but all this power is nothing without control and here the Si Performer excels with a comprehensive but imple to use\\' control surface.\u003c\/p\u003e\u003cp\u003eAs you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of latest generation EMMA\u003csup\u003e™\u003c\/sup\u003e DSP processors, the same DSP platform that has helped propel the Si and Si Compact series to industry standard status; this power united with reliability and flexibility puts the Si Performer in a class of its own.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e32 mono mic inputs\u003c\/li\u003e\n\u003cli\u003e8 line inputs\u003c\/li\u003e\n\u003cli\u003e80 channels to mix\u003c\/li\u003e\n\u003cli\u003e2 ViSi Connect™ option card slots for 128 x 96 input\/output paths\u003c\/li\u003e\n\u003cli\u003ePre\/Post selection per input per bus\u003c\/li\u003e\n\u003cli\u003eFreely assignable faders and patching\u003c\/li\u003e\n\u003cli\u003eSoundcraft FaderGlow™\u003c\/li\u003e\n\u003cli\u003eColour backlit LCD screens per fader\u003c\/li\u003e\n\u003cli\u003eGEQ on every bus\u003c\/li\u003e\n\u003cli\u003e20 sub-group \/ aux busses\u003c\/li\u003e\n\u003cli\u003e4 FX busses\u003c\/li\u003e\n\u003cli\u003e8 Matrix busses\u003c\/li\u003e\n\u003cli\u003eLRC Mix busses\u003c\/li\u003e\n\u003cli\u003eLCR panning\u003c\/li\u003e\n\u003cli\u003e4 Stereo Lexicon Effects engines\u003c\/li\u003e\n\u003cli\u003eDelay on inputs and outputs\u003c\/li\u003e\n\u003cli\u003e8 Mute Groups\u003c\/li\u003e\n\u003cli\u003e8 VCA Groups\u003c\/li\u003e\n\u003cli\u003eAES in and out\u003c\/li\u003e\n\u003cli\u003eDMX interface and control - control sound and light simultaneously\u003c\/li\u003e\n\u003cli\u003eFreely assignable insert loops\u003c\/li\u003e\n\u003cli\u003eHarman HiQnet integration\u003c\/li\u003e\n\u003cli\u003eColour touch screen interface \u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eGeneral\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response\u003cul\u003e\u003cli\u003eMic \/ Line In to any Output: +\/-1.5dB, 20Hz-20kHz\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eT.H.D.\u003cul\u003e\u003cli\u003eMic Sensitivity -30dBu \u0026lt; 0.01% @ 1kHz\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eNoise\u003cul\u003e\n\u003cli\u003eResidual noise -86dBu\u003c\/li\u003e\n\u003cli\u003eMic Input E.I.N. 22Hz - 22kHz, Unweighted. (max gain)\u003c\/li\u003e\n\u003cli\u003e126dBu (150Ω source)\u003c\/li\u003e\n\u003cli\u003eMix noise, masters at unity \u0026lt; -86dBu\u003c\/li\u003e\n\u003cli\u003e1 input to mix at unity gain -84dBu\u003c\/li\u003e\n\u003cli\u003eCMRR mic @1KHz (max gain) -80dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCrosstalk (@ 1kHz)\u003cul\u003e\n\u003cli\u003eChannel ON attenuation \u0026lt;120dB\u003c\/li\u003e\n\u003cli\u003eChannel Fader attenuation \u0026lt;120dB\u003c\/li\u003e\n\u003cli\u003eMic – Mic -100dB @ 1KHz, -85dB@10kHz\u003c\/li\u003e\n\u003cli\u003eLine – Line -100dB @ 1KHz, -85dB@10kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput Gain\u003cul\u003e\n\u003cli\u003eMic Gain -5dB – 58dB integrated pad design, 1dB steps\u003c\/li\u003e\n\u003cli\u003eLine Trim -10dB - +16dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eGate\u003cul\u003e\n\u003cli\u003eThreshold -60dBfs - -6dBfs\u003c\/li\u003e\n\u003cli\u003eDepth -60dB - -3dB\u003c\/li\u003e\n\u003cli\u003eAttack 0.1ms – 200ms\u003c\/li\u003e\n\u003cli\u003eRelease 20ms – 500ms\u003c\/li\u003e\n\u003cli\u003eSide-chain HPF 22Hz – 2.5kHz\u003c\/li\u003e\n\u003cli\u003eSide-chain LPF 160Hz – 20kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCompressor\u003cul\u003e\n\u003cli\u003eThreshold -52dBfs - -6dBfs\u003c\/li\u003e\n\u003cli\u003eRatio 1:1 – 20:1\u003c\/li\u003e\n\u003cli\u003eAttack 0.1ms – 200ms\u003c\/li\u003e\n\u003cli\u003eRelease 5ms – 900ms\u003c\/li\u003e\n\u003cli\u003eMakeup Gain 0dB – 24dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEQ\u003cul\u003e\n\u003cli\u003eAll Bands 22Hz – 20kHz, +\/-15dB Q 6-0.3\u003c\/li\u003e\n\u003cli\u003eShelf (HF) 800Hz – 20kHz, +\/-15dB\u003c\/li\u003e\n\u003cli\u003eShelf (LF) 20Hz – 500Hz, +\/-15dB- HPF 40Hz – 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDelay\u003cul\u003e\n\u003cli\u003eUser adjustable delay 1sample – 500ms\u003c\/li\u003e\n\u003cli\u003eGEQ 31Hz – 16kHz 1\/3 octave\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eGEQ\u003cul\u003e\u003cli\u003e31Hz – 16KHz 1\/3 octave\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDigital I\/O\u003cul\u003e\n\u003cli\u003eAES Sample rate converter range 8kHz – 200kHz\u003c\/li\u003e\n\u003cli\u003eExternal Word Clock In range 48kHz +\/-7Hz (internal systems), +\/-3Hz with stageboxes.\u003c\/li\u003e\n\u003cli\u003eWord clock out jitter +\/- 7ns\u003c\/li\u003e\n\u003cli\u003eAnalogue out for 0dBfs +21.5dBu\u003c\/li\u003e\n\u003cli\u003eConverter resolution 24-bit\u003c\/li\u003e\n\u003cli\u003eDSP resolution 40-bit floating point\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLatency\u003cul\u003e\n\u003cli\u003eMic In to Line Out \u0026lt;0.8 ms\u003c\/li\u003e\n\u003cli\u003eAnalogue in to AES out \u0026lt;0.6 ms\u003c\/li\u003e\n\u003cli\u003eAES in to Line Out \u0026lt;0.8ms\u003c\/li\u003e\n\u003cli\u003eAES in to AES out \u0026lt;0.5ms\u003c\/li\u003e\n\u003cli\u003eStagebox Mic In to Stagebox \u0026lt;0.9mS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; Output Levels\u003cul\u003e\n\u003cli\u003eMic Input +22dBu max\u003c\/li\u003e\n\u003cli\u003eLine Input +22dBu max\u003c\/li\u003e\n\u003cli\u003eMix Output +21.5dBu max\u003c\/li\u003e\n\u003cli\u003eHeadphones (@150Ω) 300mW (recommended impedance 75 to 200Ω)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; Output Impedances\u003cul\u003e\n\u003cli\u003eMic Input 3kΩ\u003c\/li\u003e\n\u003cli\u003eLine Input 10kΩ\u003c\/li\u003e\n\u003cli\u003eAES Input 110Ω\u003c\/li\u003e\n\u003cli\u003eOutputs 150Ω (balanced), 75Ω (unbalanced)\u003c\/li\u003e\n\u003cli\u003eWord Clock used as Output 50Ω\u003c\/li\u003e\n\u003cli\u003eWord Clock used as Input 4K7Ω\u003c\/li\u003e\n\u003cli\u003eAES Output 110Ω\u003c\/li\u003e\n\u003cli\u003eDMX 120Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB\u003cul\u003e\u003cli\u003eMax current 200mA\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLamp Output\u003cul\u003e\u003cli\u003e12v DC 100mA max (per socket)\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePower\u003cul\u003e\n\u003cli\u003eConsumption (typical) \u0026lt;130w Si EXPRESSION 3\u003c\/li\u003e\n\u003cli\u003eAC Input voltage range 88-264VAC auto sensing\u003c\/li\u003e\n\u003cli\u003eAC Frequency range 47-63Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOperating Conditions\u003cul\u003e\n\u003cli\u003eOperating Temperature Range 5°C to 45°C\u003c\/li\u003e\n\u003cli\u003eHumidity 0%-90%, non condensing Ta=40°C (104°F)\u003c\/li\u003e\n\u003cli\u003eStorage Temperature Range -20°C to 60°C (-4°F to 140°F)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePhysical \u0026amp; Dimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHeight: 170mm\u003c\/li\u003e\n\u003cli\u003eWidth: 940mm\u003c\/li\u003e\n\u003cli\u003eDepth: 536mm\u003c\/li\u003e\n\u003cli\u003eWeight: 21.5kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":55150703116666,"sku":"SOUSIP3","price":5540.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/SOUSIP3_Soundcraft_SCR0693_Image_1.jpg?v=1743470015"},{"product_id":"digitrack-18-digital-mixer-16-inputs-16-bus-12-mic-2-stereo-rs485","title":"digiTrack 18 Digital Mixer 16 Inputs\/16 Bus\/12 Mic\/2 Stereo RS485","description":"\u003cp\u003eThe 16 input channel digiTRACK18 brings all the simple operation brought to you with the digiLiVe16, but adding extra features and options, that are normally reserved for higher end digital mixers. The digiTRACK18 is no exception to this, with multitrack recording or LAN network connectiivity, DCA sub groups, custom layers and hot keys for instant access to the features you want.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e16 Mic\/Line Inputs (4 with combo XLR\/JACK input)\u003c\/li\u003e\n\u003cli\u003e16 Internal buses available\u003c\/li\u003e\n\u003cli\u003e9 Motorised Faders for recall and precise control\u003c\/li\u003e\n\u003cli\u003eMultitrack high speed USB i\/o option port with 16 track in\/out\u003c\/li\u003e\n\u003cli\u003eDCA Groups, MUTE GROUPS and CUSTOM layers\u003c\/li\u003e\n\u003cli\u003e8 Stereo FX reverb, delay, modulation, 31band graphics\u003c\/li\u003e\n\u003cli\u003e8 Smart Outputs each output can be set to any bus\u003c\/li\u003e\n\u003cli\u003eDitial IO USB playback\/record, s\/pdif in\/out and AES-EBU output\u003c\/li\u003e\n\u003cli\u003e7” Screen high resolution to clearly see the information you need\u003c\/li\u003e\n\u003cli\u003eiPad Control full remote operation from the IOS APP\u003c\/li\u003e\n\u003cli\u003eExternal PSU for reliable noise free operation\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eMIC \/ LINE Input:  16 channels 12 x XLR \/ 4 x COMBO XLR \/ JACK\u003c\/li\u003e\n\u003cli\u003eMaster output:  2 Left\/Right balanced XLR \u003c\/li\u003e\n\u003cli\u003eSmart Outputs:  6 assignable balanced XLR\u003c\/li\u003e\n\u003cli\u003eInternal busses:  16\u003c\/li\u003e\n\u003cli\u003eDCA groups:  6 DCA groups \u003c\/li\u003e\n\u003cli\u003eStereo Monitor:  2 XLR output\u003c\/li\u003e\n\u003cli\u003eHeadphone:  1 TRS Jack output\u003c\/li\u003e\n\u003cli\u003eScreen:  7” high definition touch screen \u003c\/li\u003e\n\u003cli\u003eFaders:  8 x motorized 100 mm faders + 1 x motorized 100mm fader for L\/R mix\u003c\/li\u003e\n\u003cli\u003eLayers:  multiple channel\/bus layers + 2 custom user layers\u003c\/li\u003e\n\u003cli\u003eOperating System:  Android system \u003c\/li\u003e\n\u003cli\u003eSample Frequency:  48 KHz \u003c\/li\u003e\n\u003cli\u003eAD\/DA:  192KHz, 24-bit \u003c\/li\u003e\n\u003cli\u003eDSP:  40-bit float point, SHARC processor \u003c\/li\u003e\n\u003cli\u003eiPad Remote control:  Yes \u003c\/li\u003e\n\u003cli\u003eEffects:  up to 8 assignable effect modules (reverb,modulation,delay, 31band GEQ with RTA) \u003c\/li\u003e\n\u003cli\u003eAES\/EBU:  Output (XLR) \u003c\/li\u003e\n\u003cli\u003eS\/PDIF:  Input \/ Output (RCA phono) \u003c\/li\u003e\n\u003cli\u003eUSB Interface:  2 usb type A for playback\/recording, scene storage and system updates option - 1 usb type B for 16 x 16 USB audio connection to PC\/computer DAW\u003c\/li\u003e\n\u003cli\u003eNetwork:  yes via WIFI external module \u003c\/li\u003e\n\u003cli\u003ePower:  90-240V ~ 50\/60Hz power supply 24VDC output\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Studiomaster","offers":[{"title":"Default Title","offer_id":55150703182202,"sku":"STUDIGITRACK18","price":1145.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/STUDIGITRACK18_Studiomaster_5060255345740_Image_1.jpg?v=1743470104"},{"product_id":"sonicview-16-16-channel-digital-mixing-console-44in-24bus-dante","title":"SonicView 16 16-Channel Digital Mixing Console 44in\/24bus Dante","description":"\u003cp\u003e Tascam has a long history of high-quality recording products and digital mixers, culminating in the legendary DA-88 eight-track modular multi-track recorder and the DM-4800 digital mixer, a workhorse combination that once set a new standard. With Sonicview, Tascam has created an entirely new line of digital mixing consoles that incorporate the latest technology and make it easy to view and control all of the parameters you want, when you want, with fully customisable touchscreens and user-definable buttons, motorised faders and intuitive control software.\u003c\/p\u003e\u003cp\u003eSonicview recording consoles integrate beautifully with the rest of your system, thanks to built-in Dante networking, a 32-bit\/96-kHz multi-channel USB audio interface and plenty of inputs and outputs. No-compromise audio quality and a 54-bit floating-point FPGA mixing engine combines with ample signal processing, an expansion slot for additional connectivity and wireless remote control to make Sonicview mixers the next-generation choice for recording studios, remote recording, touring, installed sound and broadcasting.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eTascam VIEW (Visual Interactive Ergonomic Workflow) interface allows intuitive operation with three different view modes\u003c\/li\u003e\n\u003cli\u003eMultiple displays with two 7-inch colour touchscreens\u003c\/li\u003e\n\u003cli\u003e44 input channels (40 mono, 2 stereo)\u003c\/li\u003e\n\u003cli\u003e22 flexible output buses plus main L\/R bus with 31-band graphic EQ\u003c\/li\u003e\n\u003cli\u003e54-bit float-point FPGA mixing engine, 96 kHz sampling rate\u003c\/li\u003e\n\u003cli\u003eUltra-low latency: 2× Fs (20.8 μs) in mixing engine, 0.51 ms analogue-to-analogue\u003c\/li\u003e\n\u003cli\u003e32-bit\/96 kHz A\/D and D\/A conversion\u003c\/li\u003e\n\u003cli\u003eTascam HDIA (High-Definition Instrumentation Architecture) microphone preamplifiers\u003c\/li\u003e\n\u003cli\u003eBuilt-in Dante interface (64 inputs\/outputs); supports redundancy, AES67, DDM and SMPTE 2110\u003c\/li\u003e\n\u003cli\u003e32-bit\/96 kHz USB audio interface (32 inputs\/outputs)\u003c\/li\u003e\n\u003cli\u003e16 mic\/line inputs (up to +32 dBu), 16 XLR line outputs with flexible routing\u003c\/li\u003e\n\u003cli\u003eFour multi-effects processors\u003c\/li\u003e\n\u003cli\u003eTascam Sonicview Control software for Windows, macOS and iPadOS enables remote control and off-line editing\u003c\/li\u003e\n\u003cli\u003eTwo Tascam expansion slots\u003c\/li\u003e\n\u003cli\u003eOptional 32-track SDXC recorder, MADI, AES\/EBU and analogue I\/O cards available for the second slot\u003c\/li\u003e\n\u003cli\u003eOperating systems for hardware mixing surface and mixing engine are independent of each other for high stability and continuous audio flow\u003c\/li\u003e\n\u003cli\u003eFaders can be individually removed and replaced, top panel can be disassembled without disconnecting cables for easy servicing\u003c\/li\u003e\n\u003cli\u003eLibrary for snapshots, effects, modules, parametric EQ, graphic EQ, gate, compressor\u003c\/li\u003e\n\u003cli\u003e18 assignable user keys, seven custom fader layers, eight DCA groups\u003c\/li\u003e\n\u003cli\u003e16+1 100-mm motorised faders\u003c\/li\u003e\n\u003cli\u003e16 encoder knobs with colour LEDs\u003c\/li\u003e\n\u003cli\u003e16 LC displays with colour LEDs for channel name, input level and gain reduction meter\u003c\/li\u003e\n\u003cli\u003eInternal 2-track recording\/playback with SD card or USB flash drive\u003c\/li\u003e\n\u003cli\u003e8 TRS line inputs, 2 RCA stereo input pairs, XLR talkback input\u003c\/li\u003e\n\u003cli\u003eXLR monitor outputs\u003c\/li\u003e\n\u003cli\u003eStandard (6.3-mm) and mini (3.5-mm) headphones outputs\u003c\/li\u003e\n\u003cli\u003eWord clock In, Out\/Thru\u003c\/li\u003e\n\u003cli\u003e1000BASE-T gigabit Ethernet\u003c\/li\u003e\n\u003cli\u003e8-in\/8-out GPIO on DB25 connector\u003c\/li\u003e\n\u003cli\u003eTRS footswitch connector\u003c\/li\u003e\n\u003cli\u003eXLR 4-31 lamp connector\u003c\/li\u003e\n\u003cli\u003ePower switch with guard\u003c\/li\u003e\n\u003cli\u003eOptional Dante-enabled stage box with 16 inputs\/outputs (SB-16D)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eMixer Specifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eProcessing capabilities\u003cul\u003e\n\u003cli\u003eInputs:  52 audio channels (40 mono, 2 stereo, 4 stereo effect returns)\u003c\/li\u003e\n\u003cli\u003eBusses:  32 (22 Aux\/Group switchable mix busses, 1 stereo main bus, 4 stereo send busses)\u003c\/li\u003e\n\u003cli\u003eBuilt-in effects:  4\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSelectable input sources\u003cul\u003e\n\u003cli\u003eAt 96 kHz:  152 maximum\u003c\/li\u003e\n\u003cli\u003eAt 48 kHz:  248 maximum\u003c\/li\u003e\n\u003cli\u003eMic\/Line (XLR):  16\u003c\/li\u003e\n\u003cli\u003eLine (RCA):  4 (2 × stereo)\u003c\/li\u003e\n\u003cli\u003eDante:  32 (96 kHz), 64 (48 kHz)\u003c\/li\u003e\n\u003cli\u003eExpansion cards:  2 × 32 (96 kHz), 2 × 64 (48 kHz)\u003c\/li\u003e\n\u003cli\u003eUSB audio:  32\u003c\/li\u003e\n\u003cli\u003eBuilt-in player:  2 (1 × stereo)\u003c\/li\u003e\n\u003cli\u003eOscillator:  1\u003c\/li\u003e\n\u003cli\u003eTalkback:  1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSelectable output targets\u003cul\u003e\n\u003cli\u003eAt 96 kHz:  148 maximum\u003c\/li\u003e\n\u003cli\u003eAt 48 kHz:  244 maximum\u003c\/li\u003e\n\u003cli\u003eLine (XLR):  16\u003c\/li\u003e\n\u003cli\u003eDante:  32 (96 kHz), 64 (48 kHz)\u003c\/li\u003e\n\u003cli\u003eExpansion cards:  2 × 32 (96 kHz), 2 × 64 (48 kHz)\u003c\/li\u003e\n\u003cli\u003eUSB audio:  32\u003c\/li\u003e\n\u003cli\u003eMonitor output (analogue):  2 (1 × stereo)\u003c\/li\u003e\n\u003cli\u003eBuilt-in recorder:  2 (1 × stereo)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInserts\u003cul\u003e\u003cli\u003eAnalogue insertion points:  2 (Mic\/Line inputs 7–8)\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDigital signal processing\u003cul\u003e\n\u003cli\u003eMixing engine:  54-bit floating-point, 96 kHz\u003c\/li\u003e\n\u003cli\u003eA\/D converters:  32 bit, 96 kHz\u003c\/li\u003e\n\u003cli\u003eD\/A converters:  24 bit, 96 kHz\u003c\/li\u003e\n\u003cli\u003eDigital I\/O sampling rate:  96 kHz, 48 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eAnalogue audio inputs and outputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMic\/Line inputs (balanced, MIC\/LINE):  XLR-3-31 (1: GND, 2: HOT, 3: COLD)\u003cul\u003e\n\u003cli\u003eMaximum input level:\u003cul\u003e\n\u003cli\u003e+12 dBu (TRIM at minimum, Pad off)\u003c\/li\u003e\n\u003cli\u003e+32 dBu (TRIM at minimum, Pad on)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMinimum input level:\u003cul\u003e\n\u003cli\u003e–62 dBu (TRIM at maximum, Pad off)\u003c\/li\u003e\n\u003cli\u003e–42 dBu (TRIM at maximum, Pad on)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput impedance:  ≥5 kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLine inputs (LINE IN (BAL)):  6.3-mm standard TRS jacks (Tip: HOT, Ring: COLD, Sleeve: GND)\u003cul\u003e\n\u003cli\u003eMaximum input level:\u003cul\u003e\n\u003cli\u003e+12 dBu (TRIM at minimum, Pad off)\u003c\/li\u003e\n\u003cli\u003e+32 dBu (TRIM at minimum, Pad on)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMinimum input level:\u003cul\u003e\n\u003cli\u003e–62 dBu (TRIM at maximum, Pad off)\u003c\/li\u003e\n\u003cli\u003e–42 dBu (TRIM at maximum, Pad on)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput impedance:  ≥5 kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInserts (INSERT)\u003cul\u003e\n\u003cli\u003e6.3-mm standard TRS jacks\u003c\/li\u003e\n\u003cli\u003e(Tip: HOT, Ring: COLD, Sleeve: GND)\u003c\/li\u003e\n\u003cli\u003eMaximum input level (Return):  +18 dBu\u003c\/li\u003e\n\u003cli\u003eNominal input level (Return):  –2 dBu\u003c\/li\u003e\n\u003cli\u003eInput impedance (Return):  ≥5 kΩ\u003c\/li\u003e\n\u003cli\u003eMaximum output level (Send):  +18 dBu\u003c\/li\u003e\n\u003cli\u003eNominal output level (Send):  –2 dBu\u003c\/li\u003e\n\u003cli\u003eOutput impedance (Send):  ≤100 Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTalkback input (TALKBACK)\u003cul\u003e\n\u003cli\u003eXLR-3-31 (1: GND, 2: HOT, 3: COLD)\u003c\/li\u003e\n\u003cli\u003eMaximum input level:  +10 dBu\u003c\/li\u003e\n\u003cli\u003eMinimum input level:  –65 dBu\u003c\/li\u003e\n\u003cli\u003eGain adjustment range:  0–55 dB\u003c\/li\u003e\n\u003cli\u003eInput impedance:  ≥5 kΩ\u003c\/li\u003e\n\u003cli\u003ePhantom power:  +48 V available\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo inputs (ST IN 1-2 L\/R)\u003cul\u003e\n\u003cli\u003eRCA pin jacks\u003c\/li\u003e\n\u003cli\u003eMaximum input level:  +6 dBV (1.995 Vrms)\u003c\/li\u003e\n\u003cli\u003eNominal input level:  –10 dBV (0.316 Vrms)\u003c\/li\u003e\n\u003cli\u003eHeadroom:  16 dB\u003c\/li\u003e\n\u003cli\u003eInput impedance:  ≥10 kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLine outputs (OUTPUT 1–16):  XLR-3-32 (1: GND, 2: HOT, 3: COLD)\u003cul\u003e\n\u003cli\u003eMaximum output level (selectable):\u003cul\u003e\n\u003cli\u003e+15 dBu (Ref(D): –9 dBFS, Ref(A): +6 dBu)\u003c\/li\u003e\n\u003cli\u003e+18 dBu (Ref(D): –14 dBFS, Ref(A): +4 dBu)\u003c\/li\u003e\n\u003cli\u003e+20 dBu (Ref(D): –16 dBFS, Ref(A): +4 dBu)\u003c\/li\u003e\n\u003cli\u003e+18 dBu (Ref(D): –18 dBFS, Ref(A): 0 dBu)\u003c\/li\u003e\n\u003cli\u003e+20 dBu (Ref(D): –20 dBFS, Ref(A): 0 dBu)\u003c\/li\u003e\n\u003cli\u003e+22 dBu (Ref(D): –18 dBFS, Ref(A): +4 dBu)\u003c\/li\u003e\n\u003cli\u003e+24 dBu (Ref(D): –20 dBFS, Ref(A): +4 dBu)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eNominal output level (selectable):\u003cul\u003e\n\u003cli\u003e+6 dBu (Ref(D): –9 dBFS)\u003c\/li\u003e\n\u003cli\u003e+4 dBu (Ref(D): –14 dBFS, –16 dBFS)\u003c\/li\u003e\n\u003cli\u003e+4 dBu or 0 dBu (Ref(D): –18 dBFS, –20 dBFS)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput impedance:  ≤100 Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMonitor outputs (MONITOR OUT L\/R):  XLR-3-32 (1: GND, 2: HOT, 3: COLD)\u003cul\u003e\n\u003cli\u003eMaximum output level:  +24 dBu\u003c\/li\u003e\n\u003cli\u003eNominal output level:  +4 dBu\u003c\/li\u003e\n\u003cli\u003eOutput impedance:  ≤100 Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eHeadphones outputs (PHONES):  6.3-mm standard stereo jack, 3.5-mm stereo mini jack\u003cul\u003e\u003cli\u003eMaximum output power:  100 mW + 100 mW (32 Ω load, when connected to only one jack)\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDigital audio inputs and outputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eUSB audio:  USB Type-B\u003cul\u003e\n\u003cli\u003eInput (USB to Sonicview):  32 channels\u003c\/li\u003e\n\u003cli\u003eOutput (Sonicview to USB):  32 channels\u003c\/li\u003e\n\u003cli\u003eSampling rates:  48 kHz, 96 kHz\u003c\/li\u003e\n\u003cli\u003eBit depth:  32 bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDante PRIMARY\/SECONDARY:  etherCON Cat5e compatible\u003cul\u003e\n\u003cli\u003eNumber of audio channels:\u003cul\u003e\n\u003cli\u003e64 channels (48 kHz)\u003c\/li\u003e\n\u003cli\u003e32 channels (96 kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupported modes:  Redundant mode, Switched mode\u003c\/li\u003e\n\u003cli\u003eCompatible standard:  Gigabit Ethernet (1000BASE-T, IEEE 802.3ab)\u003c\/li\u003e\n\u003cli\u003eRecommended cables:  Cat5e STP or better\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eControl inputs and outputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eGPIO:  25-pin D-sub (8-in\/8-out, female, inch-standard)\u003cul\u003e\n\u003cli\u003eInput circuit:  Pull-up (5 V)\u003c\/li\u003e\n\u003cli\u003eOutput circuit\u003cul\u003e\n\u003cli\u003eOpen collector\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 10 Ω\u003c\/li\u003e\n\u003cli\u003eVoltage resistance: 20 V\u003c\/li\u003e\n\u003cli\u003eMaximum output current: 35 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaximum supply current (+5 V):  50 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFootswitch connector (FOOTSWITCH):  6.3-mm standard TS jack (Tip: HOT, Sleeve: GND)\u003c\/li\u003e\n\u003cli\u003eNetwork connector (ETHERNET):  RJ45\u003cul\u003e\n\u003cli\u003eCompatible standards:  100BASE-TX, 1000BASE-T\u003c\/li\u003e\n\u003cli\u003eProtocol:  TCP\/IP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eWordclock input (WORD IN):  BNC\u003cul\u003e\n\u003cli\u003eInput level:  0.5–5 Vpp\u003c\/li\u003e\n\u003cli\u003eInput impedance:  75 Ω ±10% (termination on)\u003c\/li\u003e\n\u003cli\u003eInput frequency:  48 kHz, 96 kHz\u003c\/li\u003e\n\u003cli\u003ePermissible frequency deviation:  ±100 ppm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eWordclock output (WORD THRU\/OUT):  BNC\u003cul\u003e\n\u003cli\u003eOutput level:  TTL level, 5 V\u003c\/li\u003e\n\u003cli\u003eOutput frequency:  48 kHz, 96 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB port (top panel):  4-pin USB Type-C (for keyboard and mass storage)\u003cul\u003e\n\u003cli\u003eStandard:  USB 2.0 High Speed (480 Mbit\/s)\u003c\/li\u003e\n\u003cli\u003eBus power:  5 V, 0.5 A\u003c\/li\u003e\n\u003cli\u003eClasses:  HID, mass storage\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB port (rear panel):  USB Type-B (for audio interface, dedicated driver required)\u003cul\u003e\u003cli\u003eStandard:  USB 2.0 High Speed (480 Mbit\/s)\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePower output for lamp (LAMP):  XLR 4-pin female (pin 4: +12V, pin 3: GND)\u003cul\u003e\n\u003cli\u003ePower supply voltage:  DC 0–12 V (adjustable brightness)\u003c\/li\u003e\n\u003cli\u003eMaximum output power:  5 W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eAudio performance\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMic amp EIN (equivalent input noise):  ≤–128 dBu\u003c\/li\u003e\n\u003cli\u003eFrequency response (Mic\/Line input to Line output):  20 Hz – 40 kHz: +0 dB, –1.0 dB (JEITA)\u003cul\u003e\n\u003cli\u003eDynamic range\u003c\/li\u003e\n\u003cli\u003e≥108 dB (Mic\/Line input to Line output, PAD off, TRIM min., Ref(D) –20 dBFS, internal word clock, JEITA)\u003c\/li\u003e\n\u003cli\u003e≥110 dB (Mic\/Line input to Dante output, PAD off, TRIM min., internal word clock, JEITA)\u003c\/li\u003e\n\u003cli\u003e≥112 dB (Dante input to Line output, PAD off, TRIM min., internal word clock, JEITA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDistortion\u003cul\u003e\n\u003cli\u003e≤0.002 % (Mic\/Line input to Line output, +4 dBu input signal, PAD off, TRIM min., JEITA)\u003c\/li\u003e\n\u003cli\u003e≤0.002 % (Mic\/Line input to Dante output, +4 dBu input signal, PAD off, TRIM min., JEITA)\u003c\/li\u003e\n\u003cli\u003e≤0.002 % (Dante input to Line output, 0 dBFS input signal, JEITA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCrosstalk:  ≥–100 dB (Mic\/Line input to Line output, 1 kHz sine wave, JEITA)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSystem requirements for connected computers\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eUSB audio interface:  64-bit Windows- or Mac-compatible computer with a USB 2.0 (or higher) port\u003c\/li\u003e\n\u003cli\u003eRemote control:  64-bit Windows- or Mac-compatible computer with network access, Apple iPad\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eRecorder\/Player specifications (with optional IF-MTR32 expansion card installed)\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eStorage media\u003cul\u003e\n\u003cli\u003eSDHC cards (8–32 GB, Class 10 or better)\u003c\/li\u003e\n\u003cli\u003eSDXC cards (64–128 GB, Class 10 or better)\u003c\/li\u003e\n\u003cli\u003eUSB flash drives (8–128 GB, playback only)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFile systems\u003cul\u003e\n\u003cli\u003eSDHC card, USB storage: FAT32\u003c\/li\u003e\n\u003cli\u003eSDXC card, USB storage: exFAT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eRecording\/playback formats\u003cul\u003e\n\u003cli\u003eWAV\/BWF\u003cul\u003e\n\u003cli\u003eRecording: 48 kHz, 96 kHz, 24 bit, 2 channels\u003c\/li\u003e\n\u003cli\u003ePlayback: 48 kHz, 96 kHz, 16\/24 bit, 2 channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMP3:  Playback: 44.1 kHz, 48 kHz, 32–320 kbit\/s\u003c\/li\u003e\n\u003cli\u003eAAC:  Playback: 44.1 kHz, 48 kHz, 64–320 kbit\/s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePower supply and other specifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMain displays:  2 7-inch (17,8 cm) colour touchscreens, 800 × 480 px\u003c\/li\u003e\n\u003cli\u003eChannel displays:  2 monochrome LC displays, 384 × 68 px\u003c\/li\u003e\n\u003cli\u003eMains power:  AC 100–240 V, 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003ePower consumption:  65 W\u003c\/li\u003e\n\u003cli\u003eOverall dimensions (width × height × depth):  472 mm × 228 mm × 554 mm\u003c\/li\u003e\n\u003cli\u003eWeight:  13 kg\u003c\/li\u003e\n\u003cli\u003ePermissible operating temperature range:  0–40 °C\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":55150704329082,"sku":"TASSONICVIEW16","price":3888.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/TASSONICVIEW16_Tascam_SONICVIEW16_Image_1.jpg?v=1765892158"},{"product_id":"sonicview-24-24-channel-digital-mixing-console-44in-24bus-dante","title":"SonicView 24 24-Channel Digital Mixing Console 44in\/24bus Dante","description":"\u003cp\u003eTascam has a long history of high-quality recording products and digital mixers, culminating in the legendary DA-88 eight-track modular multi-track recorder and the DM-4800 digital mixer, a workhorse combination that once set a new standard. With Sonicview, Tascam has created an entirely new line of digital mixing consoles that incorporate the latest technology and make it easy to view and control all of the parameters you want, when you want, with fully customisable touchscreens and user-definable buttons, motorised faders and intuitive control software.\u003c\/p\u003e\u003cp\u003eSonicview recording consoles integrate beautifully with the rest of your system, thanks to built-in Dante networking, a 32-bit\/96-kHz multi-channel USB audio interface and plenty of inputs and outputs. No-compromise audio quality and a 54-bit floating-point FPGA mixing engine combines with ample signal processing, an expansion slot for additional connectivity and wireless remote control to make Sonicview mixers the next-generation choice for recording studios, remote recording, touring, installed sound and broadcasting.\u003c\/p\u003e\u003ch2\u003eProduct Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eTascam VIEW (Visual Interactive Ergonomic Workflow) interface allows intuitive operation with three different view modes\u003c\/li\u003e\n\u003cli\u003eMultiple displays with three 7-inch colour touchscreens\u003c\/li\u003e\n\u003cli\u003e44 input channels (40 mono, 2 stereo)\u003c\/li\u003e\n\u003cli\u003e22 flexible output buses plus main L\/R bus with 31-band graphic EQ\u003c\/li\u003e\n\u003cli\u003e54-bit float-point FPGA mixing engine, 96 kHz sampling rate\u003c\/li\u003e\n\u003cli\u003eUltra-low latency: 2× Fs (20.8 μs) in mixing engine, 0.51 ms analogue-to-analogue\u003c\/li\u003e\n\u003cli\u003e32-bit\/96 kHz A\/D and D\/A conversion\u003c\/li\u003e\n\u003cli\u003eTascam HDIA (High-Definition Instrumentation Architecture) microphone preamplifiers\u003c\/li\u003e\n\u003cli\u003eBuilt-in Dante interface (64 inputs\/outputs); supports redundancy, AES67, DDM and SMPTE 2110\u003c\/li\u003e\n\u003cli\u003e32-bit\/96 kHz USB audio interface (32 inputs\/outputs)\u003c\/li\u003e\n\u003cli\u003e24 mic\/line inputs (up to +32 dBu), 16 XLR line outputs with flexible routing\u003c\/li\u003e\n\u003cli\u003eFour multi-effects processors\u003c\/li\u003e\n\u003cli\u003eTascam Sonicview Control software for Windows, macOS and iPadOS enables remote control and off-line editing\u003c\/li\u003e\n\u003cli\u003eTwo Tascam expansion slots\u003c\/li\u003e\n\u003cli\u003eOptional 32-track SDXC recorder, MADI, AES\/EBU and analogue I\/O cards available for the second slot\u003c\/li\u003e\n\u003cli\u003eOperating systems for hardware mixing surface and mixing engine are independent of each other for high stability and continuous audio flow\u003c\/li\u003e\n\u003cli\u003eFaders can be individually removed and replaced, top panel can be disassembled without disconnecting cables for easy servicing\u003c\/li\u003e\n\u003cli\u003eLibrary for snapshots, effects, modules, parametric EQ, graphic EQ, gate, compressor\u003c\/li\u003e\n\u003cli\u003e18 assignable user keys, seven custom fader layers, eight DCA groups\u003c\/li\u003e\n\u003cli\u003e24+1 100-mm motorised faders\u003c\/li\u003e\n\u003cli\u003e24 encoder knobs with colour LEDs\u003c\/li\u003e\n\u003cli\u003e24 LC displays with colour LEDs for channel name, input level and gain reduction meter\u003c\/li\u003e\n\u003cli\u003eInternal 2-track recording\/playback with SD card or USB flash drive\u003c\/li\u003e\n\u003cli\u003e8 TRS line inputs, 2 RCA stereo input pairs, XLR talkback input\u003c\/li\u003e\n\u003cli\u003eXLR monitor outputs\u003c\/li\u003e\n\u003cli\u003eStandard (6.3-mm) and mini (3.5-mm) headphones outputs\u003c\/li\u003e\n\u003cli\u003eWord clock In, Out\/Thru\u003c\/li\u003e\n\u003cli\u003e1000BASE-T gigabit Ethernet\u003c\/li\u003e\n\u003cli\u003e8-in\/8-out GPIO on DB25 connector\u003c\/li\u003e\n\u003cli\u003eTRS footswitch connector\u003c\/li\u003e\n\u003cli\u003eXLR 4-31 lamp connector\u003c\/li\u003e\n\u003cli\u003ePower switch with guard\u003c\/li\u003e\n\u003cli\u003eOptional Dante-enabled stage box with 16 inputs\/outputs (SB-16D)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\u003ch3\u003eMixer Specifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eProcessing capabilities\u003cul\u003e\n\u003cli\u003eInputs:  52 audio channels (40 mono, 2 stereo, 4 stereo effect returns)\u003c\/li\u003e\n\u003cli\u003eBusses:  32 (22 Aux\/Group switchable mix busses, 1 stereo main bus, 4 stereo send busses)\u003c\/li\u003e\n\u003cli\u003eBuilt-in effects:  4\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSelectable signal sources\u003cul\u003e\n\u003cli\u003eAt 96 kHz:  160 maximum\u003c\/li\u003e\n\u003cli\u003eAt 48 kHz:  256 maximum\u003c\/li\u003e\n\u003cli\u003eMic\/Line (XLR):  16\u003c\/li\u003e\n\u003cli\u003eLine (RCA):  4 (2 × stereo)\u003c\/li\u003e\n\u003cli\u003eDante:  32 (96 kHz), 64 (48 kHz)\u003c\/li\u003e\n\u003cli\u003eExpansion cards:  2 × 32 (96 kHz), 2 × 64 (48 kHz)\u003c\/li\u003e\n\u003cli\u003eUSB audio:  32\u003c\/li\u003e\n\u003cli\u003eBuilt-in player:  2 (1 × stereo)\u003c\/li\u003e\n\u003cli\u003eOscillator:  1\u003c\/li\u003e\n\u003cli\u003eTalkback:  1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSelectable output targets\u003cul\u003e\n\u003cli\u003eAt 96 kHz:  148 maximum\u003c\/li\u003e\n\u003cli\u003eAt 48 kHz:  244 maximum\u003c\/li\u003e\n\u003cli\u003eLine (XLR):  16\u003c\/li\u003e\n\u003cli\u003eDante:  32 (96 kHz), 64 (48 kHz)\u003c\/li\u003e\n\u003cli\u003eExpansion cards:  2 × 32 (96 kHz), 2 × 64 (48 kHz)\u003c\/li\u003e\n\u003cli\u003eUSB audio:  32\u003c\/li\u003e\n\u003cli\u003eMonitor output (analogue):  2 (1 × stereo)\u003c\/li\u003e\n\u003cli\u003eBuilt-in recorder:  2 (1 × stereo)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInserts\u003cul\u003e\u003cli\u003eAnalogue insertion points:  2 (Mic\/Line inputs 15–16)\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDigital signal processing\u003cul\u003e\n\u003cli\u003eMixing engine:  54-bit floating-point, 96 kHz\u003c\/li\u003e\n\u003cli\u003eA\/D converters:  32 bit, 96 kHz\u003c\/li\u003e\n\u003cli\u003eD\/A converters:  24 bit, 96 kHz\u003c\/li\u003e\n\u003cli\u003eDigital I\/O sampling rate:  96 kHz, 48 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eAnalogue audio inputs and outputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMic\/Line inputs (balanced, MIC\/LINE):  XLR-3-31 (1: GND, 2: HOT, 3: COLD)\u003cul\u003e\n\u003cli\u003eMaximum input level:\u003cul\u003e\n\u003cli\u003e+12 dBu (TRIM at minimum, Pad off)\u003c\/li\u003e\n\u003cli\u003e+32 dBu (TRIM at minimum, Pad on)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMinimum input level:\u003cul\u003e\n\u003cli\u003e–62 dBu (TRIM at maximum, Pad off)\u003c\/li\u003e\n\u003cli\u003e–42 dBu (TRIM at maximum, Pad on)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput impedance:  ≥5 kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLine inputs (LINE IN (BAL)):  6.3-mm standard TRS jacks (Tip: HOT, Ring: COLD, Sleeve: GND)\u003cul\u003e\n\u003cli\u003eMaximum input level:\u003cul\u003e\n\u003cli\u003e+12 dBu (TRIM at minimum, Pad off)\u003c\/li\u003e\n\u003cli\u003e+32 dBu (TRIM at minimum, Pad on)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMinimum input level:\u003cul\u003e\n\u003cli\u003e–62 dBu (TRIM at maximum, Pad off)\u003c\/li\u003e\n\u003cli\u003e–42 dBu (TRIM at maximum, Pad on)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput impedance:  ≥5 kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInserts (INSERT)\u003cul\u003e\n\u003cli\u003e6.3-mm standard TRS jacks\u003c\/li\u003e\n\u003cli\u003e(Tip: HOT, Ring: COLD, Sleeve: GND)\u003c\/li\u003e\n\u003cli\u003eMaximum input level (Return):  +18 dBu\u003c\/li\u003e\n\u003cli\u003eNominal input level (Return):  –2 dBu\u003c\/li\u003e\n\u003cli\u003eInput impedance (Return):  ≥5 kΩ\u003c\/li\u003e\n\u003cli\u003eMaximum output level (Send):  +18 dBu\u003c\/li\u003e\n\u003cli\u003eNominal output level (Send):  –2 dBu\u003c\/li\u003e\n\u003cli\u003eOutput impedance (Send):  ≤100 Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTalkback input (TALKBACK)\u003cul\u003e\n\u003cli\u003eXLR-3-31 (1: GND, 2: HOT, 3: COLD)\u003c\/li\u003e\n\u003cli\u003eMaximum input level:  +10 dBu\u003c\/li\u003e\n\u003cli\u003eMinimum input level:  –65 dBu\u003c\/li\u003e\n\u003cli\u003eGain adjustment range:  0–55 dB\u003c\/li\u003e\n\u003cli\u003eInput impedance:  ≥5 kΩ\u003c\/li\u003e\n\u003cli\u003ePhantom power:  +48 V available\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo inputs (ST IN 1-2 L\/R)\u003cul\u003e\n\u003cli\u003eRCA pin jacks\u003c\/li\u003e\n\u003cli\u003eMaximum input level:  +6 dBV (1.995 Vrms)\u003c\/li\u003e\n\u003cli\u003eNominal input level:  –10 dBV (0.316 Vrms)\u003c\/li\u003e\n\u003cli\u003eHeadroom:  16 dB\u003c\/li\u003e\n\u003cli\u003eInput impedance:  ≥10 kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLine outputs (OUTPUT 1–16):  XLR-3-32 (1: GND, 2: HOT, 3: COLD)\u003cul\u003e\n\u003cli\u003eMaximum output level (selectable):\u003cul\u003e\n\u003cli\u003e+15 dBu (Ref(D): –9 dBFS, Ref(A): +6 dBu)\u003c\/li\u003e\n\u003cli\u003e+18 dBu (Ref(D): –14 dBFS, Ref(A): +4 dBu)\u003c\/li\u003e\n\u003cli\u003e+20 dBu (Ref(D): –16 dBFS, Ref(A): +4 dBu)\u003c\/li\u003e\n\u003cli\u003e+18 dBu (Ref(D): –18 dBFS, Ref(A): 0 dBu)\u003c\/li\u003e\n\u003cli\u003e+20 dBu (Ref(D): –20 dBFS, Ref(A): 0 dBu)\u003c\/li\u003e\n\u003cli\u003e+22 dBu (Ref(D): –18 dBFS, Ref(A): +4 dBu)\u003c\/li\u003e\n\u003cli\u003e+24 dBu (Ref(D): –20 dBFS, Ref(A): +4 dBu)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eNominal output level (selectable):\u003cul\u003e\n\u003cli\u003e+6 dBu (Ref(D): –9 dBFS)\u003c\/li\u003e\n\u003cli\u003e+4 dBu (Ref(D): –14 dBFS, –16 dBFS)\u003c\/li\u003e\n\u003cli\u003e+4 dBu or 0 dBu (Ref(D): –18 dBFS, –20 dBFS)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput impedance:  ≤100 Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMonitor outputs (MONITOR OUT L\/R):  XLR-3-32 (1: GND, 2: HOT, 3: COLD)\u003cul\u003e\n\u003cli\u003eMaximum output level:  +24 dBu\u003c\/li\u003e\n\u003cli\u003eNominal output level:  +4 dBu\u003c\/li\u003e\n\u003cli\u003eOutput impedance:  ≤100 Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eHeadphones outputs (PHONES):  6.3-mm standard stereo jack, 3.5-mm stereo mini jack\u003cul\u003e\u003cli\u003eMaximum output power:  100 mW + 100 mW (32 Ω load, when connected to only one jack)\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDigital audio inputs and outputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eUSB audio:  USB Type-B\u003cul\u003e\n\u003cli\u003eInput (USB to Sonicview):  32 channels\u003c\/li\u003e\n\u003cli\u003eOutput (Sonicview to USB):  32 channels\u003c\/li\u003e\n\u003cli\u003eSampling rates:  48 kHz, 96 kHz\u003c\/li\u003e\n\u003cli\u003eBit depth:  32 bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDante PRIMARY\/SECONDARY:  etherCON Cat5e compatible\u003cul\u003e\n\u003cli\u003eNumber of audio channels:\u003cul\u003e\n\u003cli\u003e64 channels (48 kHz)\u003c\/li\u003e\n\u003cli\u003e32 channels (96 kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupported modes:  Redundant mode, Switched mode\u003c\/li\u003e\n\u003cli\u003eCompatible standard:  Gigabit Ethernet (1000BASE-T, IEEE 802.3ab)\u003c\/li\u003e\n\u003cli\u003eRecommended cables:  Cat5e STP or better\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eControl inputs and outputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eGPIO:  25-pin D-sub (8-in\/8-out, female, inch-standard)\u003cul\u003e\n\u003cli\u003eInput circuit:  Pull-up (5 V)\u003c\/li\u003e\n\u003cli\u003eOutput circuit\u003cul\u003e\n\u003cli\u003eOpen collector\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 10 Ω\u003c\/li\u003e\n\u003cli\u003eVoltage resistance: 20 V\u003c\/li\u003e\n\u003cli\u003eMaximum output current: 35 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaximum supply current (+5 V):  50 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFootswitch connector (FOOTSWITCH):  6.3-mm standard TS jack (Tip: HOT, Sleeve: GND)\u003c\/li\u003e\n\u003cli\u003eNetwork connector (ETHERNET):  RJ45\u003cul\u003e\n\u003cli\u003eCompatible standards:  100BASE-TX, 1000BASE-T\u003c\/li\u003e\n\u003cli\u003eProtocol:  TCP\/IP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eWordclock input (WORD IN):  BNC\u003cul\u003e\n\u003cli\u003eInput level:  0.5–5 Vpp\u003c\/li\u003e\n\u003cli\u003eInput impedance:  75 Ω ±10% (termination on)\u003c\/li\u003e\n\u003cli\u003eInput frequency:  48 kHz, 96 kHz\u003c\/li\u003e\n\u003cli\u003ePermissible frequency deviation:  ±100 ppm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eWordclock output (WORD THRU\/OUT):  BNC\u003cul\u003e\n\u003cli\u003eOutput level:  TTL level, 5 V\u003c\/li\u003e\n\u003cli\u003eOutput frequency:  48 kHz, 96 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB port (top panel):  4-pin USB Type-C (for keyboard and mass storage)\u003cul\u003e\n\u003cli\u003eStandard:  USB 2.0 High Speed (480 Mbit\/s)\u003c\/li\u003e\n\u003cli\u003eBus power:  5 V, 0.5 A\u003c\/li\u003e\n\u003cli\u003eClasses:  HID, mass storage\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB port (rear panel):  USB Type-B (for audio interface, dedicated driver required)\u003cul\u003e\u003cli\u003eStandard:  USB 2.0 High Speed (480 Mbit\/s)\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePower output for lamp (LAMP):  XLR 4-pin female (pin 4: +12V, pin 3: GND)\u003cul\u003e\n\u003cli\u003ePower supply voltage:  DC 0–12 V (adjustable brightness)\u003c\/li\u003e\n\u003cli\u003eMaximum output power:  5 W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eAudio performance\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMic amp EIN (equivalent input noise):  ≤–128 dBu\u003c\/li\u003e\n\u003cli\u003eFrequency response (Mic\/Line input to Line output):  20 Hz – 40 kHz: +0 dB, –1.0 dB (JEITA)\u003cul\u003e\n\u003cli\u003eDynamic range\u003c\/li\u003e\n\u003cli\u003e≥108 dB (Mic\/Line input to Line output, PAD off, TRIM min., Ref(D) –20 dBFS, internal word clock, JEITA)\u003c\/li\u003e\n\u003cli\u003e≥110 dB (Mic\/Line input to Dante output, PAD off, TRIM min., internal word clock, JEITA)\u003c\/li\u003e\n\u003cli\u003e≥112 dB (Dante input to Line output, PAD off, TRIM min., internal word clock, JEITA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDistortion\u003cul\u003e\n\u003cli\u003e≤0.002 % (Mic\/Line input to Line output, +4 dBu input signal, PAD off, TRIM min., JEITA)\u003c\/li\u003e\n\u003cli\u003e≤0.002 % (Mic\/Line input to Dante output, +4 dBu input signal, PAD off, TRIM min., JEITA)\u003c\/li\u003e\n\u003cli\u003e≤0.002 % (Dante input to Line output, 0 dBFS input signal, JEITA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCrosstalk:  ≥–100 dB (Mic\/Line input to Line output, 1 kHz sine wave, JEITA)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSystem requirements for connected computers\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eUSB audio interface:  64-bit Windows- or Mac-compatible computer with a USB 2.0 (or higher) port\u003c\/li\u003e\n\u003cli\u003eRemote control:  64-bit Windows- or Mac-compatible computer with network access, Apple iPad\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eRecorder\/Player specifications (with optional IF-MTR32 expansion card installed)\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eStorage media\u003cul\u003e\n\u003cli\u003eSDHC cards (8–32 GB, Class 10 or better)\u003c\/li\u003e\n\u003cli\u003eSDXC cards (64–128 GB, Class 10 or better)\u003c\/li\u003e\n\u003cli\u003eUSB flash drives (8–128 GB, playback only)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFile systems\u003cul\u003e\n\u003cli\u003eSDHC card, USB storage: FAT32\u003c\/li\u003e\n\u003cli\u003eSDXC card, USB storage: exFAT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eRecording\/playback formats\u003cul\u003e\n\u003cli\u003eWAV\/BWF\u003cul\u003e\n\u003cli\u003eRecording: 48 kHz, 96 kHz, 24 bit, 2 channels\u003c\/li\u003e\n\u003cli\u003ePlayback: 48 kHz, 96 kHz, 16\/24 bit, 2 channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMP3:  Playback: 44.1 kHz, 48 kHz, 32–320 kbit\/s\u003c\/li\u003e\n\u003cli\u003eAAC:  Playback: 44.1 kHz, 48 kHz, 64–320 kbit\/s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePower supply and other specifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMain displays:  3 7-inch (17,8 cm) colour touchscreens, 800 × 480 px\u003c\/li\u003e\n\u003cli\u003eChannel displays:  3 monochrome LC displays, 384 × 68 px\u003c\/li\u003e\n\u003cli\u003eMains power:  AC 100–240 V, 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003ePower consumption:  65 W\u003c\/li\u003e\n\u003cli\u003eOverall dimensions (width × height × depth):  691 mm × 228 mm × 554 mm\u003c\/li\u003e\n\u003cli\u003eWeight:  18 kg\u003c\/li\u003e\n\u003cli\u003ePermissible operating temperature range:  0–40 °C\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":55150704361850,"sku":"TASSONICVIEW24","price":4667.15,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0511\/4245\/9568\/files\/TASSONICVIEW24_Tascam_SONICVIEW24_Image_1.jpg?v=1765892162"}],"url":"https:\/\/leisuretec.co.uk\/collections\/digital-mixers.oembed?page=4","provider":"Leisuretec Distribution Ltd","version":"1.0","type":"link"}